Category Archives: Books

The Violence of Silence


This is a new poem I’ve been working on for the past couple of weeks. It’s not about Black Lives Matter, but it was inspired by it. Or rather, the silence of the white majority to the unfair and unjust treatment of black people and people of colour. The implicit violence that silence can bring.

That is the only connection – silence. And how crushing it can be.

Please be advised that the following poem contains harrowing themes.

The Violence of Silence.

By David Milligan-Croft.

The smirk,

The eyeroll,

The sigh.

The undoing,

The redoing,

The restacking the dishwasher,

The recapping the toothpaste.

The elbow grease on the bath,

The busying of the dishcloth.

The fingertrail in the dust,

The torment,

The subterfuge,

The game.

The song unplayed on the turntable,

The needle stuck in the groove.

The portrait on the wall,

Staring into an unseeable space.

The spent match.

The sheet music on the stand.

The dried paintbrush.

The gagged canvas.

The unwritten manuscript,

Of characters without a story,

Or Motive.

The spoon in the can.

The creeping mould.

The hungry bottle,

The greedy glass.

The torn betting stub.

The baby shoes in their box.

The unworn party dress.

The deflated balloon.

The candle wax on the cake.

The forlorn swing.

The jury’s gaze.

The unwound watch,

Ticking in your head.

The heaving chest,

The eyes cast down,

Searching the floor for an escape route.

The unanswered call.

The empty wardrobe.

The rosary beads on the dresser.

The bulging suitcase.

The silent doorbell.

The ‘closed’ sign on the shop.

Fallen petals on a florist’s floor.

The midnight car lot.

The despondent moon.

The fallen tree in the forest.

The charred embers.

The ripple without a stone.

The starling without a murmuration.

The stalking wolf.

The disused canal.

The stagnant water.

The ghost of a railway line.

The forbidden tunnel.

Fragments of a life unlived;

Or lived.

Who knows?

Or cares.

The drop of the body,

From the bridge.

Falling

Into the darkness.

Silence.

The stoic rocks.

Then violence.

The relevance of the cello piece? I adore the cello and I thought the subject matter of the poem suited the haunting and melancholy sound. If you are familiar with the lyrics of Chandelier by Sia, you’ll see why I chose it as an accompaniment.

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Parr Excellence.


Sorry, I couldn’t help myself.

Martin Parr would probably groan in pun-staking agony at that headline.

Oh well, you’re here now.

Martin Parr is one of Britain’s greatest photographers. Actually, make that ‘the World’s’.

He manages to capture the zeitgeist of working-class life in all its gaudy technicolour, wherever he goes. Whether that be Barnsley or Brazil.

He’s known for his satirical and ironic documentary-style images that look at our insatiable rapaciousness for consumerism. That, and people eating chips.

Martin Parr

I’m not here to write his biography, just show you some of his brilliant work. If you’d like to know a bit more about him, his life, his work, his foundation and his legacy, click here. But if you just want to see more photos of people eating chips, scroll down.

Ireland.
USA. Kentucky Derby. 2015.
ITALY. Capri. Marina Piccola. 2014.
Sexy Beast, anyone?
Uruguay.
Barry Island. 1996.
WALES. Glamorgan. Tower Colliery. 1993.
Wales. Tenby. 2018.

If you want to have a look at some of his most recent projects, have a look here. You won’t be disappointed.

GB. England. Kent. Margate. 1986.
GB. England. Bristol. Pride. 2019.

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Liberty – Paul Eluard


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Paul & Nusch Eluard

When I first read ‘Liberty’ by French poet Paul Eluard I thought it was a love poem to his wife Nusch. Silly me.

After doing a bit of research (Googling) I learned that it was, in fact, about the Nazi occupation of his beloved France during the Second World War.

In my defence, I still think it reads like a love poem. Just love of one’s country, I guess.

It reminded me of ‘The Causes’ by Jorge Luis Borges. Another epic poem about love.

 

Liberty

By Paul Eluard

Translation by Guy Tiphane

 

On my school notebooks

On my school desk and the trees

On the sand on the snow

I write your name

 

On all the pages read

On all the blank pages

Stone blood paper or ash

I write your name

 

On the golden images

On the warriors’ arms

On the kings’ crown

I write your name

 

On the jungle and the desert

On the nests on the brooms[1]

On the echo of my childhood

I write your name

 

On the wonders of the nights

On the white bread of the days

On the seasons engaged[2]

I write your name

 

On all my rags[3] of azure

On the pond mildewed sun

On the lake live moon

I write your name

 

On the fields on the horizon

On the wings of the birds

And on the mill of the shadows

I write your name

 

On every puff of dawn

On the sea on the boats

On the mad mountain

I write your name

 

On the foam of the clouds

On the sweat of the storm

On the thick and dull rain

I write your name

 

On the scintillating figure

On the bells[4] of the colors

On the physical truth

I write your name

 

On the paths awake

On the roads unfurled

On the squares overflowing

I write your name

 

On the lamp that comes alight[5]

On the lamp that dies out[6]

On my houses combined

I write your name

 

On the fruit cut in halves

Of the mirror and of my room

On my empty shell bed[7]

I write your name

 

On my gourmand and tender dog

On his pricked up ears

On his clumsy paw

I write your name

 

On the springboard of my door

On the familiar objects

On the flood of the blessed fire

I write your name

 

On any[8] granted flesh

On my friends’ brow

On every hand held out

I write your name

 

On the window of the surprises

On the attentive lips

Well above the silence

I write your name

 

On my destroyed shelters

On my crumbled beacons

On the walls of my boredom

I write your name

 

On the absence without desire

On the bare solitude

On the steps of death

I write your name

 

On the health returned

On the risk disappeared

On hope without remembrance

I write your name

 

And by the power of a word

I start my life again

I was born to know you

To name you

 

Liberty.

 

Thanks to @chimesatmidnight on Instagram for first introducing me to the poem.

 

F.LEGER_

 

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Unleash your inner Tempest


Addendum.

Unfortunately, the Shakespeare exhibition and all workshops have been cancelled until further notice due to the coronavirus.

Apologies for the inconvenience.

 

Fancy contributing to an exhibition based around Shakespeare’s The Tempest?

I’m facilitating an exhibition for Arc in collaboration with Stockport Libraries as part of Shakespeare Week.

The theme for the exhibition is to bring the great bard’s classic play to life visually.

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Here’s one we prepared earlier…

Who can get involved?

Well, there are two groups of people that can take part – locals, and non-locals.

If you’re local to Stockport, you can come along to one of our group sessions at The Heatons and Brinnington libraries. They are on Tuesday 17th March and Friday 20th March respectively.

There are two sessions at each library. 10.30 am – 12.30 pm and 1.30 pm – 3.30 pm.

You can pop along for one, or both sessions. (There’ll be different activities in the morning and afternoon.) Stay for 10 minutes or two hours.

For non-locals who fancy having a go, simply email me a pdf of your piece (or post it if you have time) and I’ll print it out. It doesn’t matter if you’re from Vermont or Verona, just pick up your pencils and paintbrushes and wear your heart on your sleeve.

It’s quite simple really. I’m asking people to draw or paint on top of The Tempest text, as in the example above. Artwork can be A5, A4 or A3 portrait or landscape and can be in any medium.

Sometimes called Humuments or Black-out poetry. You can use the text as part of a background, or highlight certain parts of the text to make a completely different piece of prose or poetry, which doesn’t have to relate to The Tempest at all.

See examples above and below.

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The exhibition opens on Saturday 28th March at the Arc Centre Gallery Cafe, Hat Works in Stockport at 11 am – 4 pm.

That doesn’t given you long if you’re not local and would like to submit a piece. We’ll be putting the exhibition together w/c 23rd March, so ideally, we would like email/postal submissions by Saturday 21st March please. I’ll be waiting with baited breath.

Email me at thereisnocavalry@icloud.com for more details or my postal address.

Good luck, the world is your oyster.

 

 

 

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The era-defining legacy of Tish Murtha.


Patricia ‘Tish’ Murtha is another photographer I’ve been wanting to write a post about for quite some time. And, like my previous post about Saul Leiter’s early work in New York, Tish Murtha captured the essence of working class Northern England during the late 70s and 80s under Thatcher.

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Tish Murtha 14/3/1956 – 13/3/2013. © Ella Murtha, All rights reserved.

Unlike Leiter, Murtha’s work focuses predominantly on the socially deprived. One of the reasons I love her work so much is that I can empathise with a lot of the shots. I can see myself in them as a kid growing up in Batley in the 60s and 70s.

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Tish Murtha © Ella Murtha, All rights reserved.

Her images also remind me of the early social documentary work of legends like Bill Brandt and Don McCullin. The sort of work we don’t see enough of. That’s because people don’t like to look at it. Because it tells us the truth about the society in which we live.

Local Boys in Bradford 1972

Don McCullin

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Bill Brandt

One of the things a great photographer does is make the viewer ask questions. Like, who are they? What are they doing now? In this case, who started the fire? Did they start it? Why are they unconcerned? What are they looking at?

Tish Murtha doesn’t just capture images of the economically deprived in our society, she captures joy and despair. Fear and determination. Hope and uncertainty. Perhaps most importantly – love and kinship.

 

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Tish Murtha © Ella Murtha, All rights reserved.

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Tish Murtha © Ella Murtha, All rights reserved.

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Tish Murtha © Ella Murtha, All rights reserved.

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Tish Murtha © Ella Murtha, All rights reserved.

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Tish Murtha © Ella Murtha, All rights reserved.

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Tish Murtha © Ella Murtha, All rights reserved.

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Tish Murtha © Ella Murtha, All rights reserved.

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Tish Murtha © Ella Murtha, All rights reserved.

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Tish Murtha © Ella Murtha, All rights reserved.

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Tish Murtha © Ella Murtha, All rights reserved.

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Tish Murtha © Ella Murtha, All rights reserved.

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Tish Murtha © Ella Murtha, All rights reserved.

Tish Murtha would have been have been 64 next month. Sadly, she died at the tender age of 56 in 2013 of a sudden brain aneurysm.

The legacy of Tish Murtha is carried on by her daughter Ella who has kindly given me permission to publisher her mother’s work, and to whom I owe a debt of gratitude.

Ella posthumously published collections of her mum’s work in the books Youth Unemployment and Elswick Kids which you can find here.

You can also get exhibition prints here.

I could continue this post with Tish Murtha’s work for as many Google pages there are showing it. But that would leave you with nothing to do. To find out more about her era-defining work – and how she saved the lives of four women through organ donation – why not explore her life and work here.

Happy birthday Tish.

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It’s me, I’m Cathy…


Regular readers of my blog will know my daughters and I make at least one pilgrimage a year to Haworth, home of the Brontes’. (Still haven’t figured out how to type an umlaut on a PC.)

This year, we visited Ponden Hall, Purportedly, Emily’s inspiration for Thrushcross Grange, home of the Linton family in Wuthering Heights.

It’s a rather exclusive B&B now. I can imagine Bronte pilgrims from farther afield (ligature!) would love to put it on their itinerary either for a stay or just a nosey around. And that’s where we come in. The rather delightful owner, Julie, must be fed up of people ringing her doorbell on her day off, not to book a room, but to see the room where Cathy torments Heathcliff by scrathcing on his window.

What?! I hear aficionados grumble. That didn’t happen at Thrushcross Grange, that happened at Wuthering Heights, the home of the Earnshaws’ and Heathcliff!

And you’d be right.

Top Withens

What is widely believed is that Emily transposed the interior of Ponden Hall and plonked it into the wilds of Wuthering Heights.

We know that Emily and her siblings were regular visitors to Ponden Hall to peruse their considerable library, (which reputedly, was the best in West Yorkshire at the time), and stayed there on numerous occasions.

Perhaps Emily even stayed in the room where Heathcliff endures his nightmares. Whether that is true or not is hard to say, but what is easier to suppose, is that Emily was actually in the room that I am about to show you, as it is virtually identical to Heathcliff’s in Wuthering Heights.

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What is unusual is the bed chamber in the corner of the ‘suite’. As you can see, the bed is boxed off with oak panelling, (for privacy, one presumes). It’s not a room per se as the bed is flush to the panels. So you would have to climb into it and slide the door shut. And yes, you can actually stay in this room.

On closer inspection, (photo taken courtesy of my daughter), we see the tiny window which Cathy appears at to persecute her paramour.

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Spoiler alert:

“I muttered, knocking my knuckles through the glass, and stretching an arm out to seize the importunate branch; instead of which, my fingers closed on the fingers of a little, ice-cold hand!” – Excerpt from Wuthering Heights by Emily Bronte.

Here’s a slightly wider shot for context.

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I don’t know about you, but I always get goose bumps when I imagine treading the same floorboards (or ramparts) as a figure from history. Whether that be Emily Bronte at Ponden, a Roman centurion on Harian’s Wall, or a Druid perambulating a stone circle. It gives me a greater sense of connection to the earth and the universe.

Anyway, it was a grand day out, topped off with a giant Yorkshire pudding filled with sausages and onion gravy at Emma’s cafe on Haworth Main Street. And, if that doesn’t anchor you to the universe, I don’t know what will.

Addendum.

My friend, Denis Goodbody, over in sunny Dublin, suggested that the panelling was probably more to do with keeping warmth in rather than privacy, which is a very good point. One which, having gas central heating, I hadn’t considered.

I can’t finish a post about Haworth or Wuthering Heights without adding links to the following:

My favourite film adaptation of Wuthering Heights by Andrea Arnold.

And yes, Kate’s classic…

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Ten Orbits of the Sun – update.


Well, I didn’t progress further than the shortlist for the Mind Short Story Competition. Still, I’m very proud to have made it this far.

Anyhoo, a few folks said they would like to read my short story, so here it is. The theme for the competition was ‘Journeys’, either literal or metaphorical.

P.S. I’ll always be grateful to Mike O’Toole for his stunning front cover photography.

P.P.S. Here’s a quote from a Mind judge/organiser:

“Believe me, I was definitely rooting for 10 Orbits of the Sun to go through to the judges. Both myself and one of the shortlisters cried reading your story. It was so beautifully written and emotive.”

Ten Orbits of the Sun.

By David Milligan-Croft.

Something changes inside of you when you have a child. Obviously, things change inside of a woman, quite literally. But I’m talking about changing from a man’s point of view – philosophically.

Up until my late thirties, I never wanted kids. Why would I? They’d be a burden. I had a fabulous career, a few great friends, a fantastic salary and a nice little crash pad overlooking a languid river.

Then, for reasons I don’t fully understand, I got all broody. And I just wanted a baby. Specifically, a baby girl. I don’t know why I wanted a girl. Perhaps I found the thought of a rambunctious boy quite off-putting. Or maybe it was because I didn’t want a boy to turn out like his father.

It stands to reason that I had to find a suitable mother first, which took a little longer than I had anticipated. I met Suki on an online dating website and, as we were both pushing forty, we decided it would be prudent to start a family sooner rather than later. We had a lot in common, we both loved the arts and books, she even shared my passion for antiques. She worked at the local hospital as an ER nurse, while I worked in a large design agency working on global brand campaigns. When we got married I decided to quit the industry and open up an antique shop in a trendy part of town. Something I’d dreamed of doing since my twenties.

Anyhow, I got my wish. And I was the proud father of little Tallulah. When I said that something changes inside of you, I meant that something changes chemically as well as philosophically. Nothing else, nor anyone else, matters quite so much in the world. Every cell in your body is geared toward protecting this little being. It starts from the moment of conception. I used to sing lullabies to Suki’s tummy and recite poetry to her. I’d talk to her and tell her how much I loved her and how much I was looking forward to seeing her. It’s a love that’s hard to describe. You would do anything for your charge. Yes, even kill for them. Die for them. It’s quite primeval on one level. Yet deeply spiritual on another. I can understand why some parents conceal their children from the law if they have committed a crime.

Sure, not all parents feel this way. And I’m not trying to say that I’m unique in feeling like this. Plenty of parents are doting and plenty are neglectful.

It was three years before I had a full night’s sleep or a hot meal. I’d be bouncing Tallulah on my left knee to keep her entertained whilst trying to eat a bowl of lukewarm pasta with my right hand. Or driving her around the suburbs to get her off to sleep. Every day brought a new parenting challenge or experience. Like the time I pursed my lips and asked her to give me a ‘smacker’, so she slapped me across the face! Or the time she pulled at my cheek and asked: “Daddy, why is your skin like a raw chicken drumstick?” Charming.

Because I’d had a child later in life, other parents in the park would ask if I was her grandad. It didn’t help that I’d gone grey early in life. She found it funny at first, but as time went on I think it began to annoy her. That I wasn’t like the other dads who were all much younger than me. It used to worry me that I might not be around for her later in life – when she was at university, or if she got married, if she had children. I wondered if I had been selfish having a child so late on.

I watched my little girl flourish and blossom over the years. She was a happy kid. Loved to read. Loved to write her own stories. She’d make little 8-page books and fill them with fairy tales and drawings. She loved to ride her bike and occasionally we’d go to McEvoy’s farm and she’d ride Ruby, the chestnut brown mare. She didn’t care much for video games or TV either and would much prefer to concoct experiments out of things she’d find in the garden and around the house.

I remember one time, when we were going for a drive in the desert in my old jalopy, she’d said: “Daddy, how far is it around the sun?”

“What? The Earth’s orbit?” I’d said.

“Yes.”

“About 585 million miles, give or take a couple of hundred thousand. Depends on the time of year, I think.” I turned the volume down on the car stereo so I could hear my inquisitive daughter better.

“Why does it depend on the time of year?” she said, turning the volume back up again so she could hear the trashy pop song that was playing.

“Not a hundred percent sure. Something to do with the ellipse of the Earth’s orbit,” I tried to draw an ellipse in the dust on the dashboard. “And the tilt of the Earth’s axis.” Astronomy isn’t my strong point and I got the distinct impression that Tallulah guessed I was busking a little.

Tallulah looked out of the open passenger window from behind her sunglasses at the scorched desert dotted with parched brush and spindly shrubs.

I stole a glance at the side of her pensive face, her golden hair was tantalising her cheeks. “Why d’you ask?”

“By my next birthday, I will have travelled 5.8 billion miles around the sun. Pretty amazing, huh?”

I pursed my lips. “When you look at it like that, kiddo, it is pretty amazing.”

“And that’s not including all the miles we’ve done down here on Earth,” she said wistfully.

I didn’t know how many miles we’d clocked up on Earth, and, in the great scheme of things, it probably wouldn’t affect Tallulah’s ‘orbital total’ very much. But it was still a significant amount for mere Earth dwellers.

I don’t know why this memory of my daughter springs to the forefront of my mind. Perhaps it is because it’s to do with heavenly bodies. The very fact that she came up with this concept amazed me. She could often be very abstract in her thinking. While other kids were busy playing with Barbie dolls, Tallulah was calculating how far she’d travelled in the universe. I always imagined her growing up to be a great children’s writer one day. Or maybe even a scientist.

Tallulah didn’t make it into double figures before she was taken from me. It was that God-damned bike I’d bought for her ninth birthday. She was cycling home from school when a truck cut her up at some traffic lights. The driver said he didn’t see her coming up on the inside.

I’d always been uncomfortable with her riding to and from school. Not because she was a careless rider but because of careless drivers. However, her friends all did it, so she wanted to do it too. I guess I should have been a stronger father and forbidden it. Up until then I’d always dropped her off and picked her from school in the car. But peer pressure had reluctantly forced me to concede.

I was at the shop when it happened. I don’t know, but around the time of the accident, I recall being overwhelmed by a sense of grief. Like, somehow I’d had this telepathic connection with her, or something. Sounds ludicrous, I know. Though, I didn’t put it down to anything bad having befallen my little girl at the time. I just thought it was due to my mood swings.

I got a phone call from my distraught wife about an hour later. She had been working in the ER department when Tallulah was brought in. It was hard to make out what Suki was actually trying to tell me through her hysterical sobs. When the penny finally dropped, I felt the world disappear from beneath my feet and I was suddenly floating in a black void. I was dizzy. I felt my insides twitch and heave and I vomited over a glass cabinet containing antique duelling pistols. I think the customers must have thought I was hungover as they stared at me disdainfully and left the shop.

I closed the store and rushed to the hospital. But it was too late. The truck had already crushed the precious life out of her. Had the driver been there when I found out I imagine I would have killed him. Not that I would do that now, having had time to reflect on the incident. I know it was an accident. He didn’t mean to kill her. But he should’ve taken more care. Particularly at that time of day, being near a school and all.

I have never known grief like it.

I don’t believe in heaven and hell.

But this was hell.

The depths of Christian hell could not provide me with such torment. I went over all of the things that I might possibly have done for Tallulah not to have been at that particular spot at that particular moment in time. Not buying her the bike was top of the list. Me picking her up was a second. Taking gymnastics class on a Tuesday instead of violin on a Wednesday was another. Or letting her go to her friend Maisie’s house after school so she would have taken a different route. There were an infinite amount of possibilities. Of variables that would have put her at a different point in the universe at that moment in time. And I didn’t take any of them. It was my fault, not the truck driver’s.

As you can imagine, my wife was inconsolable too. But I had to put on a more stoic face for everyone else: the police, doctors, funeral directors, family, friends. I know people mean well by wanting to offer their condolences, but the last thing we wanted to do at that time was talk to anybody. Shout – yes. Scream – definitely. Why? Why Tallulah? What had she ever done to anybody? To me, it was further proof that there is no god. How could an all-powerful, loving deity let a beautifully perfect little girl be killed in such a horrific way? What the hell was the point of existence?

That doesn’t mean that I don’t believe in some form of afterlife. Maybe there is, maybe there isn’t. Perhaps we’re reincarnated. Or, maybe we rise to a higher dimension. I once had the notion that the afterlife was an emotion rather than a place. Sort of like ecstasy or bliss. That one’s spirit melded back into the universe in a kind of eternal rapture. Most likely, there will be nothing. I don’t know. But it’s a chance I’m not prepared to take.

Of course, I haven’t discussed this with Suki. What would she say? She’d say I was being irrational. And I guess I am. No rational person decides to take their own life. She’d say I needed to see a doctor. That I was depressed. Not thinking straight. Get some pills or bereavement counselling. On the other hand, I could also see why my thinking is completely rational. It wasn’t fair on Suki, I know that. To lose a child and a husband. But what choice do I have?

You know what I miss the most about Tallulah? It’s a sound. Specifically, a word. It’s a word I’ll never hear ever again: “Daddy.” There isn’t a more perfect sound in the entire universe. Perhaps her mother would disagree.

Like I said at the beginning – having a child changes you. You’d do anything to protect them. And I have failed in that respect. Why should my parental duties end in this life? Lots of religious people believe in heaven and hell. But they don’t think twice about giving up on their dead loved ones. If their faith was so resolute why wouldn’t they follow them to paradise?

Perhaps Tallulah and I will both spend eternity in black nothingness. In which case, it won’t matter a jot to either of us. But if there is something else, I’m certainly not going to let my beloved daughter wander the afterlife all by herself.

What kind of father would I be?

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Happy 200th birthday, Emily.


Today marks the 200th anniversary of the birth of Emily Bronte.

Haworth, where the Brontes lived, holds a special place in my, (and my children’s), hearts.

We visit the place as often as we can.

Here’s a little haiku I penned after a walk on the Moors with my daughters a couple of years back.

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Knee deep in heather,

Bright red sock wavers aloft,

Boot stuck in peat bog.

Brontë Parsonage Museum

Brontë Parsonage Museum

 

Brontë dining room

Brontë dining room

This is the room where, Emily, Anne and Charlotte did most of their writing. And that is the actual sofa in the background that Emily died on aged just 30. (I didn’t pass that information on to my children.)

Patrick Brontë's study

Patrick Brontë’s study

If you haven’t read Wuthering Heights yet, I urge you to do so. I promise you, it’s like nothing you have ever read before. It’s a complex and staggeringly passionate tale of unrequited love and dastardly deeds, set amidst the bleak and rugged Yorkshire Moors.

And, if you get the chance, watch the recent film adaptation by Andrea Arnold. It’s a pretty radical take on the book and one of the best interpretations I’ve seen to date. (See trailer below.)

wuthering-heightsIt’s not just the collective brilliance of the Brontë siblings that I find inspiring, but the whole beautifully barren backdrop of the moors. That, coupled with the picturesque cobbled streets of Haworth itself, makes perfect for a day out.

