
.
You were looking for a miracle,
But they were all around you,
The whole time.
.






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I’ve been meaning to do a mask activity with patients on the ward for sometime now. I finally got round to buying a paper mache one and had a little experiment with some acrylic pens. A lot of the patterns I’ve used are from other doodling exercises I’ve posted about in the past.
I want to experiment with different mediums – coloured tissue, beads, blocks of acrylic colour, real flowers!
I can see where this activity would have lots of benefits for patients. There’s the obvious mindfulness aspect, concentration, dexterity, relaxation, self-expression, etc. (Which increases dopamine and reduces cortisol levels.)
But it would be interesting to see whether people express themselves literally or metaphorically. How much (or little) their emotions and state of mind are expressed in their work.
Anyhoo, when I’d finished doodling/tinkering/experimenting with my first attempt, I then felt inspired to pen a little micro poem.
.
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Sally Mann is an American photographer who courted controversy with her ‘family life‘ series, due to nude depictions of her children growing up at their home in Virginia. And whether the photographs overtly sexualised children.
I haven’t included those shots here, but if you want to, you can see them by visiting Sally Mann’s website. In my opinion they are beautiful and sensitive. And many of us will recognise moments like them from our own children growing up. The controversy isn’t really about child nudity but more about consent to put them in the public domain.
Regardless of this, Mann’s work is challenging, provocative and defiant. And her compositions raise more questions than answers. Below is a selection of powerful shots I wanted to share with the class.
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My daughter and I went to visit Sylvia Plath’s grave again in Heptonstall, West Yorkshire at the weekend. (I know, it’s just one thrill ride after another at our house.)
It was a stunningly sunny day and I took the liberty of stealing a couple of leaves from her grave as a memento.
Now, some people might consider that tantamount to desecration.
I must add, however, that if you look at the picture I took of her grave back in March versus the one I took last Saturday, you could argue that I was merely ‘pruning’.
Whatever side of the felonious fence you sit upon, here’s a photo of Exhibit A.
Anyhoo, after sticking the leaves in my sketchbook and pondering them for a while, I decided to write a poem about them.
So, here it is
by David Milligan-Croft.
A leaf stolen
from Sylvia Plath’s grave.
I wonder if the atoms
from her decaying, mortal flesh
have permeated terra firma?
Her nutrient-rich essence
seeping into the soil
absorbed by the roots,
rising up through the stem,
branching out into the veins.
Verdant leaves vignette to aubergine,
unfurl to the scintilating light,
as though – with eyes closed –
she stretches out her slender arms
to the glorious, morning sun.
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Actually, it’s already here.
Apologies to Game of Thrones fans as this post’s title is literal rather than a metaphorical reference to House Stark.
I just wanted to share a few photos I took in Etherow Park near where I live in the north west of England during a bit of a snow flurry.
So, I took the opportunity to shamelessly piggy-back off of one of the most successful TV shows in history. (Not that I’ve ever watched the show, mind.) There can’t be many of us left.
Etherow Park is in Compstall, which is near Marple Bridge, which is near Stockport, which is near Manchester, which is nowhere near North Westeros.
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