Category Archives: Illustration

Making art out of art


I love marbling with the kids.

If you’ve ever done it before you’ll know that you can get some really cosmic patterns. You’ll also know that you’ve probably got more leftover samples of the stuff than you can shake a big shaky thing at.

So … what to do with all those cosmic castoffs … I know, let’s make a collage.

Start by cutting out shapes from your marbling masterpiece that you want to use in your composition and glue them onto a piece of paper.

Next, sketch in the rest of the composition. Add a bit of a felt tip outline.

I filled in the background with chalk pastel, but you could easily use felt tip, watercolour paint, pencil crayon or coloured paper.

And there you have it – you’ve made art out of art.

There is one other thing…

And, it’s probably the best bit. But I didn’t realise that until it was too late. Instead of cutting the shapes out of your marbling sample willy-nilly like I did, cut them out in the same position that you’re going to stick them on your paper. That way, when you position them next to each other you get a sort of positive/negative effect.

Hindsight? Serendipity? Whatever.

If you haven’t done marbling before you can use off-cuts of old patterned wallpaper, pictures from magazines or gift wrap paper. Or even paint an abstract background and use that.

It’s one more thing to do until the schools reopen in September!

If you want loads more of art activities to do you can sign up to Arc’s free ‘Keeping us together‘ programme. They email you a different art activity every week. (Arc is a brilliant Arts charity based in Stockport.)

And remember, folks – Art is Medicine*!

*Do not swallow art like medicine. It might kill you.

**I am not a trained physician.

***’Art is medicine’ is only my opinion and not a scientific fact.

****Or, is it?

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Hands up who’s bored!


Lockdown, quarantine, isolation, call it what you will. A lot of people are at the end of their tethers thinking of things to occupy this abundance of time they suddenly find that they have.

Here’s a little activity for adults and children alike. I stole it from a very talented artist called Jodie Silverman. You can have a look at her amazing work by clicking on her name.

Okey dokey, first off, draw around each of your hands on separate sheets of A4 paper.

Next, on one of the hands, (doesn’t matter which you choose), write all of the things you want to keep in your life. Basically, all of the good things that make you happy.

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On the other hand, write down all of the negative things you want to let go of. Things that get you down. Things that are holding you back.

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Once you’ve filled your hands with positives and negatives, it’s time to start decorating them!

There’s no right or wrong way to do this. Use watercolours, felt tips, acrylics, pastels, collage, whatever you feel comfortable with. And whatever you have lying around the house.

You could do an intricate pattern, something abstract or something more realistic like plants and flowers. Let your emotions about the words on each hand guide what comes out onto the paper.

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And, what’s the point of all of this?

Well, doing any kind of art is relaxing and meditative. It focuses the mind and helps you to stay in the moment.

It’s reflective; by contemplating what makes you happy and what doesn’t, you are taking a conscious, positive step toward leading a more fulfilled life.

Of course, it doesn’t have to be all heavy, philosophical stuff. If you wanted to do it with the kids you could ask them to write down what they like/dislike about homeschooling or lockdown in general.

Who knows, you might learn something about yourselves along the way.

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Unleash your inner Tempest


Addendum.

Unfortunately, the Shakespeare exhibition and all workshops have been cancelled until further notice due to the coronavirus.

Apologies for the inconvenience.

 

Fancy contributing to an exhibition based around Shakespeare’s The Tempest?

I’m facilitating an exhibition for Arc in collaboration with Stockport Libraries as part of Shakespeare Week.

The theme for the exhibition is to bring the great bard’s classic play to life visually.

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Here’s one we prepared earlier…

Who can get involved?

Well, there are two groups of people that can take part – locals, and non-locals.

If you’re local to Stockport, you can come along to one of our group sessions at The Heatons and Brinnington libraries. They are on Tuesday 17th March and Friday 20th March respectively.

There are two sessions at each library. 10.30 am – 12.30 pm and 1.30 pm – 3.30 pm.

You can pop along for one, or both sessions. (There’ll be different activities in the morning and afternoon.) Stay for 10 minutes or two hours.

For non-locals who fancy having a go, simply email me a pdf of your piece (or post it if you have time) and I’ll print it out. It doesn’t matter if you’re from Vermont or Verona, just pick up your pencils and paintbrushes and wear your heart on your sleeve.

It’s quite simple really. I’m asking people to draw or paint on top of The Tempest text, as in the example above. Artwork can be A5, A4 or A3 portrait or landscape and can be in any medium.

