Category Archives: Animation

The Boating Party – with Eoin Coveney


Luncheon of the Boating Party, 1881. By Pierre-Auguste Renoir.

Well, it’s been a while…

Welcome to the first Boating Party interview of 2013.

The Boating Party is a series of interviews with writers, artists, photographers, filmmakers, musicians, sculptors, illustrators, designers and the like.

In times of economic hardship, the Arts are usually the first things to be axed. But, in my view, the Arts are the most important aspect of our civilisation. Without the arts, we wouldn’t have language or the written word. Without the arts, we have no culture. Without culture, we have no society. Without society, we have no civilisation. And without civilisation, we have anarchy. Which, in itself, is paradoxical, because so many artists view themselves as rebels to society.

To me, artists aren’t rebels, they are pioneers.

And perhaps, most importantly; without the Arts, where’s the creativity that will solve the world’s problems? Including economic and scientific ones?

First up, in this luckiest of lucky years, is Graphic Artist, Eoin Coveney

Eoin Coveney

Eoin Coveney

What’s your greatest personal or career achievement?

Working with, and being mentored by, the late Will Eisner.

What’s been your greatest sacrifice?

I really can’t think of one. Maybe I sacrificed some of my social life working in a solitary environment?

To whom do you owe a debt of gratitude?

I owe Steve McManus of 2000AD for giving me a meeting many years ago even though it was against their policy.

Who and what inspire you?

European masters of the graphic novel such as  Moebius and Cam Kennedy.
Music and cinema also.

What was the last thing that inspired you?

Drawing a 6- page comic strip written by Gordon Rennie. It was a politics / zombie satire which was a joy to work on.

What makes you unhappy?

Lack of enthusiasm.

What makes you happy?

Trust.

What are you reading?

Nothing right now. My last was “A short history of nearly everything” by Bill Bryson.

Who, or what, are you listening to?

Lots of dark ambient right now.

What’s your favourite film?

Impossible to narrow it down. “The Host” is pretty close to perfect.

If you could go back in time, where would you go?

I’d probably be too worried about getting stuck there so I would stay here given the choice.

What frightens you?

Laziness.

What do you do to relax?

Noodling around on my microKorg.

What do you do when you’re angry?

Scream into a pillow.

What can’t you live without?

I would say music.

What’s your motto?

Keep on learning and improving.

What’s your Utopia?

Probably West Cork in August.

If you only had one year to live what would you do?

Six months frenzied work, three months of traveling and another three months of relaxing with friends and loved ones.

Up who’s arse would you like to stick a rocket, and why?

Probably Damien Hirst because he doesn’t feel the need to manufacture and craft his own art.

Who would you like to be stuck in an elevator with?

Howard Marks.

 What are you working on at the moment?

“American Caesar”, a graphic novel written by Neil Kleid.

What is your ambition?

To work hard on cool projects with brilliant people.

If you could change one thing in the world, what would it be?

I’d like to turn down the dial on human greed a good few notches.

Which six people would you invite to your boating party?

Fiancée, parents, 3 close friends… no celebrities!

What would be on the menu?

Greek food.

What question would you liked me to have asked?

“What’s it all about?”

Thank you, Eoin.

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Artist’s statement:

I have been illustrating professionally for 14 years. 
For the first ten of those years, I worked mostly on
 the pre-production phase for many of Dublin’s top
 advertising agencies. Producing
storyboards & visuals for hundreds of campaigns.


In 2005  I joined the Illustrators Guild of Ireland,
 and since then have broadened my range of styles 
and disciplines. These days, my work is split pretty
 evenly between illustration for ad campaigns,
 book covers and interiors, press and magazine
 work as well as pre-production work.
 Private commissions also undertaken.

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Filed under Advertising, Animation, Art, Cartoons, Contemporary Arts, Creativity, Ideas, Illustration, Inspiration, The Boating Party

I have a dream too, you know.


True, it may not be as ambitious and world-changing as Dr. Martin Luther King Jr’s. But it’s a dream nonetheless.

To be honest, I wasn’t going to post about it until I felt I was in more of a position to realise this dream. But short of winning the Euro Millions Lottery, it aint going to happen without some serious philanthropic backer.

So, what is my dream?

Well, it’s to build a School of Arts for under-privileged kids.

Kids from low socioeconomic backgrounds in large inner-city estates. Kids who might not ordinarily get the opportunity to explore the more creative aspects of their nature.

