Category Archives: Illustration

The Boating Party with Outside Authority


Luncheon of the Boating Party, 1881. By Pierre-Auguste Renoir.

The Boating Party is a series of Q&As with writers, artists, photographers, filmmakers, musicians, sculptors, illustrators, designers and the like.

In times of economic hardship, the Arts are usually the first things to be axed. But, in my view, the Arts are one of the most important aspects of our civilisation.

Without the arts, we wouldn’t have language or the written word. Without the arts, we have no culture. Without culture, we have no society. Without society, we have no civilisation. And without civilisation, we have anarchy.

Which, in itself, is paradoxical, because so many artists view themselves as rebels to society. To me, artists aren’t rebels, they are pioneers.

Perhaps, most importantly; without the Arts, where is the creativity that will solve the world’s problems going to come from? Including economic and scientific ones?

In this Q&A, I am delighted to welcome artist Outside Authority.

What can I tell you about OA? Not a lot really. She’s very secretive. She does a blog I follow. She posts images of drawings and paintings she’s done. Apart from that, I’m as much in the dark as you are. This Q&A will help us all get to know her a little better. She likes to keep pretty anonymous. Which is rare in today’s reality TV world we live in.

I like her work. A lot. (Here come the adjectives.) It feels spontaneous and fresh. Full of energy and vitality. It’s reminiscent of David Hockney and Joan Eardley. Anyway, you can decide for yourself after the Q&A.

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What’s your greatest personal achievement?

Opening bat and best bowling figures of the season.

What inspires you?

People who have a go.

What was the last thing that inspired you?

A Joan Eardley exhibition.

What makes you unhappy?

Smug people.

What makes you happy?

The seaside.

What are you reading?

The Double – Jose Saramago.

What are you listening to?

Let’s Wrestle.

What’s your favourite film?

Once Upon a Time in the West.

If you could go back in time, where would you go?

About 20 years before I was born to meet the relatives who died before I was born or I can’t remember.

What frightens you?

There’s this man busking on the embankment that is dressed like a dog in a basket. It’s an abomination, he was licking his paw!!

What do you do to relax?

Read.

What do you do when you are angry?

Rant and hector.

What can’t you live without?

Marmite, sleep.

What’s your motto?

“It’s either too bloody hot or too bloody cold.”

Where is your utopia?

It’s a field or meadow far away with either a donkey or a pig in it.

If you only had one year to live, what would you do?

Email my resignation and hot foot it to Norfolk and Scotland.

Up who’s arse would you like to stick a rocket and why?

God, how do you choose? Jamie Oliver, apolitical my arse.

Who would you like to be stuck in an elevator with?

Alex Hales.

What are you working on at the moment?

Colour.

What is your ambition?

Retire asap.

If you could change one thing in the world what would it be?

At present, make my combination boiler stop faulting and make hot water. Make that all combination boilers, I am altruistic.

Which 6 people would you invite to your boating party?

John Steed, Bodie, George from Seinfeld, my sister, my daughter, Joan Eardley.

What would be on the menu?

Beetroot and some other things.

What question do you wish I’d asked?

Who’s your favourite darts player?

I love nearly all of them, but will have to go with Steve ‘the Adonis’ Beaton.

Thank you Outside Authority.

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Biography:

3 things you already know about me:
I have a blog.
I draw and paint.
I am Outside Authority.

Born in the sticks, OA was always going to go to Art school right up to the time she didn’t. With the odd life class inbetween, the creative urge fought its way back through a boring job and a new loft. She likes painting, drawing, printing, stitching people, animals and things and doesn’t see any reason why she should stop soon.

https://outsideauthority.wordpress.com/

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100 Years in Vogue


There’s an exhibition on at Manchester Art Gallery showcasing some of the greatest photography in the world, called 100 Years in Vogue.

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If you like photography – you’ll love it.

If you like fashion – you’ll love it.

If you’re an art director – you’ll love it.

If you’re a graphic designer – you’ll love it.

If you’re a fashion designer – you’ll love it.

If you’re a textile designer – you’ll love it.

If you’re a magazine/layout designer – you’ll love it.

If you’re an illustrator – you’ll love it.

If you like art – you’ll love it.

 

I’m not really into fashion, (no shit, Sherlock), so I guess it appealed to the art director in me.

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“The exhibition brings together vintage prints from the early twentieth century, ground-breaking photographs from renowned fashion shoots, unpublished work and original magazines. Images by leading twentieth-century photographers, including Cecil Beaton, Lee Miller, Irving Penn and Snowdon will feature alongside more recent work by David Bailey, Corinne Day, Patrick Demarchelier, Nick Knight, Herb Ritts and Mario Testino.”

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But you’d best get your skates on, it finishes on the 30th October!

(Oh, and it’s free in.)

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Painting instead of writing


Earlier this year I began work on my third novel. I was making good progress until it all ground to a halt as Spring gave way to Summer. I think the expression is “writer’s block”. You may have heard of it.