Sometimes called Humuments or Black-out poetry. You can use the text as part of a background, or highlight certain parts of the text to make a completely different piece of prose or poetry, which doesn’t have to relate to The Tempest at all.

See examples above and below.

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The exhibition opens on Saturday 28th March at the Arc Centre Gallery Cafe, Hat Works in Stockport at 11 am – 4 pm.

That doesn’t given you long if you’re not local and would like to submit a piece. We’ll be putting the exhibition together w/c 23rd March, so ideally, we would like email/postal submissions by Saturday 21st March please. I’ll be waiting with baited breath.

Email me at thereisnocavalry@icloud.com for more details or my postal address.

Good luck, the world is your oyster.

 

 

 

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Happy [insert occaison here] Day


Introducing There Is No Cavalry greeting cards.

Something for every occasion. (Because they’re all blank inside, so you can write what the hell you like.)

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What’s the difference between you and Moon Pig?

Some would say, nothing physically.

Others might say that my greetings cards are that little bit more special because they are uniquely hand painted by moi.

And why are you telling me this?

Because I want to give them to you.

Well, when I say ‘give’, I mean give them to you in exchange for money.

That’s right, it’s your once-in-a-lifetime chance to own one of these rare and original works of art. (Maybe twice-in-a-lifetime if this batch sells well.)

So, what have you got?

I have A5 and A6. Which if you don’t know what size they are, A5 is half the size of A4 and A6 is half the size of A5. A3 is twice the size of A4 and A2 (which is pretty big) is twice the size of A3, but that doesn’t matter, because I don’t have any A3 or A2 cards. That would be ridiculous. (Don’t get me started on A0.)

Yeah, but what are they pictures of? They look a bit funny to me.

That’s because they’re abstract landscapes. At least, that’s what I’m calling them.

I potter about the Peak District and Yorkshire Dales quite a lot and they’re impressions of the shapes, textures, colours and light of the landscape.

Then there are also a couple of Japanese-style watercolours, like this…

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I couldn’t possibly afford a once-in-a-lifetime, unique, hand painted card by David Milligan-Croft, could I?

Probably not.

Hold your horses. Let’s not be too darn hasty there, pardner. How much are these pesky little critters?

Since when did you become a cowboy?

Sorry. How much are they?

That’s better. £3.00 each for the A6 and £4.00 each for the A5.

That’s ludicrous! You’re practically giving away these once-in-a-lifetime, hand painted, unique cards, by soon-to-be-famous artist, David Milligan-Croft for nothing!

I know. I’ve not been well.

Where do I sign?

You don’t. You message me which one/s you want, pay into my paypal.me/dmcroft  account, and I pop them in the post to you. But I’ll need to work out postage first depending on where you live, so don’t put any money in just yet. (Unless you just want to make a huge donation.) I’ve put a postage guide at the bottom of the page, but I don’t imagine it will be more than 1 or 2 pounds.

I couldn’t possibly send this to someone else, it’s too unique!

Stick it in a frame then.

Great idea. What if I want a bigger one? I have a portrait of the ex that I quite like the frame of.

I’ll do you a bespoke one if you like. Just let me know which card you like the style of and the size. Obviously, it won’t be an exact copy, it’ll be…

Unique!

That’s right.

Just scroll down to sample my wares and if you’re interested either message me below or email me at thereisnocavalry@icloud.com for details.

Toodle-pip.

 

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1. Watercolour and inktense, A6.

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2. Watercolour, A6.

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3. Watercolour and inktense, A6.

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4. Watercolour, A6.

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5. Wayercolour & inktense, A6.

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6. Acrylic, A6.

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7. Acrylic, A6.

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8. Inktense, A6.

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9. Watercolour, A6.

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10. Watercolour & inktense, A6.

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11. Watercolour & inktense, A5.

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12. Watercolour & inktense, A5.

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13. Watercolour, A5.

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14. Watercolour, A5.

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15. Watercolour, A5.

This last one is slightly different as it’s an A5 black and white print, so I can do as many as you like. What shall we say for this one? [scratches head] Two quid each. They might be prints, but they’re still unique. 🙂

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16. Black & white print, ink on paper, A5.

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In the not too distant future I’m going to be doing a series of landscape photography postcards of my meanderings around the Peak District and Yorkshire Dales.

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Bonjour 2020!


I thought I’d begin 2020 as I ended 2019 – writing in French!

Why? I have no idea.

Plus, it’s a tad late for New Year salutations.

