Category Archives: Disability

#yesmakeupselfie for Cancer Research UK

I’ve been full of admiration for all of those women who have been baring all taking #nomakeupselfies to raise funds and awareness for cancer.

One particular shot I saw on Facebook asked the question as to how guys could get involved. I don’t know if anyone answered, but here’s my solution…

If women are brave enough not to wear make up, (not that you need it in the first place), then perhaps us guys can hang our testosterone up in the locker for a bit, get in touch with our feminine sides and put on make up for cancer research?

I’m calling the male version: #yesmakeupselfies


How’s about it, fellas?

Let’s see if we can match or beat the girls’ rather impressive two million quid they’ve raised so far.

Get yourselves all dolled up, take a selfie and, most importantly, text ‘Beat’ to 70099 to donate £3 to Cancer Research UK.

If you want to donate in Ireland to the Irish Cancer Society, text ‘Pink’ or ‘Daff’ to 50300.

If any readers can let me know what the numbers are in Aus or the US and the ‘text word’, let me know and I’ll add them.

Make up by Scarlett (8) and Lydia (5). To be honest, I’m amazed at their restraint.



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Henri de Toulouse-Lautrec – #67/365

It is an absolute privilege to be able to view Toulouse-Lautrec’s work up close. Not just for his energetic painting style, capturing the seedier side of Parisian nightlife, but also for his art direction and typography.

Over the years, there have been many articles about whether advertising can be art, and I’m pretty sure that it can’t be whilst it is selling something. I think it can transcend into art after it has served its purpose and becomes era defining.

In Lautrec’s case, I’ll make an exception, as he was already well known for being an artist when  he was commissioned to create posters for various clubs and salons.

Any art director or designer worth their salt should be aware of the influence of art in layout and design purely from a composition point of view.

In this Jane Avril example, I love the way he frames the poster using the double base. (How many ‘frames’ have we seen like this for contemporary brands?)

Obviously, Lautrec wasn’t a 19th century ‘ad man’. He was a brilliant artist and spent much of his time in Montmartre hanging out with philosophers, writers, artists and the like. Then popping off to brothels to draw/paint the staff and clientele. He was a reportage photographer before they’d even been invented. That, coupled with the eye of a poet, lead to some breathtakingly intimate works.

So, for inspiring a 17-year-old art student, Mr. Toulouse-Lautrec, I am very grateful.











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To achieve perfection takes trial and error.

If others are involved in your task, they may see your experimentation as indecision.

Ignore that gnawing urge to placate them for an easier life, and press on with your goal.

Only then, will you hope to attain something that you can be 85 – 90% satisfied with.


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Modigliani – In Memoriam


Amedeo Clemente Modigliani
Born 12th July 1884 – Died 24th January 1920

I know I’m a few days late with this, but seeing as though Amedeo Modigliani is one of my favourite artists, I thought better late than never.

Tragically, Modigliani died of tubercular meningitis on the 24th January 1920, aged just 35.

What is equally as tragic is that his wife, and muse, Jeanne Hébuterne, was so devastated that the following day she threw herself from the 5th floor of her parents’ home, killing herself and her unborn second child.

Fortunately, their first child, Jeanne Modigliani (1918 – 1984), was adopted by Amedeo’s sister and was brought up in Florence, Italy.

Jeanne Hébuterne

Jeanne Hébuterne

Jeanne Modigliani, daughter.

Jeanne Modigliani, daughter.

I was first introduced to Modigliani’s work by my mate, Markham, who very kindly gave me a sumptuously framed print of this piece…

Seated Nude

Seated Nude

As you can see, Modigliani was very heavily influenced by African masks and sculpture, creating elongated forms and mask-like faces.

He died a pauper. But, as is the way of the world, in 2010 “La belle Romaine” sold for $69 million.

His work inspired me to write a short story, and subsequent screenplay, entitled: “Jeanne, reclining nude, 1917”, about a First World War veteran recuperating in the South of France after losing his left hand.

It isn’t a biographical piece, but moreover, explores the themes of physical and emotional cripples when he begins a relationship with his prostitute model.

Jeanne Hébuterene

Jeanne Hébuterene

Lunia Czechovska

Lunia Czechovska

Leopold Zborowski II

Leopold Zborowski II


Reclining Nude


He was an extremely prolific artist, so if you get the chance to see any of his work in the flesh, I urge you to do so.

The world lost an undefinable prodigy 93 years ago.

