Category Archives: Film

Perfection


To achieve perfection takes trial and error.

If others are involved in your task, they may see your experimentation as indecision.

Ignore that gnawing urge to placate them for an easier life, and press on with your goal.

Only then, will you hope to attain something that you can be 85 – 90% satisfied with.

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Top 10 Sci-Fi films of all time.


Okay, we had my top 10, (ahem), love films of all time. So, I thought it was about time to man-up a bit and post – what I think – are the 10 best Sci-fi movies of all time – ever. To infinity and back.

Now, you may beg to differ with my chosen cinematic behemoths. And, if you do, you’d be wrong. However, feel free to enlighten me to any classics I’ve missed.

Cop hunts robots. Falls in love with robot. He might be a robot.

“Open the pod bay doors, Al.” A classic from Kubrick and Arthur C. Clarke. “Open ‘em yourself, yer lazy get.”

Epic empirical wars over life-giving spice [oil].

Things go frustratingly awry for Sam in this bureaucratic dystopia.

Man goes back in time to protect mother of future leader of resistance against robots. Pursued by Terminator, our hero ends up being the dad of the future leader. Eh? So, if he didn’t go back in the, oh forget it.

Rescue ship finds missing spaceship that can create black holes. Unfortunately, the black hole it created led to hell.

I’m still biting my nails over this deep-space thriller.

Who says sci-fi can’t be funny? Worth a view just for the orgasmatron.

Well, I liked it. No nasty aliens. No blood and guts. Just ethical questions about god and science.

Nothing is real, you know. Should be a documentary rather than a movie.

 

 

 

 

 

 

 

 

 

 

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I have a dream too, you know.


True, it may not be as ambitious and world-changing as Dr. Martin Luther King Jr’s. But it’s a dream nonetheless.

To be honest, I wasn’t going to post about it until I felt I was in more of a position to realise this dream. But short of winning the Euro Millions Lottery, it aint going to happen without some serious philanthropic backer.

So, what is my dream?

Well, it’s to build a School of Arts for under-privileged kids.

Kids from low socioeconomic backgrounds in large inner-city estates. Kids who might not ordinarily get the opportunity to explore the more creative aspects of their nature.

What good would that do society? We’re in a depression, don’t you know!

Problems in every field of human endeavour are virtually always solved by creative thinking. Even the great Albert Einstein said so himself. Creativity allows us to look at problems from different angles and apply new thinking to solve problems.

Moreover, I don’t see it as a school that produces an unprecedented amount of artists. But an unprecedented amount of creative thinkers – whichever vocation they choose to pursue later in life. Whether it be mathematics, science, business, computers, product design, or economics.

And yes, a few more more artists too. And what’s wrong with that? Art is seen as a dirty word in this country. If I tell people I write poetry, they shift uneasily in their seats. If I said I write poetry in Ireland the response would be a polite smile and a nod toward the back of the queue.

Do you think the first rocket flight to the moon was dreamed up by a scientist?

Sure, scientists and engineers made it a reality. But it is creative people who come up with the ideas and the original solutions of how they can be achieved.

What will the kids do?

The school will develop and encourage creative thinking and self-expression.

It will foster, nurture and encourage exploration of the arts in all its many and varied forms including: painting, drawing, sculpture, ceramics, poetry, literature, screenplays, theatre, drama, dance, music, design, digital arts, film, photography, humanities, languages, and the classics.

Where is this school?

I quite fancy the idea of transforming a derelict Victorian mill. There’s something quite ironic about that. Though it certainly wouldn’t be a prerequisite. (Salts Mill in Bradford is a good example.)

Initially, an inner-city campus close to urban populations that have a high level of low socioeconomic families. Basically, anywhere across the Manchester – Huddersfield – Halifax – Leeds belt. It’s also sufficiently ‘central’ enough to accommodate children from further afield.

It would also be good to have a rural retreat – somewhere like the Lake District, Peak District or the Yorkshire Dales, where children can attend week-long courses/classes which double up as a holiday.

