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Unleash your inner Tempest


Addendum.

Unfortunately, the Shakespeare exhibition and all workshops have been cancelled until further notice due to the coronavirus.

Apologies for the inconvenience.

 

Fancy contributing to an exhibition based around Shakespeare’s The Tempest?

I’m facilitating an exhibition for Arc in collaboration with Stockport Libraries as part of Shakespeare Week.

The theme for the exhibition is to bring the great bard’s classic play to life visually.

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Here’s one we prepared earlier…

Who can get involved?

Well, there are two groups of people that can take part – locals, and non-locals.

If you’re local to Stockport, you can come along to one of our group sessions at The Heatons and Brinnington libraries. They are on Tuesday 17th March and Friday 20th March respectively.

There are two sessions at each library. 10.30 am – 12.30 pm and 1.30 pm – 3.30 pm.

You can pop along for one, or both sessions. (There’ll be different activities in the morning and afternoon.) Stay for 10 minutes or two hours.

For non-locals who fancy having a go, simply email me a pdf of your piece (or post it if you have time) and I’ll print it out. It doesn’t matter if you’re from Vermont or Verona, just pick up your pencils and paintbrushes and wear your heart on your sleeve.

It’s quite simple really. I’m asking people to draw or paint on top of The Tempest text, as in the example above. Artwork can be A5, A4 or A3 portrait or landscape and can be in any medium.

Sometimes called Humuments or Black-out poetry. You can use the text as part of a background, or highlight certain parts of the text to make a completely different piece of prose or poetry, which doesn’t have to relate to The Tempest at all.

See examples above and below.

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The exhibition opens on Saturday 28th March at the Arc Centre Gallery Cafe, Hat Works in Stockport at 11 am – 4 pm.

That doesn’t given you long if you’re not local and would like to submit a piece. We’ll be putting the exhibition together w/c 23rd March, so ideally, we would like email/postal submissions by Saturday 21st March please. I’ll be waiting with baited breath.

Email me at thereisnocavalry@icloud.com for more details or my postal address.

Good luck, the world is your oyster.

 

 

 

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Happy [insert occaison here] Day


Introducing There Is No Cavalry greeting cards.

Something for every occasion. (Because they’re all blank inside, so you can write what the hell you like.)

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What’s the difference between you and Moon Pig?

Some would say, nothing physically.

Others might say that my greetings cards are that little bit more special because they are uniquely hand painted by moi.

And why are you telling me this?

Because I want to give them to you.

Well, when I say ‘give’, I mean give them to you in exchange for money.

That’s right, it’s your once-in-a-lifetime chance to own one of these rare and original works of art. (Maybe twice-in-a-lifetime if this batch sells well.)

So, what have you got?

I have A5 and A6. Which if you don’t know what size they are, A5 is half the size of A4 and A6 is half the size of A5. A3 is twice the size of A4 and A2 (which is pretty big) is twice the size of A3, but that doesn’t matter, because I don’t have any A3 or A2 cards. That would be ridiculous. (Don’t get me started on A0.)

Yeah, but what are they pictures of? They look a bit funny to me.

That’s because they’re abstract landscapes. At least, that’s what I’m calling them.

I potter about the Peak District and Yorkshire Dales quite a lot and they’re impressions of the shapes, textures, colours and light of the landscape.

Then there are also a couple of Japanese-style watercolours, like this…

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I couldn’t possibly afford a once-in-a-lifetime, unique, hand painted card by David Milligan-Croft, could I?

Probably not.

Hold your horses. Let’s not be too darn hasty there, pardner. How much are these pesky little critters?

Since when did you become a cowboy?

Sorry. How much are they?

That’s better. £3.00 each for the A6 and £4.00 each for the A5.

That’s ludicrous! You’re practically giving away these once-in-a-lifetime, hand painted, unique cards, by soon-to-be-famous artist, David Milligan-Croft for nothing!

I know. I’ve not been well.

Where do I sign?

You don’t. You message me which one/s you want, pay into my paypal.me/dmcroft  account, and I pop them in the post to you. But I’ll need to work out postage first depending on where you live, so don’t put any money in just yet. (Unless you just want to make a huge donation.) I’ve put a postage guide at the bottom of the page, but I don’t imagine it will be more than 1 or 2 pounds.

I couldn’t possibly send this to someone else, it’s too unique!