I’ve wanted to write a post about Saul Leiter for many a moon.

Why? I have no idea.

Wait, I do. Because I love his work, that’s why. And I thought it only right and proper I shared the love.

I am intrigued by his voyeuristic style. Apart from Leiter being a pioneer of early colour photography, he managed to capture slices of the Big Apple’s social and cultural life in 1940s and 50s America. I think the compositions are very cinematic and each character could inspire a short story.

He said his early influences were the Impressionists Degas, Bonnard and Vuillard. But I’d venture to chuck Toulouse-Lautrec into the pot as well.

And he wasn’t just a dab hand at photography. He was pretty good at dabbing with a paint brush too. (Quite a few of his paintings are over-painted photographs.)

I’m not going to blather on giving you his life story, you can do that here. I just want to show you some pretty pictures. So, here you go…

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Adieu 2019.


Well, it’s been an eventful year, to say the least.

I’ve been doing a lot more visual arts this year, so I thought I’d do a month-by-month, blow-by-blow, pictorial representation of my year. (Lucky you.)

Actually, the reason behind it is to see if/how the images/moods have changed over the course of the year. And how that might correlate to my mental health.

As some of you know, I volunteer for an arts charity called Arc, (Arts for Recovery in the Community), which works with people with mental health issues. I am an ardent advocate of the arts as a medium to treat mental health, and wellbeing in general.

Many years ago, I visted the Van Gogh Museum in Amsterdam and you could see the gradual decline in his mental health through his work.

Whilst I’m no Van Gogh, I am trying to see if there are any similar patterns to my own work.

Let’s have a look, shall we?

And before I forget; Have a Happy New Year and an absolutely spectacular 2020.

JANUARY

Oh dear… that’s not a good start.

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FEBRUARY

That’s a bit more positive. Birthday trip to Haworth, West Yorkshire, (home of the Brontes’), with my daughters.

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MARCH

Pros: Part of an Arc exhibition. Cons: Became homeless.

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APRIL

Ee, it’s grim up north. Charcoal sketch of an L.S. Lowry.

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MAY

“Are you sure you’re all right?”

Rehomed.

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JUNE

Think I can see a pattern emerging.

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JULY

Rehab.

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AUGUST

I guess a lot of things are obvious in hindsight.

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SEPTEMBER

The road to recovery.

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OCTOBER

Signs of improvement.

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NOVEMBER

Apart from my volunteer work at Arc, I started facilitating a Creative Writing Workshop at The Wellspring homeless charity in Stockport.

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There are always reminders.

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DECEMBER

A change of outlook.

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As you can see, it’s been a tumultuous year.

I feel very fortunate to be able to experience the last day of it. That would not have been possible were it not for the actions of my dear friend, Siobhan Costigan, over in Australia. Her, and my friends, family, NHS, Stepping Hill Hospital, Pathfinder, AA, The Wellspring and Arc have all played their part in saving my life and helping me to recover. And I thank you all from the bottom of my heart.

As of 31/12/2019, I am 140 days abstinent. I feel completely blessed that I have been able to experience 140 days on Earth with my daughters, family and friends that I might not have been able to. I am truly a lucky man.

I wish you all a magnificent 2020; may the forthcoming decade bring you everything that you hope and dream for.

 

Addendum.

If you, or a loved one, are going through a difficult time, there are organisations out there who can help. Reaching out isn’t a sign of weakness, it’s a sign of strength that you have managed to hold on this far. And remember, if things get so bad, go to your nearest A&E dept., they will take care of you just like any other patient.

The Samaritans call 116 123

NHS call 111 or 999

Alcoholics Anonymous call 0800 917 7650

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This is not an update, update.


I said in my last Facebook post about my recent travails at Stepping Hill Hospital that that would be the last medical update, as I am now safely home.

However, I doubt that most of the readers of my blog are friends with me on Facebook, (some are), so they won’t know what the hell I’m on about.

Suffice it to say, I’ve just spent a week in hospital and let’s leave it at that. Because, what took me there isn’t the point of this post. What I did there, is.

Whilst wiling away the hours in my hospital bed I got a bit bored and asked Nurse Emma if I could borrow a pencil and a few sheets of paper.

I did a bit of sketching of patients and nurses who I was fortunate enough to meet in the HDU and ward B6.

So, like I said, it’s not an update per se. More of a ‘backdate’.

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Nurse Emma at her computer.

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Steve, fellow patient.