Anyhow, I wasn’t too worried as the school holidays were looming and I would be spending much of it trying to keep my two daughters entertained. So the chances of getting much work done were slim to zero.

Now that they’ve gone back to school, the “block” is still here. And it’s very frustrating. I get quite depressed if I am not creating something. I worked in advertising for 30 years and every day I’d go into work and have to create something.

So, instead of wallowing in self-pity, I turned my hand to something else – painting. Mainly watercolours, but acrylics too.

Here are a few examples I thought I’d share with you. I know I won’t be getting an exhibition at the National Gallery anytime soon, but I quite like the colours and freshness of some of them.

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Self portrait in acrylic.

 

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Things for which I am grateful #365/365.


Some folks might think this is a bit of a cheat. I started with my kids and I’m going to finish with them. In my defence, I have two of the little rascals so I’m counting it as one post apiece.

There is nothing more precious to me on this Earth than my two daughters. Anyone who has children will know that something changes inside of you – chemically, biologically – and nothing else seems to matter.

Of course, this doesn’t apply to every parent, and true, the pesky varmints do get on your nerves a lot of the time. And yes, they bicker constantly. And they manage to talk in a stream of consciousness James Joyce would be proud of. But, when all’s said and done, they don’t outweigh all the adorable moments. I simply couldn’t live without them.

It’s been an epic year of blogging. Thank you for sticking by me and I wish you all a very happy, healthy and prosperous new year!

Right, I’m going for a lie down.

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Here are my 365 things that I am grateful for:

1 My daughters

2 Water

3 Poetry

4 Baths

5-7 Notebooks, pens, pencils

8,9 Butterflies and moths

10, 11 Softball and baseball

12 Fresh coffee

13 Sound / masts

14 Indoor toilets

15 Stepping Hill Hospital

16 Birds of Paradise

17 Roget’s thesaurus

18 Mother Earth

19 Clingfilm dispenser

20, 21 Yorkshire pudding and onion gravy

22 Jorge Luis Borges

23 Classic cars

24 Curry

25 Tim Berners Lee

26 Charles Bukowski

27 Yorkshire

28 Shiraz

29 Food

30 Katell Keineg

31 Tao Te Ching

32 A roof over my head

33 Peat fires

34 Street art

35 Friends (as in – mates, not the T.V. show)

36 Wilfred Owen

37 The Penguin Café Orchestra

38 The fry-up

39 Wolves

40 W.B. Yeats

41, 42 Cherry blossom trees and haiku poetry

43 Bread

44 Boules

45 Maps

46 Refuse collectors

47 Candy Chang

48 Sparrows

49 The tomato

50 Studio Ghibli

51 Oliver Jeffers

52 Johannes Gutenberg

53 Tom Waites

54 The cello

55 Mothers’ day

56 The Phoenicians

57, 58 Bacon and brown sauce

59 Tulips

60 Fish and chips

61 Giselle

62 Airfix

63 Firefighters

64 Rain

65 Libraries

66 Raymond Carver

67 Toulouse-Lautrec

68 The Goldfinch

69 Wings of Desire

70 Silence

71 Elizabeth Barrett Browning

72-99 Ireland

100 Talking Heads

101 Sylvia Plath

102 Yorkshire Sculpture Park

103 My mum

104 Modigliani

105 Kurt Vonnegut

106-128 Electricity

129 The pop man

130-147 Comedians/comedy

148 Commando magazine

149 Pastry

150-156 Social media

157 David Bowie

158 Football

159 D-Day

160-194 France

195-230 Novels

231 Graphic Design

232 Viva! Roxy Music

233 – 274 Art

275 Betty Blue

276 Writing

277 Joy Division

278 – 287 Scotland

288 – 324 Italy

325 – 352 Photography

353 Leeds Utd

354 Love

355 Universe

356 Advertising

357 Pan’s Labyrinth

358 – 363 Democracy

364 Miscellaneous

365 My daughters II

If anyone wants to read any of the previous posts simply type the title into the search box on the right. (It’s underneath the ‘topic’ cloud.)

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Things for which I am grateful #233 – 274 – Art.


As you’ve probably gathered, the arts are a huge part of my life. And this is my mantra:

 

Without the arts,

We have no culture.

Without culture,

We have no society.

Without society,

We have no civilisation.

And without civilisation,

We have anarchy.

 

Which, in itself, is paradoxical, because so many artists are viewed as rebels to society. To me, artists aren’t rebels, they are pioneers. They show us new ways of interpreting the world.

Art galleries are my cathedrals. They are the places I go to escape from reality and immerse myself in the presence of their genius.

Here are a few of my favourite artists. (I haven’t included ones that I’ve already written individual posts about, such as Modigliani, Chang or Lautrec.)

As you can see, I’m quite traditional in a lot of respects. What I love about much of the impressionistic work is the space, light, colour, composition and texture. Quite a lot of them have a simple, graphic quality, too. Which, perhaps, is no surprise considering that that is what I studied at art college.

Some famous names missing. Who are your favourites?

