Body of Work

I was going to title this post: Portraits of the Damned.

Then I started to include landscapes and still-lives to it. So, the title wouldn’t really make sense. But it will in a minute! Be afraid, be very afraid.

Some of you may, or may not, know that I volunteer for an Arts charity called Arc, (Arts for Recovery in the Community), in Reddish, Stockport.

I’ve done a lot of this work there, and some at home. But all the techniques I’ve picked up are from either attending or volunteering on their programmes.

Whether it be block-printing, collage, charcoal, watercolour, acrylics, inks, fabric, embroidery, clay or pastel. Not to mention the numerous techniques, yes brushes, but also charcoal tied to the end of a three feet long piece of bamboo! Bits of old Paymobil and Lego, edges of long out-of-date credit cards.

At Arc, it’s never about the technique and what end result you achieve, it’s about enjoying the process of doing it. Losing yourself, immersing yourself in art for a few hours – now that is medicine!

I appreciate that my work is more the stuff of nightmares rather than living room walls. But I like it!

Collage

Watercolour

Self-portraits

Charcoal

Pen and ink sketches

Portraits of the Damned!

Mostly acrylic and chalk pastel on canvas or paper.

And finally, the installation I made for the centenary commemoration of the end of the First World War at Stockport War Memorial Art Gallery. R.I.P. Herbert Jackson of Didsbury Road, Heaton Mersey, Stockport. Railway man, musician, fiance – and soldier.

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We Are Dreamers 2018

As some of you may know, I’ve been working on an art installation with Arc to commemorate the centenary of the end of the First World War.

There will be hundreds of ‘dream’ boxes from local children, adults and artists depicting their dreams and aspirations.

Ten of the boxes, (of which mine is one), will honour the life of a Stockport soldier who lost his (or her), life.

The point of these ten boxes is to honour these people as human beings who had lives outside of being a soldier. In fact, this is what made up the vast majority of their lives. And they had dreams and aspirations too. What would have become of them?

 

The soldier I picked lived locally to me in Heaton Mersey. His name was Herbert Jackson. He worked for Cheshire Lines Railway in Cheadle Heath and played several instruments in the Heaton Mersey Prize Band.

He was due home on leave in the Spring of 1918 to marry his fiance. Unfortunately, his leave was cancelled due to the massive German Spring Offensive of March and April. He was wounded by artillery fire on the 26th April and was moved to a Casualty Clearing Station where he died the following day aged 25. He is buried in Haringhe (Bandaghem ) Military Cemetery, Poperinge, Belgium.

The letter, (which rests on top of the box), is not real. It is something I thought Herbert might have written to his fiance whilst in hospital. Tonally, however, it is based on actual letters from a friend of mine’s grandfather who fought on the Somme.

The ‘Princess Mary’ tin, which was given to all soldiers I imagined would contain mementos of his fiance, such as a lock of her hair.

For me, Herbert’s dream for the future was to come back to the two things he loved most – his fiance, and music.

The sheet music, which lines the interior of the box, is by J.S. Bach and the lyrics are in German. Whilst I doubt that Herbert would have spoken German, they would share the common language of music.

This tribute is to honour the life of Herbert Jackson and all the other men, women and children from every nation, who died in the First World War, and to what futures there might have been.

The We Are Dreamers 2018 exhibition opens on the 11th November, 2018 at the Stockport War Memorial Art Gallery.

Private Herbert Jackson’s biography details were provided courtesy of http://www.stockport1914-1918.co.uk/

A Soldier’s Dream

I’m really excited (and honoured) to be taking part in an art exhibition to commemorate the 100th anniversary of the end of the First World War.

The exhibition is being organised by ARC (a charity I do quite a lot of voluntary work for).

The exhibition is being held at Stockport War Memorial Art Gallery from 11th November.

After the war, residents of Stockport, rather than erect a traditional war memorial to commemorate the dead, decided to build an art gallery so that future generations may benefit from their sacrifice. Which I think is a brilliant idea.

The theme of the exhibition is ‘A Soldier’s Dream’.

Because, all of these soldiers were, once upon a time, civilians who worked in factories and mills, merchant companies and railways. They had wives and children, brothers and sisters. Mums and … well, you get the picture.