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Nurse Eta at the medicine dispenser trolley.

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Craig, fellow patient, (with black eye).

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River and countryside.

Bit of a random one, this. No, it’s not the view from my hospital window, it’s from a photo that a friend, Edel Gallagher, posted on Facebook while I was in hospital. I really liked the composition, so thought I’d copy it. Now, if you compared my sketch to the original photograph, you’d think it’s complete bobbins. Luckily, you can’t, so here it is.

Not as spooky as the stuff I normally paint, but from where I was lying, things were pretty spooky enough.

 

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Body of Work


I was going to title this post: Portraits of the Damned.

Then I started to include landscapes and still-lives to it. So, the title wouldn’t really make sense. But it will in a minute! Be afraid, be very afraid.

Some of you may, or may not, know that I volunteer for an Arts charity called Arc, (Arts for Recovery in the Community), in Reddish, Stockport.

I’ve done a lot of this work there, and some at home. But all the techniques I’ve picked up are from either attending or volunteering on their programmes.

Whether it be block-printing, collage, charcoal, watercolour, acrylics, inks, fabric, embroidery, clay or pastel. Not to mention the numerous techniques, yes brushes, but also charcoal tied to the end of a three feet long piece of bamboo! Bits of old Paymobil and Lego, edges of long out-of-date credit cards.

At Arc, it’s never about the technique and what end result you achieve, it’s about enjoying the process of doing it. Losing yourself, immersing yourself in art for a few hours – now that is medicine!

I appreciate that my work is more the stuff of nightmares rather than living room walls. But I like it!

Collage

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Pencil sketches

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Watercolour

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Processed with Snapseed.

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Self-portraits

Processed with Snapseed.

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Charcoal

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Pen and ink sketches

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Portraits of the Damned!

Mostly acrylic and chalk pastel on canvas or paper.

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And finally, the installation I made for the centenary commemoration of the end of the First World War at Stockport War Memorial Art Gallery. R.I.P. Herbert Jackson of Didsbury Road, Heaton Mersey, Stockport. Railway man, musician, fiance – and soldier.

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I [heart] America


There’s been a lot of hullabaloo this past couple of years because of the Cheeto-in-Chief of the good ol’ U S of A.

What with cosying up to dictators and alienating allies he certainly cuts a divisive figure. Unfortunately, this has had a backlash against America in general and its people.

So, to redress the balance, I wanted to write a positive post about some of the things I love about America. After all, one Mango-Mussolini shouldn’t taint the whole country.

In no particular order…

MUSIC

From Elvis Presley to Tom Waits to the Talking Heads. Who could argue that America has produced some of the greatest artists and genres the world has ever seen. Who are your favourites?

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Next up, MOVIES.

When we think of American movies we tend to think of Hollywood blockbusters. But there are so many unbelievable directors and actors. Here are some of my favourites, who are yours?

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As I have a penchant for the Arts, I’m going to pick out a few photographers who have inspired me over the years.

PHOTOGRAPHY

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Marilyn Monroe by Eve Arnold

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Gloria Swanson by Edward Steichen

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Vivian Maier

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Ansel Adams

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Cindy Sherman

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Saul Leiter

Understandably, most people couldn’t give a rat’s ass about advertising. But I do, because I worked in it for 30 years. When Doyle, Dane, Bernbach set up shop in the 1960s they revolutionised advertising. They focussed on simple product truths. Their ethos/philosophy permeated continents and generations. Still does. I had the privilege of working for DDB Dublin.

ADVERTISING

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Leading on from advertising we have GRAPHIC DESIGN, and this iconic classic by Milton Glaser for the New York tourist board. which has been ‘parodied’ a trillion times. (Yes, including me.)

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Milton Glaser

Next up, ARTISTS. Again, a multitude to pick from. Here are a couple of my faves.

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Jean Michel Basquiat

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Edward Hopper

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Mary Cassatt

Moving on to something non art related – LANDSCAPE. America has such a diverse landscape, from snow-capped mountains to sun-scorched deserts.

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I’ve always loved CLASSIC CARS, Mercedes, Jaguar, Citroen, Volvo. But I also love American cars for their sheer ostentatiousness.

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I couldn’t write a post about America without including a few WRITERS. Too many to choose from. Here are a few of my heroes who have inspired me over the years. Recommendations anyone?

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What else do I love about America? I really like their ARCHITECTURE. Whether it be a monumental skyscaper or the traditional colonial white-picket-fence style complete with veranda.

