At least, that’s what Google translate tells me. It could say ‘f*ck you’ for all I know. Which would work just as well.
Saying farewell to the year in a foreign tongue has become a bit of a custom for reasons I shan’t go into right now.
Greek mythology and the divine muses have been pretty prominent for me in 2022, so it seems quite appropriate.
This year, I’ve managed to paint lots of pictures, visit lots of the Peak District and write lots of poetry. So much so, I’m hoping to publish my second collection of poetry, “Go tell the bees” some time in 2023. (I’ve even been dabbling with a book cover design for it.)
To see out the year, I thought I’d leave you with a few samples of abstract doodling which I’ve been doing quite a bit of lately. It’s a very cathartic and mindful exercise if you want to give it a go. I’ve even tried it with patients on the ward and it went down really well. (Remember, it’s about the process of doing art rather than the end result.)
It just remains for me to say, thank you for visiting my blog, your support is very much appreciated. I hope you have a very happy, healthy, peaceful and prosperous 2023.
Keep being creative and tell those closest to you that you love them.
Sally Mann is an American photographer who courted controversy with her ‘family life‘ series, due to nude depictions of her children growing up at their home in Virginia. And whether the photographs overtly sexualised children.
I haven’t included those shots here, but if you want to, you can see them by visiting Sally Mann’s website. In my opinion they are beautiful and sensitive. And many of us will recognise moments like them from our own children growing up. The controversy isn’t really about child nudity but more about consent to put them in the public domain.
Regardless of this, Mann’s work is challenging, provocative and defiant. And her compositions raise more questions than answers. Below is a selection of powerful shots I wanted to share with the class.