I would also like to open an international sister school in India or Sri Lanka where people from distinctly different cultures can share ideas. These schools could also participate in exchange programmes. (Then subsequently, even further afield: China, South America, South Asia.)

What about science subjects?

This school wouldn’t be a replacement for existing schools and their curricula – more of an extension to them.

Would it exclude people from non low socioeconomic backgrounds?

Not at all. But opportunities for middle-class families in other schools are much more accessible, regardless of ability.

Intake for low income kids would be based as much on desire and enthusiasm to participate rather than ability. There would be a limited number of places for more affluent children. Sort of like Eton – in reverse.

What kind of courses will it run?

Day-long workshops for visiting schools.

After-school classes.

Week-long courses. (Which would include accommodation for traveling students.)

Weekend classes.

Full-time sixth form courses. (A-levels.)

Masters and PhD courses.

What ages are we talking about?

Key Stage 3, up to, and including, sixth form.

Undergraduate, Masters and PhD courses.

What else does the school have?

Apart from studios and classrooms?

There’d be accommodation for students who are visiting from further afield.

Cafe / restaurant.

Gallery to promote and sell students’ work.

Gallery featuring independent contemporary and traditional art.

Masterclasses from guest lecturers.

State of the art library. (Both on and off-line.)

Book shop.

Art-house cinema.

Who will pay for it?

Well, that’s the biggest question of all.

A like-minded philanthropist would be nice.

Arts Council grant.

Lottery funding.

A percentage of Masters and PhD students’ tuition fees could go towards funding.

Sales from restaurant and galleries.

Fundraising / donations.

An Ideal World School of Arts.

Salts Mill, Bradford.

David Hockney at Salts Mill.

Salts Mill interior.

Studio space?

Any constructive criticism and advice about how to get something like this funded and off the ground would be greatly appreciated.

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My top 10 (make that 12) love films of all time.


Okay, call me an old softy.

Here’s my top ten. ‘Twas a tough decision. A few classics didn’t make the cut.

If there are any you haven’t seen, check them out, you won’t be disappointed.

Have I missed your favourite? Feel free to participate.

Wings of desire, wim wenders

#1 My all-time favourite by Wim Wenders
about an Angel who falls in love with a trapeze artist.

Betty Blue

#2 Betty Blue. About a laid back wannabe writer
who falls in love with a complete fruit cake.

The English Patient

#3 Ralph goes to extraordinary lengths to get back to his injured lover.
(Even doing a deal with the enemy.)

The hairdresser's husband

#4 Dad-dancing Antoine has a bit of a fetish for hairdressers.

True Romance

#5 by the late Tony Scott. Clarence takes us on a whirlwind romance across the States.
Full of gangsters, pimps, drugs, blood and bullets.

Les amants du pont-neuf

#6 Juliette Binoche at her finest. Vagrants fall in love too, you know.

Il postino, pablo neruda

#7 A postie enlists the help of poet, Pablo Neruda, to woo the girl of his dreams.

Amelie

#8 Who could forget the innocent magic of Audrey Tautou?

#9 A princess in disguise takes to the streets of Rome
guided by a trickster journalist.

Wall-e

#10 Yes, you read it right. The charming trash collecting robot falls for hi-tech probe, Eve. Bit like your 1987 Nokia falling in love with an iPhone 5.

Addendum: A friend reminded me of this one. Another brilliant movie by Wim Wenders, starring Harry Dean Stanton and Natasha Kinski. I know that makes 11. But it’s my blog and if you can’t do what you want in your own world then I don’t know where you can.

paris texas, wim wenders

10a, the only movie where the soundtrack (Ry Cooder) is as good as the film.

Dagnabbit. I forgot about The Piano by Jane Campion. Okay, I’ll swap Roman Holiday for this one.

10b. Perhaps the only other movie to feature a soundtrack (Michael Nyman) as good as the film itself.

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Tony Scott – In Memoriam.


tony scott, suicide

Tony Scott, director, 1944 – 2012.