Haworth

Haworth

"Top Withins" Emily's inspiration for Wuthering Heights. (Now a ruin.)

“Top Withens” Emily’s inspiration for Wuthering Heights. (Now a ruin.)

"Top Withens" as it would've looked back in Emily's day.

“Top Withens” as it would’ve looked back in Emily’s day.

P.S. It’d be positively churlish of me not to also include this classic by Kate Bush… whose 60th birthday it also is today. Bit of a spooky coincidence, don’t you think?

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On the curriculum…


Had a nice surprise the other day.

A poem I wrote after the tsunami in Japan in 2011 is on the school curriculum at a group of London schools.

I appreciate that it’s year 6 primary and not a masters in English Lit. But it’s still very flattering.

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Opossum is a federation of schools which includes Newport Primary, Dawlish Primary, Oakhill Primary and Thorpe Hall Primary.

I also came across some samples of poems the students had written after they had studied mine and I was mightily impressed.

And if that poem floats your boat, why not pop over to Amazon where you can avail yourself of my complete collection of poetry and help keep me out of penury!

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I [heart] America


There’s been a lot of hullabaloo this past couple of years because of the Cheeto-in-Chief of the good ol’ U S of A.

What with cosying up to dictators and alienating allies he certainly cuts a divisive figure. Unfortunately, this has had a backlash against America in general and its people.

So, to redress the balance, I wanted to write a positive post about some of the things I love about America. After all, one Mango-Mussolini shouldn’t taint the whole country.

In no particular order…

MUSIC

From Elvis Presley to Tom Waits to the Talking Heads. Who could argue that America has produced some of the greatest artists and genres the world has ever seen. Who are your favourites?

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Next up, MOVIES.

When we think of American movies we tend to think of Hollywood blockbusters. But there are so many unbelievable directors and actors. Here are some of my favourites, who are yours?

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As I have a penchant for the Arts, I’m going to pick out a few photographers who have inspired me over the years.

PHOTOGRAPHY

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Marilyn Monroe by Eve Arnold

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Gloria Swanson by Edward Steichen

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Vivian Maier

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Ansel Adams

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Cindy Sherman

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Saul Leiter

Understandably, most people couldn’t give a rat’s ass about advertising. But I do, because I worked in it for 30 years. When Doyle, Dane, Bernbach set up shop in the 1960s they revolutionised advertising. They focussed on simple product truths. Their ethos/philosophy permeated continents and generations. Still does. I had the privilege of working for DDB Dublin.

ADVERTISING

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Leading on from advertising we have GRAPHIC DESIGN, and this iconic classic by Milton Glaser for the New York tourist board. which has been ‘parodied’ a trillion times. (Yes, including me.)

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Milton Glaser

Next up, ARTISTS. Again, a multitude to pick from. Here are a couple of my faves.

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Jean Michel Basquiat

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Edward Hopper

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Mary Cassatt

Moving on to something non art related – LANDSCAPE. America has such a diverse landscape, from snow-capped mountains to sun-scorched deserts.

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I’ve always loved CLASSIC CARS, Mercedes, Jaguar, Citroen, Volvo. But I also love American cars for their sheer ostentatiousness.

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I couldn’t write a post about America without including a few WRITERS. Too many to choose from. Here are a few of my heroes who have inspired me over the years. Recommendations anyone?

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What else do I love about America? I really like their ARCHITECTURE. Whether it be a monumental skyscaper or the traditional colonial white-picket-fence style complete with veranda.

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You won’t get very far in the States without some top-notch tucker. What is more quintessentially American than the humble DINER?

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Who says Americans don’t get irony? They make some fantastic COMEDY and have some wonderful comedians. Obviously, you’re not as funny as us Brits. But you’re getting the hang of it. (Benny Hill.)

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There you have it. Have I forgotten anything, anyone? What would you have included?

Obviously, there is one other thing I would like to give credit to. And that is the American people. (Well, only those that didn’t vote Trump.) You’re an innovative and inspiring bunch. Not only that, you saved our asses in two world wars! So, cheers for that.

My, (our), world would be a lot poorer without you.

 

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