Stick it in a frame then.

Great idea. What if I want a bigger one? I have a portrait of the ex that I quite like the frame of.

I’ll do you a bespoke one if you like. Just let me know which card you like the style of and the size. Obviously, it won’t be an exact copy, it’ll be…

Unique!

That’s right.

Just scroll down to sample my wares and if you’re interested either message me below or email me at thereisnocavalry@icloud.com for details.

Toodle-pip.

 

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1. Watercolour and inktense, A6.

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2. Watercolour, A6.

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3. Watercolour and inktense, A6.

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4. Watercolour, A6.

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5. Wayercolour & inktense, A6.

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6. Acrylic, A6.

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7. Acrylic, A6.

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8. Inktense, A6.

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9. Watercolour, A6.

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10. Watercolour & inktense, A6.

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11. Watercolour & inktense, A5.

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12. Watercolour & inktense, A5.

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13. Watercolour, A5.

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14. Watercolour, A5.

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15. Watercolour, A5.

This last one is slightly different as it’s an A5 black and white print, so I can do as many as you like. What shall we say for this one? [scratches head] Two quid each. They might be prints, but they’re still unique. 🙂

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16. Black & white print, ink on paper, A5.

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In the not too distant future I’m going to be doing a series of landscape photography postcards of my meanderings around the Peak District and Yorkshire Dales.

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Bonjour 2020!


I thought I’d begin 2020 as I ended 2019 – writing in French!

Why? I have no idea.

Plus, it’s a tad late for New Year salutations.

I’ve wanted to write a post about Saul Leiter for many a moon.

Why? I have no idea.

Wait, I do. Because I love his work, that’s why. And I thought it only right and proper I shared the love.

I am intrigued by his voyeuristic style. Apart from Leiter being a pioneer of early colour photography, he managed to capture slices of the Big Apple’s social and cultural life in 1940s and 50s America. I think the compositions are very cinematic and each character could inspire a short story.

He said his early influences were the Impressionists Degas, Bonnard and Vuillard. But I’d venture to chuck Toulouse-Lautrec into the pot as well.

And he wasn’t just a dab hand at photography. He was pretty good at dabbing with a paint brush too. (Quite a few of his paintings are over-painted photographs.)

I’m not going to blather on giving you his life story, you can do that here. I just want to show you some pretty pictures. So, here you go…

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I [heart] America


There’s been a lot of hullabaloo this past couple of years because of the Cheeto-in-Chief of the good ol’ U S of A.

What with cosying up to dictators and alienating allies he certainly cuts a divisive figure. Unfortunately, this has had a backlash against America in general and its people.

So, to redress the balance, I wanted to write a positive post about some of the things I love about America. After all, one Mango-Mussolini shouldn’t taint the whole country.

In no particular order…

MUSIC

From Elvis Presley to Tom Waits to the Talking Heads. Who could argue that America has produced some of the greatest artists and genres the world has ever seen. Who are your favourites?

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Next up, MOVIES.

When we think of American movies we tend to think of Hollywood blockbusters. But there are so many unbelievable directors and actors. Here are some of my favourites, who are yours?

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As I have a penchant for the Arts, I’m going to pick out a few photographers who have inspired me over the years.

PHOTOGRAPHY

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Marilyn Monroe by Eve Arnold

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Gloria Swanson by Edward Steichen

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Vivian Maier

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Ansel Adams

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Cindy Sherman

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Saul Leiter

Understandably, most people couldn’t give a rat’s ass about advertising. But I do, because I worked in it for 30 years. When Doyle, Dane, Bernbach set up shop in the 1960s they revolutionised advertising. They focussed on simple product truths. Their ethos/philosophy permeated continents and generations. Still does. I had the privilege of working for DDB Dublin.

ADVERTISING

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Leading on from advertising we have GRAPHIC DESIGN, and this iconic classic by Milton Glaser for the New York tourist board. which has been ‘parodied’ a trillion times. (Yes, including me.)

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Milton Glaser

Next up, ARTISTS. Again, a multitude to pick from. Here are a couple of my faves.

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Jean Michel Basquiat

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Edward Hopper

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Mary Cassatt

Moving on to something non art related – LANDSCAPE. America has such a diverse landscape, from snow-capped mountains to sun-scorched deserts.