What good would that do society? We’re in a depression, don’t you know!

Problems in every field of human endeavour are virtually always solved by creative thinking. Even the great Albert Einstein said so himself. Creativity allows us to look at problems from different angles and apply new thinking to solve problems.

Moreover, I don’t see it as a school that produces an unprecedented amount of artists. But an unprecedented amount of creative thinkers – whichever vocation they choose to pursue later in life. Whether it be mathematics, science, business, computers, product design, or economics.

And yes, a few more more artists too. And what’s wrong with that? Art is seen as a dirty word in this country. If I tell people I write poetry, they shift uneasily in their seats. If I said I write poetry in Ireland the response would be a polite smile and a nod toward the back of the queue.

Do you think the first rocket flight to the moon was dreamed up by a scientist?

Sure, scientists and engineers made it a reality. But it is creative people who come up with the ideas and the original solutions of how they can be achieved.

What will the kids do?

The school will develop and encourage creative thinking and self-expression.

It will foster, nurture and encourage exploration of the arts in all its many and varied forms including: painting, drawing, sculpture, ceramics, poetry, literature, screenplays, theatre, drama, dance, music, design, digital arts, film, photography, humanities, languages, and the classics.

Where is this school?

I quite fancy the idea of transforming a derelict Victorian mill. There’s something quite ironic about that. Though it certainly wouldn’t be a prerequisite. (Salts Mill in Bradford is a good example.)

Initially, an inner-city campus close to urban populations that have a high level of low socioeconomic families. Basically, anywhere across the Manchester – Huddersfield – Halifax – Leeds belt. It’s also sufficiently ‘central’ enough to accommodate children from further afield.

It would also be good to have a rural retreat – somewhere like the Lake District, Peak District or the Yorkshire Dales, where children can attend week-long courses/classes which double up as a holiday.

I would also like to open an international sister school in India or Sri Lanka where people from distinctly different cultures can share ideas. These schools could also participate in exchange programmes. (Then subsequently, even further afield: China, South America, South Asia.)

What about science subjects?

This school wouldn’t be a replacement for existing schools and their curricula – more of an extension to them.

Would it exclude people from non low socioeconomic backgrounds?

Not at all. But opportunities for middle-class families in other schools are much more accessible, regardless of ability.

Intake for low income kids would be based as much on desire and enthusiasm to participate rather than ability. There would be a limited number of places for more affluent children. Sort of like Eton – in reverse.

What kind of courses will it run?

Day-long workshops for visiting schools.

After-school classes.

Week-long courses. (Which would include accommodation for traveling students.)

Weekend classes.

Full-time sixth form courses. (A-levels.)

Masters and PhD courses.

What ages are we talking about?

Key Stage 2, up to, and including, sixth form.

Undergraduate, Masters and PhD courses.

What else does the school have?

Apart from studios and classrooms?

There’d be accommodation for students who are visiting from further afield.

Cafe / restaurant.

Gallery to promote and sell students’ work.

Gallery featuring independent contemporary and traditional art.

Masterclasses from guest lecturers.

State of the art library. (Both on and off-line.)

Book shop.

Art-house cinema.

Who will pay for it?

Well, that’s the biggest question of all.

A like-minded philanthropist would be nice.

Arts Council grant.

Lottery funding.

A percentage of Masters and PhD students’ tuition fees could go towards funding.

Sales from restaurant and galleries.

Fundraising / donations.

An Ideal World School of Arts.

Salts Mill, Bradford.

David Hockney at Salts Mill.

Salts Mill interior.

Studio space?

Any constructive criticism and advice about how to get something like this funded and off the ground would be greatly appreciated.

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Dali & Disney – A collaboration.


I put this short film up on my FB page a few days ago. So apologies to anyone who has already seen this. But I wanted to share it with blog friends too.

It warrants getting as much exposure as possible.

This is quite simply beautiful animation.

A love story in the style of Dali.

Made by the daddy of animation.

My only criticism… and I’m sorry I have one, is the soundtrack.

I love the Mexican/Spanish theme. But then it morphs into English and it sounds a bit naff. Like it should be in Sleeping Beauty or Cinderella.

2 Comments

Filed under Animation, Art, Cartoons, Contemporary Arts, Film, Ideas, Inspiration, Music, Screenplays, Writing