Scale model of the exhibition.

Instead of focussing on what they did in the war, the exhibition aims to show them as ordinary everyday people who had hopes, dreams and aspirations. Rather than just one aspect of their lives which was to give it in service of their country.

The part that I am involved in is to create a ‘Soldier’s Dream box’. This takes the form of ten 40cm x 40cm wooden crates and each one will ecapsulate the dreams of a soldier who lost his life.

I can’t tell you what mine will be about yet as I am still in the research stage. I have been finding out about people local to my area in the Four Heatons who lost their lives.

I have always loved history, in particular, the First World War, so I was really excited and passionate about getting involved. (I even did a tour of the Somme a few years ago. I know, I’m a great laugh to go on holiday with.)

As part of my research, (provided by the brilliant website www.stockport1914-18.co.uk), I have been reading brief biographies of soldiers from the Heatons who died. Of which there are many.

But, reading about where they worked, who they married, their children’s names, what team they played for, makes it all the more personal. They aren’t soldiers anymore. They are real people who lived real lives. And I guess that’s the whole point of the exhibition.

Some of the biogs even give their address! These are houses I pass every week. The stories that must be contained between their walls must be incredible.

Well, that’s all for now. I’ll keep you posted when I have something new to tell you.

 

We all have to die of something.

You wouldn’t criticise someone of being selfish if they died of cancer or heart disease.

So, why call someone selfish if they commit suicide?

The person doesn’t kill themself of cancer. Just like a person who commits suicide does not kill themself.

Depression kills them.

Do you think the person you know and love wants to leave those s/he knows and loves? To cause them pain and sorrow beyond measure.

Imagine that person in happier times. When they felt normal. Happy even. Do you think they would consider it then? Of course not. It’s pretty absurd to even think it.

How dark must it be in the mind of someone who wants to commit suicide for them to consider it a viable option to ease their suffering?

I am writing this to hopefully help destigmatise mental illness. And also to encourage people who are suffering to try and speak up and ask for help. Whether that be to a friend or family member, your GP or community mental health care unit. (Yes, they have them.) Suicide is the biggest killer of men in the UK under the age of 45.

And also to ask people who don’t suffer from mental illness to try and be a bit more understanding. If you think someone you know is suffering from depression, or at risk of suicide, ask them if there’s anything you can do to help. But, please don’t tell them to pull their socks up and get on with it. They’ll probably back off sharper than a hermit crab.

A person who commits suicide isn’t trying to hurt you. They are trying to stop their pain. To stop the disease in their brain.

If you need help try these links. And remember, if things get so bad and you can’t wait, go to A&E they will treat you just like any other patient and get you the care you need.

Mind

Samaritans

NHS

ARC (Local to Stockport only)

 

 

Arc in the Park.

I’ve been helping out on a project for the past six weeks or so. It’s a collaboration between Arc and The Whitworth Art Gallery.

The project was called ‘A Love Letter to Whitworth Park’ and was facilitated by an extremely talented artist by the name of Wendy Hunter and project managed by Annette from Arc.

For four weeks, the aim was to engage older people with the nature of the park and the art of the gallery. (At least, that was my take on it.) Then, via the mediums of painting, printing, collage, photography, cups of tea, poetry and prose; participants expressed their ‘love’ for the park in a variety of techniques.

The project culminated in an exhibition in the gardens of The Whitworth Art Gallery in Arc’s very own Geodome! (Which is a bugger to put up, believe me.) Thousands upon thousands came to view… okay, maybe not thousands. But there were loads. Certainly more than you could count on an abacus.

It was a beautiful, sunny day and lots of kids came along to colour in bird stencils and stick them on the tree Wendy and the participants made. They also did a nice job of polishing off all the cupcakes. (Maybe that was just my kids.)

 

Anyhoo, onwards and upwards – don’t forget it’s the Saturday Art Club at Arc this Saturday 29th July. 11am – 4pm. Free parking. Great for families/kids.

Other shout-outs and credits go to: Daisy and Francine from The Whitworth Art Gallery; Ruth from The University of Manchester; Annette and Jacqui from Arc, and last, but not least, The A-Team: Becky, Kath, