I’ve been meaning to do a mask activity with patients on the ward for sometime now. I finally got round to buying a paper mache one and had a little experiment with some acrylic pens. A lot of the patterns I’ve used are from other doodling exercises I’ve posted about in the past.
I want to experiment with different mediums – coloured tissue, beads, blocks of acrylic colour, real flowers!
I can see where this activity would have lots of benefits for patients. There’s the obvious mindfulness aspect, concentration, dexterity, relaxation, self-expression, etc. (Which increases dopamine and reduces cortisol levels.)
But it would be interesting to see whether people express themselves literally or metaphorically. How much (or little) their emotions and state of mind are expressed in their work.
Anyhoo, when I’d finished doodling/tinkering/experimenting with my first attempt, I then felt inspired to pen a little micro poem.
Youmay wear amask,
But it cannot conceal the pain
Emanating from your eyes.
I decided to have another go. Here’s a WIP using acrylics.
Following on from my post about Extreme Doodling a few weeks ago, Contour Doodling is a similar mindfulness exercise you can do pretty much anywhere.
I call it ‘contour’ doodling because it reminds me of the contour maps I learnt about in geography class at school.
Simply start in the middle of your page with a small, irregular shape. Then draw around that shape following its contours. And keep building it up, getting further and further out. The irregularities will be emphasised the further out you get. Just go with it. Let it become the shape it wants to be.
There is no right or wrong.
You can do it for 10 minutes, or 10 hours. (Okay, maybe an hour.)
Remember, it’s all about the process, not the result.
At least, that’s what Google translate tells me. It could say ‘f*ck you’ for all I know. Which would work just as well.
Saying farewell to the year in a foreign tongue has become a bit of a custom for reasons I shan’t go into right now.
Greek mythology and the divine muses have been pretty prominent for me in 2022, so it seems quite appropriate.
This year, I’ve managed to paint lots of pictures, visit lots of the Peak District and write lots of poetry. So much so, I’m hoping to publish my second collection of poetry, “Go tell the bees” some time in 2023. (I’ve even been dabbling with a book cover design for it.)
To see out the year, I thought I’d leave you with a few samples of abstract doodling which I’ve been doing quite a bit of lately. It’s a very cathartic and mindful exercise if you want to give it a go. I’ve even tried it with patients on the ward and it went down really well. (Remember, it’s about the process of doing art rather than the end result.)
It just remains for me to say, thank you for visiting my blog, your support is very much appreciated. I hope you have a very happy, healthy, peaceful and prosperous 2023.
Keep being creative and tell those closest to you that you love them.
Extreme Doodling is not doodling whilst snowboarding down the lava doused slopes of an erupting volcano. It’s a tad more sedate than that. It’s doodling with purpose.
Like my previous post about abstract doodling, this exercise is mindful and relaxing.
Simply take your pen or pencil and take it for a stroll around the page.
Don’t think about it. Just spiral around, looping up and down, over and under, without lifting your pen off the page.
Next, (this is the ‘purpose’ part), fill in the shapes that you have created. As you can see above, I have used similarly spaced lines at varying angles, but you could fill each shape with a different design or pattern, as below.
Something like this would lend itself to being filled in with colour – felt tips, pencil crayon, watercolour…
You could even add more geometric elements to it.
There’s no right or wrong.
Nor is there any pressure on it having to be any ‘good’. By ‘good’ we usually mean in the eyes of others. Or, worse still – by yourself!
This is for you.
For you to spend some time relaxing whilst doing art.
It is the process not the result.
I could go on – I’ve got millions of the little blighters. But you get the idea.
I usually do them when I’m out and about and having to wait for something or someone (hence them always being black and white). So it’s a great way to pass time and not get frustrated about having to hang about.
Anyhoo, thank you so very much for taking the time to read/look at my blog. I wish you all a very Merry Christmas, if you celebrate it, and a happy, healthy and prosperous New Year.
Here’s a little abstract doodling exercise that anyone can do.
Simply divide a page of your sketchbook up into four with masking tape. (Don’t use cello tape as it will tear the paper when you remove it.)
Next, take a pencil and randomly scribble around the four boxes. Then, do the same with a felt tip pen.
For the colour, I used a combination of oil and chalk pastels. (Mainly oil.) But you could use watercolour paint, acrylic, markers – whatever you feel like using. Just don’t try to think about it too much. Let your subconscious do the work.
Remember, this exercise is about the process of doing art as a mindfulness activity, not the result.
You don’t have to divide your page into four. Do as few or as many shapes as you want.
When you feel you’ve finished, gently peel off the masking tape and – Ta-daaahhh! Behold your masterpiece. Guaranteed to give you a little dopamine hit. (The pleasure/reward chemical in your brain.)
It’s quick, it’s easy and it’s extremely relaxing and gratifying.
Your finished work may not get hung in the Tate Modern, but that was never the objective in the first place. Doing art for its own sake and the mental wellbeing it brings was.
Just over three years ago, I made myself a promise that I would do some form of art every day.
Not as a form of penance, by the way, but because I love doing it.
When I say, ‘art every day’, it doesn’t have to be drawing or painting. It can be writing, photography, printing, doodling – basically, anything I think is art. (Which is handy if you make the rules up.)
This year, I’ve been writing a lot of poetry. So much so, I’m thinking of publishing my second collection in the new year.
However, today, I thought I’d concentrate on my drawing and painting, as I haven’t posted any in a while. It’s mainly portraiture, with the odd abstract landscape thrown in.
Friday is Library Day for patients on Arden Ward at Stepping Hill Hospital.
And, if you didn’t know already, reading is very good for your mental health. (Probably not if it’s by Piers Morgan or the Tory party manifesto, mind.)
Reading quality literature and poetry, however, is proven to alleviate stress and anxiety.
Quite serendipitously, I came across this collection of poetry by Mary Dickins entitled Happiness FM. I thought her poem, ‘How to administer a poem in an emergency’ was perfectly apt for the group. So, I thought I’d share it with you.
And here is the poem from whence the collection takes its name.
Of course, our visits to the library aren’t just about reading. They’re about social interaction and doing other mindful activities.
There were nine muses in ancient Greek mythology. Daughters of Zeus and Mnemosyne, they were the divine inspiration behind human artistic and scientific endeavour. Calliope is probably the most well known, she is the muse responsible for inspiring heroic/epic poetry. Erato is the inspiration behind love poetry.
Because I love art, a couple of years ago, I promised myself I would do some form of art every day. Whether it be a few lines of poetry or prose, a sketch, doodle or a painting – or even taking a photograph. I think I do two types of art – conscious and unconscious.
When I consciously do something, I think about what it is I want to paint, how I want to paint it, materials, medium, etc. And I have an image in my mind’s eye about what I want to achieve. Invariably, I am slightly disappointed with the finished piece because it never lives up to the ambition of my imagination. The enjoyment was in doing it in the first place.
The second type is my unconscious art. I pick up whatever is at hand and just express myself without thinking about it. Whether it be in words or brushstrokes. I tend to get more satisfaction out of this kind of work because I don’t have any preconceived standard I was hoping to meet in my mind.
And it is this work that I sometimes question whether it is actually ‘me’ who is doing it. Or, rather my unconscious connection to the rest of the energy of the universe that my own sub-atomic particles are inextricably linked with. My Divine Muses, if you like. I am merely a conduit to put the marks on paper, canvas, or pizza box lid. (My muses do like a lot of pizza.)
Yeah, I’m aware that all sounds a bit pretentious and hippy-trippy, but you can’t escape the fact that our subconscious selves have an awful lot to say if you only let them speak.
Anyhoo, here’s what the muses wanted me to say recently…
I am very passionate about the act of ‘doing’ art being the most important aspect of it, rather than the end result. I see the benefits of this in patients with mental illness all the time. Yes, it can be insightful, but it doesn’t have to be. It can just be mindful, cathartic, meditative, expressive. And most importantly, you don’t have to be good at art to do it – it’s about the process, not the result.
Because, when you open yourself up and let the muses in – be they divine, subconscious, or Earthly, that’s when you really feel the joy of doing art.
The exhibition is called ‘Stockport Together Again’ and was curated by Arc and Stockport Council to showcase the creativity of Stopfordians during lockdown.
The exhibition was opened on September 25th by Arc’s Artistic Director, Jacqui Wood and Stockport’s Lord Mayor, Adrian Nottingham. And runs until the 14th November. So, you still have a couple of weeks to get down and see it if you’re in our neck of the galaxy.
Whilst I have selfishly only included my own work in this post what really came across strongly about the work on show, was how bright, colourful and optimistic it was. Which was slightly surprising given the theme of the exhibition.
Each piece is 12″ x 12″ and done on the inside of a pizza box lid. (I ran out of canvas during lockdown.) Fortunately, I had elasticated pants for my expanding waistline. The frames are 16″ x 16″. They are done mainly in acrylic with some elements of soft pastel and collage.
The significance of the dates on this last one is they are the date my mother was born and the day that she died earlier this year. I think about her every day. The flower petals in the paint are from the arrangement on her coffin.
Anyway, these nine portraits represent some of the art I produced every day during lockdown.