Michael McGinn

Michael McGinn

Aaron Smith

Aaron Smith

Yup, Banksy.

Yup, Banksy.

Edouard Vuillard

Edouard Vuillard

Frida Kahlo

Frida Kahlo

Gaugin

Gaugin

Igor Shipilin

Igor Shipilin

John Singer Sargent

John Singer Sargent

Kees van Dongen

Kees van Dongen

Kris Kuksi 1

Kris Kuksi 1

Kris Kuksi 2

Kris Kuksi 2

Manet

Manet

Mary Cassatt

Mary Cassatt

Matisse

Matisse

Yes, Monet.

Yes, Monet.

Grayson Perry

Grayson Perry

Picasso 1

Picasso 1

Picasso 2

Picasso 2

Pierre et Gilles

Pierre et Gilles

Renoir

Renoir

Sergey Rimashevsky

Sergey Rimashevsky

Sorolla

Sorolla

The chapman bros

The chapman brothers 1

The Chapman Brothers 2

The Chapman Brothers 2

Van Gogh

Van Gogh

Vermeer

Vermeer

Degas

Degas

Francis Bacon

Francis Bacon

Egon Schielle

Egon Schielle

Gustave Klimt

Gustave Klimt

Pierre Bonnard

Pierre Bonnard

Antonio Canova

Antonio Canova

Paul Cézanne

Paul Cézanne

William Merritt Chase

William Merritt Chase

Salvador Dali

Salvador Dali

Richard Estes

Richard Estes

Edward Hopper

Edward Hopper

Norman Rockwell

Norman Rockwell

Jan van Eyck

Jan van Eyck

Foujita

Foujita

Wilhelm Hammershøi

Wilhelm Hammershøi

Frederick Childe Hassam

Frederick Childe Hassam

Peder Severin Krøyer

Peder Severin Krøyer

Berthe Morisot

Berthe Morisot

Camille Pissarro

Camille Pissarro

 

By the way, if any late-comers are wondering what the hell all the numbers are about in the titles of these posts, the reason is: I decided, at the back end of 2013, to write 365 things for which I am grateful – one for every day of the year.

Why? Because, I think a lot of us in the ‘West’, (including me), sometimes forget how lucky we are and take too many things for granted. Which people in other parts of the world would die for, and do so, on a regular basis.

 

 

 

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#148/365 Going Commando


Not that kind of commando, you smutty lot.

Commando, the kids comic.

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I didn’t get many hits when I did a post on the Airfix soldiers of my youth a few weeks ago, so I’m not counting on this one receiving very many either. I reckon you P.C. lot frown upon things that have a violent bent – and quite rightly so. I don’t let my kids play with TMDs. (Toys of Mass Destruction.) That said, my youngest – whose birthday is coming up – did ask for an AK47 and a visa for Ukraine for some reason.

However, growing up in the 60s and 70s was a very different ball game and it was considered the norm.

I used to buy Commando magazine every fortnight and relished the tales of bravery and courage under seemingly impossible odds. Come to think of it, that’s all they were ever about – chisel-jawed commandos outwitting dastardly Nazi dummkopfs. Or, Spitfire Ace, down to his last bullet and some harsh language, versus the entire German Luftwaffe. (Guess who won?)

I loved the artwork. (Not dissimilar to the illustrations on the Airfix packaging.) The covers were illustrated in glorious colour, whilst the story strips were in bold black and white.

I used to have hundreds of these magazines. Wonder what ever happened to them. I bet some would be worth a few bob nowadays.

Of course, I think it’s completely perverse to glorify and glamorise war these days. But, like I say, ’twas a different world.

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On a separate note – thank you to all you lovely readers from all around the world who have helped There Is No Cavalry reach over 100,000 hits! I am extremely grateful.

 

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Henri de Toulouse-Lautrec – #67/365


It is an absolute privilege to be able to view Toulouse-Lautrec’s work up close. Not just for his energetic painting style, capturing the seedier side of Parisian nightlife, but also for his art direction and typography.

Over the years, there have been many articles about whether advertising can be art, and I’m pretty sure that it can’t be whilst it is selling something. I think it can transcend into art after it has served its purpose and becomes era defining.

In Lautrec’s case, I’ll make an exception, as he was already well known for being an artist when  he was commissioned to create posters for various clubs and salons.

Any art director or designer worth their salt should be aware of the influence of art in layout and design purely from a composition point of view.

In this Jane Avril example, I love the way he frames the poster using the double base. (How many ‘frames’ have we seen like this for contemporary brands?)

Obviously, Lautrec wasn’t a 19th century ‘ad man’. He was a brilliant artist and spent much of his time in Montmartre hanging out with philosophers, writers, artists and the like. Then popping off to brothels to draw/paint the staff and clientele. He was a reportage photographer before they’d even been invented. That, coupled with the eye of a poet, lead to some breathtakingly intimate works.

So, for inspiring a 17-year-old art student, Mr. Toulouse-Lautrec, I am very grateful.

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