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I’ve always loved CLASSIC CARS, Mercedes, Jaguar, Citroen, Volvo. But I also love American cars for their sheer ostentatiousness.

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I couldn’t write a post about America without including a few WRITERS. Too many to choose from. Here are a few of my heroes who have inspired me over the years. Recommendations anyone?

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What else do I love about America? I really like their ARCHITECTURE. Whether it be a monumental skyscaper or the traditional colonial white-picket-fence style complete with veranda.

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You won’t get very far in the States without some top-notch tucker. What is more quintessentially American than the humble DINER?

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Who says Americans don’t get irony? They make some fantastic COMEDY and have some wonderful comedians. Obviously, you’re not as funny as us Brits. But you’re getting the hang of it. (Benny Hill.)

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There you have it. Have I forgotten anything, anyone? What would you have included?

Obviously, there is one other thing I would like to give credit to. And that is the American people. (Well, only those that didn’t vote Trump.) You’re an innovative and inspiring bunch. Not only that, you saved our asses in two world wars! So, cheers for that.

My, (our), world would be a lot poorer without you.

 

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Happy Eostre, Theresa May.


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Dear Theresa,

I am astonished as to why you would be “outraged” by Cadbury’s and the National Trust dropping the word “Easter” from its annual egg hunt.

As a vicar’s daughter, I would have thought, you of all people, would know that ‘Easter’ was appropriated by Christians from the Anglo-Saxon pagan festival of ‘Eostre’, sometimes known as ‘Ostara’.

Eostre is the German Goddess of fertility and is worshipped and celebrated at the time of the Spring Equinox to symbolise rebirth (of mother nature).Though, it is easy to see why Christians would steal this festival to mark the ressurection of Jesus Christ. (As they did with the Winter Solstice and Jesus’ birth.)

Of course, every God and Goddess needs a pet. Odin had a pair of ravens called Huginn and Muninn. Eostre was no different. She had a wittle, cutesy-wutesy bunny wabbit.

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But what about all the chocloate eggs I hear you bleat? What have they got to do with Jesus?

Absolutely nothing. Again, they are Eostre’s symbol of fertility and rebirth.

So, Theresa, next time you get the hump about a chocolate company ditching an irrelevant ‘Christian’ term from its promotion, I suggest you concentrate on more important things like selling Weapons of Mass Destruction to brutal dictatorships.

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100 Years in Vogue


There’s an exhibition on at Manchester Art Gallery showcasing some of the greatest photography in the world, called 100 Years in Vogue.

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If you like photography – you’ll love it.

If you like fashion – you’ll love it.

If you’re an art director – you’ll love it.

If you’re a graphic designer – you’ll love it.

If you’re a fashion designer – you’ll love it.

If you’re a textile designer – you’ll love it.

If you’re a magazine/layout designer – you’ll love it.

If you’re an illustrator – you’ll love it.

If you like art – you’ll love it.

 

I’m not really into fashion, (no shit, Sherlock), so I guess it appealed to the art director in me.

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“The exhibition brings together vintage prints from the early twentieth century, ground-breaking photographs from renowned fashion shoots, unpublished work and original magazines. Images by leading twentieth-century photographers, including Cecil Beaton, Lee Miller, Irving Penn and Snowdon will feature alongside more recent work by David Bailey, Corinne Day, Patrick Demarchelier, Nick Knight, Herb Ritts and Mario Testino.”

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But you’d best get your skates on, it finishes on the 30th October!

(Oh, and it’s free in.)

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Painting instead of writing


Earlier this year I began work on my third novel. I was making good progress until it all ground to a halt as Spring gave way to Summer. I think the expression is “writer’s block”. You may have heard of it.

Anyhow, I wasn’t too worried as the school holidays were looming and I would be spending much of it trying to keep my two daughters entertained. So the chances of getting much work done were slim to zero.

Now that they’ve gone back to school, the “block” is still here. And it’s very frustrating. I get quite depressed if I am not creating something. I worked in advertising for 30 years and every day I’d go into work and have to create something.

So, instead of wallowing in self-pity, I turned my hand to something else – painting. Mainly watercolours, but acrylics too.

Here are a few examples I thought I’d share with you. I know I won’t be getting an exhibition at the National Gallery anytime soon, but I quite like the colours and freshness of some of them.

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Self portrait in acrylic.

 

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