What compels a person to take their own life?

Serious mental illness? A scandal? Depression?

People often talk about suicide victims as being selfish. Particularly if they leave children behind.

But you don’t hear people saying: That selfish bastard went and died of cancer.

The person doesn’t kill themselves – the illness kills them. And depression is an illness. Like it or not. Believe it or not.

Whether the sufferer has a chemical imbalance in the brain or has a genetic predisposition varies from patient to patient.

It’s very difficult for doctors to ascertain what causes mental illness, but what they do know is that it is very real.

Figures suggest that 1 in 4 people will suffer from a mental illness at some stage during their life.

There are numerous treatments available, from antidepressants to cognitive behaviour therapy (CBT). For most people, the illness is temporary and they make a full recovery. But for others, it’s a life-long sentence.

I can’t think of anyone who suffers from depression who wants to be in that condition. And I can’t imagine anyone, who’s of a normal state of mind, actually wants to die.

I imagine the reason that a person commits suicide does so because, to them, it is a very real and viable solution to their present problem.

What dark place must they inhabit if there is no other hope?

To a non-sufferer, it seems incomprehensible that suicide could ever be a viable option. Unfortunately, it is these kind of beliefs that perpetuate the stigma surrounding mental illness. And why some sufferers are reluctant to seek help.

It doesn’t matter if you’re rich, successful and appear to have everything, mental illness doesn’t discriminate.

Like many people, I was very saddened to hear about the recent passing away of film director, Tony Scott, who committed suicide by jumping from a bridge. Leaving behind a wife and two children.

Whether he was being treated for mental illness, I don’t know. It is rumoured that he had terminal brain cancer. But this has been denied by his family.

The saddest thing of all, is that whatever his mental state, he felt that ending his own life was the best option he had left.

Christian Slater & Patricia Arquette in True Romance, directed by Tony Scott.

I’ll remember him for making one of my favourite films – True Romance, written by Quentin Tarantino, and starring Christian Slater, Patricia Arquette and whole host of other luminaries such as: Dennis Hopper, Val Kilmer, Christopher Walken, Gary Oldman, Brad Pitt, Samuel L. Jackson, Chris Penn and James Gandolfini.

Here’s one of my favourite scenes played by Dennis Hopper, (Clarence’s dad), and Christopher Walken, a mafioso.

Hopper knows his time is up, and to prevent being tortured some more and possibly spilling the beans as to his son’s whereabouts, he decides to provoke his captor.

Rest in Peace, Mr Scott.

Here are some other famous people who also felt they had run out of options:

Vincent van Gogh, painter, 1890.

Alan Turing, computer scientist, 1954.

Ernest Hemingway, writer, 1961.

Sylvia Plath, writer, 1963.

Rothko, painter, 1970.

Diane Arbus, photographer, 1971.

Ian Curtis, singer, Joy Division, 1980.

Kurt Cobain, singer, Nirvana, 1994.

Gary Speed, footballer, 2011.

Tony Scott, director, 2012.

And here’s a link for anyone who needs help.

http://www.mind.org.uk/

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Meet the Superhumans


If you don’t live in London, but you do live somewhere else in England, you might be a bit fed up of hearing the media banging on about what legacies London 2012 will leave for the rest of Britain.

Well, the clue’s in the name, people!

I live in sunny Stockport, in the northwest of England, and I couldn’t give a rat’s ass what kind of legacy London 2012 will leave for Manchester.

We had the Empire Games back in 2002. And we still have loads of lovely legacies such as the Etihad Stadium, where Man City play. Then there’s the velodrome, where people can ride their bikes… I get a bit stuck after that.

You don’t hear Londoners whingeing about the Commonwealth games not leaving a legacy in t’ Big Smoke.

They’re not our games.

It’s a non-question. It’s non-news.

To be honest, the Olympics don’t do a lot for me in terms of sporting excitement.

I’m more of a turn on a sixpence put it in the back of the onion sack kind of bloke.

What does excite me though, is this ad for the Paralympics by those lovely people at Channel 4.