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You won’t get very far in the States without some top-notch tucker. What is more quintessentially American than the humble DINER?

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Who says Americans don’t get irony? They make some fantastic COMEDY and have some wonderful comedians. Obviously, you’re not as funny as us Brits. But you’re getting the hang of it. (Benny Hill.)

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There you have it. Have I forgotten anything, anyone? What would you have included?

Obviously, there is one other thing I would like to give credit to. And that is the American people. (Well, only those that didn’t vote Trump.) You’re an innovative and inspiring bunch. Not only that, you saved our asses in two world wars! So, cheers for that.

My, (our), world would be a lot poorer without you.

 

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The Boating Party with Claudia McGill


Luncheon of the Boating Party, 1881. By Pierre-Auguste Renoir.

The Boating Party is a series of Q&As with writers, artists, photographers, filmmakers, musicians, sculptors, illustrators, designers and the like.

In times of economic hardship, the Arts are usually the first things to be axed. But, in my view, the Arts are one of the most important aspects of our civilisation.

Without the arts, we wouldn’t have language or the written word. Without the arts, we have no culture. Without culture, we have no society. Without society, we have no civilisation. And without civilisation, we have anarchy.

Which, in itself, is paradoxical, because so many artists view themselves as rebels to society. To me, artists aren’t rebels, they are pioneers.

Perhaps, most importantly; without the Arts, where is the creativity that will solve the world’s problems going to come from? Including economic and scientific ones?

In this Q&A, I am delighted to welcome artist Claudia McGill.

I love her bold, graphic style and use of colour. Reminds me of Picasso’s ceramics.

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What has been your greatest personal or career achievement?

I can’t pick out one thing. I’ve been alive for 58+ years and I just can’t pick one thing over another. I won’t even start to speculate or compare, just thinking about trying to do so is unsettling me!

What has been your greatest sacrifice?

Once again, I can’t pick one out. Not because there have been so many to burden me that I can’t choose, thank goodness! but because I think that pretty much, things might have looked bad at the time, had been painful, even life-altering, but in the end, it came out all right, or else somehow I managed, and I have come to believe that this pattern will hold.

To whom do you owe a debt of gratitude?

My husband, who has always one hundred percent supported me in all my endeavors.

Who, or what, inspires you?

I just enjoy pretty much everything about ordinary life – maybe I am easily amused or interested, but I’m always thinking something intriguing is just around the corner, and usually it works out that way.

What makes you unhappy?

Harsh words, intolerant attitudes, and people who do not take others’ feelings into consideration.

What makes you happy?

Too many things to list.

What are you reading?

I read a lot, and mostly I read mysteries. I also like biographies and how-to books. As for the last, I don’t need to want to actually do the how-to of whatever it is; I just enjoy reading about how things are made, done, constructed, etc.

Who, or what, are you listening to?

Usually I listen to audio books; I am not much interested in music. I get the books from my library and I lean toward thrillers. That’s kind of funny because I don’t enjoy reading print version thrillers that much, but having one read to me – I love it.

You’re going on a day trip. Where are you going and what is in your ‘day’ bag?

I might visit a library or go to a park for a run, I can’t decide which. In either case, I’d take a snack or a lunch, some drawing materials, a pen and notebook for writing things down, a sweater (for the library in case of extra-powerful a/c) or extra clothes to change into (the run). Probably a grocery list or items for the cleaners, since I always seem to be running errands wherever I find the time, but that’s not part of the trip, really…

What’s your favourite film?

The Wizard of Oz. My favorite since I first saw it about 55 years ago. What a strong impression it made on me right from the first.

What’s your favourite tipple?

Very easy question! Unsweetened iced tea – since I was a teenager – has been my favorite drink. My addiction picked up after I left school and went out on my own – cheaper to make a pitcher of iced tea than to buy bottles of soda, and at that time, every dime counted. Now, I am very partial to Honest Tea’s green tea. And I like drinking tea from the bottle more than a glass. A very tame addiction, maybe, but it’s lifelong.

If you could go back in time, where would you go?

I don’t ever want to go back in time. I’m interested to read about the past, but I don’t want to be part of it.

What frightens you?

High winds; dogs running up to me, even if their owners say they are friendly; being stung by a wasp; being late; eating food past its sale date; I am afraid of the dentist now, or rather, of any pain at all in dental procedures, though I didn’t use to be; I’ve had some recent procedures that tipped the balance. Let me add that my dentist does his best not to hurt me and I appreciate it. I am not afraid of public speaking or most kinds of insects.