RIP Amedeo Clemente Modigliani.

Jeanne Hébuterne

Jeanne Hébuterne

Reclining Nude with Loose Hair

Reclining Nude with Loose Hair







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I have a dream too, you know.

True, it may not be as ambitious and world-changing as Dr. Martin Luther King Jr’s. But it’s a dream nonetheless.

To be honest, I wasn’t going to post about it until I felt I was in more of a position to realise this dream. But short of winning the Euro Millions Lottery, it aint going to happen without some serious philanthropic backer.

So, what is my dream?

Well, it’s to build a School of Arts for under-privileged kids.

Kids from low socioeconomic backgrounds in large inner-city estates. Kids who might not ordinarily get the opportunity to explore the more creative aspects of their nature.

What good would that do society? We’re in a depression, don’t you know!

Problems in every field of human endeavour are virtually always solved by creative thinking. Even the great Albert Einstein said so himself. Creativity allows us to look at problems from different angles and apply new thinking to solve problems.

Moreover, I don’t see it as a school that produces an unprecedented amount of artists. But an unprecedented amount of creative thinkers – whichever vocation they choose to pursue later in life. Whether it be mathematics, science, business, computers, product design, or economics.

And yes, a few more more artists too. And what’s wrong with that? Art is seen as a dirty word in this country. If I tell people I write poetry, they shift uneasily in their seats. If I said I write poetry in Ireland the response would be a polite smile and a nod toward the back of the queue.

Do you think the first rocket flight to the moon was dreamed up by a scientist?

Sure, scientists and engineers made it a reality. But it is creative people who come up with the ideas and the original solutions of how they can be achieved.

What will the kids do?

The school will develop and encourage creative thinking and self-expression.

It will foster, nurture and encourage exploration of the arts in all its many and varied forms including: painting, drawing, sculpture, ceramics, poetry, literature, screenplays, theatre, drama, dance, music, design, digital arts, film, photography, humanities, languages, and the classics.

Where is this school?

I quite fancy the idea of transforming a derelict Victorian mill. There’s something quite ironic about that. Though it certainly wouldn’t be a prerequisite. (Salts Mill in Bradford is a good example.)

Initially, an inner-city campus close to urban populations that have a high level of low socioeconomic families. Basically, anywhere across the Manchester – Huddersfield – Halifax – Leeds belt. It’s also sufficiently ‘central’ enough to accommodate children from further afield.

It would also be good to have a rural retreat – somewhere like the Lake District, Peak District or the Yorkshire Dales, where children can attend week-long courses/classes which double up as a holiday.

I would also like to open an international sister school in India or Sri Lanka where people from distinctly different cultures can share ideas. These schools could also participate in exchange programmes. (Then subsequently, even further afield: China, South America, South Asia.)

What about science subjects?

This school wouldn’t be a replacement for existing schools and their curricula – more of an extension to them.

Would it exclude people from non low socioeconomic backgrounds?

Not at all. But opportunities for middle-class families in other schools are much more accessible, regardless of ability.

Intake for low income kids would be based as much on desire and enthusiasm to participate rather than ability. There would be a limited number of places for more affluent children. Sort of like Eton – in reverse.

What kind of courses will it run?

Day-long workshops for visiting schools.

After-school classes.

Week-long courses. (Which would include accommodation for traveling students.)

Weekend classes.

Full-time sixth form courses. (A-levels.)

Masters and PhD courses.

What ages are we talking about?

Key Stage 2, up to, and including, sixth form.

Undergraduate, Masters and PhD courses.

What else does the school have?

Apart from studios and classrooms?

There’d be accommodation for students who are visiting from further afield.

Cafe / restaurant.

Gallery to promote and sell students’ work.

Gallery featuring independent contemporary and traditional art.

Masterclasses from guest lecturers.

State of the art library. (Both on and off-line.)

Book shop.

Art-house cinema.

Who will pay for it?

Well, that’s the biggest question of all.

A like-minded philanthropist would be nice.

Arts Council grant.

Lottery funding.

A percentage of Masters and PhD students’ tuition fees could go towards funding.

Sales from restaurant and galleries.

Fundraising / donations.

An Ideal World School of Arts.

Salts Mill, Bradford.

David Hockney at Salts Mill.

Salts Mill interior.

Studio space?

Any constructive criticism and advice about how to get something like this funded and off the ground would be greatly appreciated.


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The Volunteer – new poem


© David Milligan-Croft.