It really makes me want to watch the Paralympics much, much more than the Olympics because of their Superhuman attitudes and abilities.

Don’t get me wrong, I’m not suggesting for one second that Olympians are any less motivated or hard working than Paralympians.

But, because I’m not that interested in the Olympics, it would have to take something superdooper special to get me interested. And this does.

Yes, it’s a little bit predictably shot, but it does get the hairs on the back of my neck standing, so job done. Not all ads are aimed at the head.

Not only is it a great ad. But I’m really looking forward to seeing some of these gladiators in action.

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Gravy by Raymond Carver


Raymond Carver is one of my favourite poets. Actually, come to think of it, he is my favourite poet.

He’s better known for his short stories than his poetry. Anyone seen the film Short Cuts by Robert Altman? It’s based on Carver’s stories.

I love Carver’s voice. His writing appears effortless.

Sadly, he passed away in 1988 at the tender age of 50 from the big C.

This is one of my favourite poems.

Gravy

by Raymond Carver.

No other word will do. For that’s what it was.
Gravy.
Gravy, these past ten years.
Alive, sober, working, loving, and
being loved by a good woman. Eleven years
ago he was told he had six months to live
at the rate he was going. And he was going
nowhere but down. So he changed his ways
somehow. He quit drinking! And the rest?
After that it was all gravy, every minute
of it, up to and including when he was told about,
well, some things that were breaking down and
building up inside his head. “Don’t weep for me,”
he said to his friends. “I’m a lucky man.
I’ve had ten years longer than I or anyone
expected. Pure Gravy. And don’t forget it.”

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Dali & Disney – A collaboration.


I put this short film up on my FB page a few days ago. So apologies to anyone who has already seen this. But I wanted to share it with blog friends too.

It warrants getting as much exposure as possible.

This is quite simply beautiful animation.

A love story in the style of Dali.

Made by the daddy of animation.

My only criticism… and I’m sorry I have one, is the soundtrack.

I love the Mexican/Spanish theme. But then it morphs into English and it sounds a bit naff. Like it should be in Sleeping Beauty or Cinderella.

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Kagemu a Paris


Take a look at this incredible art/dance piece by Artist Nobuyuki Hanabusa and dancer Katsumi Sakakura, together known as Kagemu.

It uses a combination of traditional and contemporary Japanese dance/martial arts combined with exquisitely choreographed motiongraphics.

You won’t be disappointed.

And if your creative juices have been whetted, you can read an interview of the dynamic duo by Kasia Cieplak-Mayr von Baldegg here.

Thanks to Alastair O Liathain for sharing it.

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Ponette


Hadn’t had a really good blub in a while?

Well, your days of sobbing uncontrolably into your pouches are over, my furry little marsupials.

Ponette isn’t a new film. It came out in 1996, but I felt I had to share it with the class.

It tells the story of Ponette – A four year old French girl coping with the death of her mother in a car crash. (In which she was also involved.)

Her father has to go away and work, (like you would leave your daughter at a time like that), so she is sent to stay with her aunt and her children in the French Alps.

The film centres around how Ponette copes, not just with the loss of her mother, but how other children react to her. (Oooh, Kids can be cruel.) She tries everything to get her mother to come back, from magic chants to turning to god.

What I really love about this film is that it is shot predominantly from a child’s POV.

Very rarely do we see an adult in shot unless they are bending down or in a wide shot. (Or Extreme close up.)

It really does help the viewer see things from Ponette’s POV. Played heartbreakingly by Victoire Thivisol. (Apparently, there was a psychologist on set the entire time to make sure she wasn’t suffering any trauma as a result of playing the role.)

So, if you’re into your art house movies, I suggest you get a copy off Amazon.

But make sure you have a family-sized box of Kleenex handy. I defy even a psychopathic autistic savant not to be turned into a quivering mass of tissue and snot after seeing this one.

Directed by Jaques Doillon
Written by Rahul Dodhia
Starring Victoire Thivisol.

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