What do you do to relax?

Read. Ever since I learned to read, in 1963, I have never lacked for friends, excitement, new horizons…I can pick up a book and everything is all right.

What do you do when you’re angry?

Speak right up and let it out. When I am angry people know it. I don’t like being angry, though.

What can’t you live without?

My husband, my friends, my art and writing activities, and libraries.

What’s your motto?

“Give it a try and see what happens.”

Where is your Utopia?

Wyncote, PA, right where I live now and have for the past 25 years. It’s taken me time to understand it, but somehow, I’ve landed in (or made it into) just the right place for me.

If you only had one year to live what would you do?

Just as I am doing now. I like my life and I don’t long for things to be different. I might make sure I eat more chocolate cake than I do now, though.

Up who’s arse would you like to stick a rocket, and why?

Really, no one’s, to tell you the truth. I mostly want to go my way and let you go yours.

Who would you like to be stuck in an elevator with?

The person who knows how to fix it the fastest so I can get out of it. I am not very fond of feeling trapped…

What are you working on at the moment?

I am working on some paintings, for a friend, of his house and his dogs, for the art portion of the question. In my poetry writing I continue my Installment Plan Poetry Marathon sessions, in which I spend a scheduled time every week focusing on writing poetry. I am also working on returning to running and my goal is five miles straight – I am making good progress. Maybe in the fall I’ll get there.

What is your ambition?

To take care of my house and those in it, do art, do poetry, exercise, and visit friends. That’s it.

If you could change one thing in the world, what would it be?

That chocolate cake would have very few calories and in fact be necessary to maintaining health.

Which six people would you invite to your boating party?

This one I can’t answer, because I don’t want to make choices and hurt anyone’s feelings. Maybe I’d make a list and draw names? Here’s a sign-up sheet…

What would be on the menu?

Chocolate cake. I guess you knew that!

What question would you have liked me to have asked?

I’d loved to have told you about how much I enjoyed working in the cafeteria in college, something people can’t believe, but it is true – and so you would ask me – what did I learn there that I could have learned nowhere else – and I would say, A lot of things, but one tangible skill I have as a result is that I know how to cut a pie into 9 equal pieces.

Thank you Claudia.

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Claudia McGill

Biography

I am a self-taught artist. I came to art later in life. Because of these things, making art for me is not a separate compartment in my life but a thread that runs through everything that I do.

Currently I concentrate on painting in acrylics, but I also spend time working in collage/mixed media as well as doing some hand-built clay, mostly tiles and sculptures. I got my start in fiber art, making pictorial appliqued wall hangings.

Here is a synopsis of some of my activities.

Fiber Art: I did many craft projects when I was growing up, and I learned to knit and sew clothing. I turned to appliqué quilting as a hobby in my thirties, eventually developing a style that used machine sewing to interpret my ideas as collages in fabric.

Collage/Mixed Media: After some years, I wanted to spend more time on composition and less on sewing. I began to experiment with collage, seeing similarities in the artistic process with my fabric work. In the beginning, I created pieces that were usually based on photos I’d taken of landscapes, city scenes, objects, or other images of this sort. I then interpreted them in collage using papers I’d painted myself with acrylic paints.

As time went on my work grew more abstract. I became more interested in portraying feelings, emotions, memories, or imaginings rather than representing scenes. I began to use found papers and materials in addition to my own painted papers and started incorporating painting (in acrylics) as part of the compositions. As well as creating art intended to be hung on the wall, I made and still do make postcards, artist trading cards, embellished art books, etc.

Acrylic Painting: My painting work was an outgrowth of my mixed media art, which familiarized me with acrylics. Painting is now my main artistic activity. My works are inspired by the world I see around me but my intent is not to represent it. Instead, I pick out what appeals to me, set these pieces together as I think they might like to be placed, and concentrate on how it all fits together, color and shape.

Other work: I have done hand-built clay for some time, changing styles as my interests change, but focusing on sculptures and tiles. I’ve recently begun spending more time sketching with pen and ink; I enjoy the focus and observation that go into this activity. I also write poetry and have self-published a number of books.

In all my activities, I work with a sense of purpose and hope mixed together. Making art is very important to me as it is the way I work out answers to questions and guide myself through everyday life.

web site: www.claudiamcgill.com
art blog, featuring current work: https://claudiamcgillart.wordpress.com
poetry blog: https://claudiamcgill.wordpress.com/

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