The old man,

Shouts at cars

Hissing past,

In the warm

September rain.


He pivots ’round,

On his one good leg,

Outside the Volunteer Bar.


The stench of fags

And stale piss

Cling to his shabby

Tweed suit.


Discovering a pocket

Full of puke

He karate chops

Thin air.



N.B. For the benefit of my American readers, ‘fags’, in this context, is a colloquialism for cigarettes.

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Mudslide Bride – Short Story

Mudslide Bride

The story of Roman & Millie.

© David Milligan-Croft

Ethan died back in ‘48. But his two brothers managed to live right through till the ‘80s, though God knows how. Admittedly, they weren’t in the best of health and, Roman, the eldest, has been housebound for the past fifteen years. Luke could just about manage some chores around the house and garden but, would soon tire and have to rest on the verandah with a cold glass of lemonade that Millie had made.

Millie came up from the town each and every day to clean up the place and cook the old boys some food. In all probability she would have to clean Roman’s bed as he would have soiled it.

Today, she was baking a steak pie with onions, mushrooms and kidneys. The brothers would like that, she thought. Seeing as though she was baking, she may as well rustle up a blackberry pie as it wouldn’t be too much extra trouble for her.

Millie busied herself in the kitchen getting flour on just about everything from her nose to the light shade. The sun was splitting through the Black Willow trees and bathed Millie in an aura of light that made her look like some old angel as she worked at the kitchen table. She had been a very beautiful woman in her youth, but most of her golden hair had turned white as snow now. She still kept her figure though – slim as a twig she was.

She was off in a daydream – probably thinking about Roman. And how they used to go on bicycle rides down to the river and fish for freshwater crabs using a mussel on a piece of string as bait. Roman would dangle the string over the side of the jetty and let the mussel nestle between the rocks. Soon enough, a crab would tippy-toe along and grab hold of it with its claws. Roman would slowly pull the mussel out of the water, with the stubborn crab still attached. He would go on about how stupid crabs were when he was putting them in his bucket. A little smile crept across Millie’s face when, all of a sudden, she was startled by a rap on the window. Millie nearly jumped out of her skin with fright. Lucy’s dazzling smile almost blinded her. In her outstretched fists she held two Jack rabbits. Millie held both her palms to her bosom trying to calm down.

‘Come inside, you silly girl,’ Millie said. ‘You scared me half to death.’

‘Look what I got!’ Lucy shrieked.

‘You ought not to go sneaking up on people like that. Especially if they’re working.’

‘Look what I caught down by the stream. They’d be great in a pie or stew or something, don’t you think?’

‘Just you think now what would have happened if Luke or Roman were sitting here while you did that? I’ll tell you exactly what would’ve happened, they wouldn’t be here to tell the tale, that’s what.’

‘Oh relax, Millie. It’s a beautiful day. The sun is shining, the birds are singing. Well, not all the birds aren’t singing, ’cause I bagged a couple of pheasants earlier this afternoon. But I gave one to Mrs Taylor and I sold the other one to Midway Johnson.’

‘You shouldn’t be exploiting Mr Johnson that way. His mind ain’t what it used to be.’ Millie was inspecting the rabbits. Feeling how much meat was on them, how old they were. She even sniffed the fur. ‘Lucy, where exactly did you catch these rabbits?’

‘I told you. Down by the creek.’

‘This one’s turning,’ Millie said.

Lucy began to shift on her feet and fumble with the tails of her grubby cotton shirt. ‘I caught them with my own bare hands.’ Lucy proffered her dirty hands to Millie for inspection.

‘How exactly did you catch them?’

‘You know – the usual way – with a trap.’

‘What kind of trap?’

‘What difference does it make what type of trap I used!’

‘You no more caught these than I climbed Mount Entwhistle before breakfast. Now you just go and take them back to exactly where you took them from,’ Millie said. ‘Before the old boys see them. They’ll have them skinned and eaten before I get a chance to warm a pot.’

Lucy smiled a little. ‘They are silly old birds aren’t they? Maybe I should return one of them and you could cook the other?’

‘Millie, if one of the old boys tells the postman that he ate rabbit stew for supper, then Jack Parker will tell everyone in town ’cause there isn’t enough gossip as it is. Then whoever you took them from will find out. And who will they coming looking for, Lucy? Me, that’s who. They won’t be looking for Lucy Langdon, oh no, they’ll be looking for Millie Preston.’

‘Alright, alright! I’ll take them back. You don’t have to go on about it.’

‘And if you’re quick about it, you might make it back in time for some blackberry pie.’

Lucy’s eyes lit up as she grabbed the two rabbits and darted out of the kitchen door. Millie smiled as she watched her vault the fence at the end of the vegetable garden and tear a trail through the corn field.

Lucy Langdon was an orphan. No one really knew how old she was. Least of all Lucy. But Millie reckoned she must be in her fifteenth summer by now. Her folks were killed in the mud slide of ‘48. Her aunt Angeline cared for her until it all got too much and she moved away. By that time, Lucy was fairly well able to look after herself. Whether it was by catching things, stealing things or doing the odd job for people in town. She still lives in Angeline’s old house at the edge of town, but it’s pretty much a shell now it needs so much work doing to it.

There’d been a rumour that she’d got hooked up with a vagrant but, like everyone else, he seemed to move on. She wasn’t much of a catch for anyone. Her blonde straggly hair hadn’t seen water, except for rain water of course, for many a year. And you could grow sweet potatoes with the dirt from under her fingernails.

Luke doddered into the kitchen, completely ignoring Millie, with a bed pan that he tipped into the sink.

‘What on earth are you doing!’ Millie cried.

Luke almost fell over with fright. ‘Good God, woman! Don’t be sneaking up on me like that. Are you insane?’

Luke was slavering as he spoke. Millie thought it was due to one of the minor strokes the doctor kept telling her about. He already had a limp in his left leg and didn’t have much use from his right hand anymore.

Millie sighed. ‘Luke, why are you pouring a bed pan down the sink?’

‘It’s Roman’s. He’s all messed up again.’

‘You know you shouldn’t be doing that.’ Millie clutched the front of her apron and moved towards the door. ‘Thank you for trying to help, Luke,’ she said as she climbed the stairs.

When Millie got to Roman’s bedroom she almost wretched on the stench. She pulled back the curtains and swung open the windows. Sunlight streamed into the room, highlighting a dust cloud from the curtains. Roman groaned and stirred, shielding his eyes from the light.

‘Is that you, Millie?’ he asked.

‘Yes, dear, it is.’

‘Go away! I don’t want you to see me like this.’

‘Don’t be silly, Roman. I’ve seen you in worse states.’

‘It’s not right. It’s humiliating.’

Millie sat down on the edge of the bed and held Roman’s hand between her palms.

‘Why can’t you just let me die?’’ he pleaded.

‘Because you’re not ready to leave me just yet,’ she said. ‘Besides, what would Luke do without you?’

‘You’d look after him.’

‘Not all the time, I couldn’t.’

‘He’d manage. He’s completely insane you know. He should be the one locked up in a darkened room all day.’

‘Don’t be saying that about your own brother. You know you don’t mean it. Now move over this side a little so I can pull the sheet from under you.’

After Millie had washed up and finished cleaning Roman she went back to the kitchen to pop the pies in the oven and peel some vegetables. It was while she was scraping the skin off some potatoes that her mind began to wander back to when she and Roman used to go walking together. Millie and Roman had been sweethearts ever since they were children.

Roman, being the eldest, always looked out for his two brothers. Maybe this is what Millie liked in him. He was a big man, with the gentlest of touches. He would hold Millie’s hand like he was cradling a fledgling. They would’ve married too if it hadn’t been for the accident up at the goldmine.

Back in ’48 there had been a terrible rain. The rain seemed to last for weeks, though it only actually lasted for eight days. But for that eight days it sheeted down relentlessly, causing a mist, like a net curtain, over the whole town.

Eventually, the mountain had enough of the rain and decided to move on. It looked like half of Mount Entwhistle slid down into the river. Two mine shafts collapsed, killing twenty nine miners. That’s when Ethan died. Roman was one of the last to be dug out of the mud. When they eventually found him underneath a support beam, his spine had been broken clean in two. Luke had never been the same since. Roman says it’s on account of all the mud that seeped into his brain. But Millie knew that it was because of seeing all of their friends die like that. Right there in front of them. Screaming as they were engulfed by the liquified mud.

There wasn’t one person in the whole town that didn’t know someone who had been killed or injured in the mudslide. The town grieved for years after.

To add insult to injury; the mining company closed down the mine, leaving most of the men in the surrounding area unemployed, and without even a sniff of compensation. The owners said it was an act of God, and that they weren’t liable. So everyone prayed to God on Sunday, but he wasn’t liable and didn’t give them any compensation either.

It wasn’t long before the town dried up, both literally and metaphorically. With the mainstay of the town gone, so had most of the families. Now, it was mostly populated by old folks and a few middle-class people who wanted a little bolt-hole in the country.

Millie looked out of the window and saw Luke pottering about in the garden, between the tomato vines and the artichoke stems. Probably doing more harm than good. She could smell the pastry from the oven.

She went to the refrigerator and made a fresh jug of lemonade, listening to the ice cubes clink as she stirred them around the glass.

Just then, Lucy came bounding in, her grubby yellow blouse sticking to her skin. ‘I put them back, Millie!’ she exclaimed.

‘Good girl. Now go and wash-up, dinner’s almost ready.

‘Awww, do I have to?’

‘If you don’t scrub those filthy nails you won’t get any dessert,’ she gave Lucy a whack on the behind with a tea towel as she ran past, up the staircase, taking them two at a time.

There was silence for a while, then the screech of copper pipes as the hot water started running. Suddenly, there was an almighty crash.

Millie threw down her apron and scurried up the stairs. Lucy was standing on the landing with her hands clamped across her mouth staring into Roman’s bedroom.

‘What on earth happened, Lucy?’

Lucy turned on her heels and bolted past Millie, who could now see what Lucy had been looking at. Roman had fallen out of bed onto the porcelain bedpan shattering it into a thousand pieces, whist managing to pull the dresser on top of him for good measure. Tiny porcelain fragments were protruding from his pyjamas and blood began to spread across the fabric. Millie rushed up, dragged the dresser off, and rolled him onto his back cradling his bruised face in her hands.

‘You silly thing! What on earth were you trying to do?’

‘I saw this on the dresser and I wanted to look at it.’ Roman held out his bleeding palm to show her a small framed photograph.

The glass was cracked and small splinters had embedded themselves into his fingers. Millie looked at the picture. It was an old sepia photo of Roman and Millie when they were in their late teens. She was wearing a floral dress and holding a straw hat in front of her, while he stood behind, hands upon her shoulders in his best blue linen suit. The picture had been taken the day they’d got engaged.

Just about the whole town came to the party. Long trestle tables had been set up in the garden. There was music and dancing. (Jerome had brought his fiddle.) They roasted a whole pig on the spit and baked stuffed beef tomatoes – as big as your fist – on the coals. Everyone had had a great day. There hadn’t been a wedding in the town since Helena Phelps married Butcher Bob Fielding, eight years previous.

The date had been set for June 1st, 1948. But that, as fate would have it, was eight days after the rain came. And the mud that washed away their lives.

Tears began to slip down Millie’s cheek onto the back of her wrinkled wrist.

‘You look so handsome,’ she said.

‘And you look as beautiful now as you did back then,’ he said stroking her cheek with the back of his hand.

‘Don’t be teasing,’ she said wiping her nose and sniffling.

‘I’m not teasing, Millie. I’d marry you tomorrow if it wasn’t for all of this,’ he said gesturing at his prone state.

‘You dozy dunderhead, I wasn’t bothered what physical state you were in,’ she said, slapping him with her tea towel. ‘Besides, we’re too old for all of that.’

‘I guess you’re right,’ he said, fingering the hem of her cotton dress.

Millie looked down at Roman, stroking his greying black hair. ‘Anyway,’ she said. ‘I’ve been coming here for the past thirty years. That’s probably more than any woman could stand in a marriage.’

‘That’s not like a marriage.’

‘How’s it different?’

‘You know. We were never… intimate.’

‘You were intimate enough in the back row of the Odeon!’

‘That was just fooling around. We weren’t proper intimate like married couples are.’

‘I think you still have some of that mud in your head. Anyways, I didn’t care about your back. It’s what’s in here that counts,’ she said, tapping his skull with her knuckles.

‘You mean, you’d still have married me?’

‘Course I would.’

‘Guess that’s all as maybe now,’ he said.

Millie wiped away a trickle of blood from Roman’s nose. ‘Besides, I don’t think my wedding dress would fit me anymore.’

‘You still have it?’

‘Of course I do.’ Millie smiled. ‘I wonder if it would fit Lucy. It would make a right little madam out of her for the day.’

‘As a bridesmaid?’

‘No, you silly old fool. I thought you could marry her!’ she said batting him with the tea towel again.


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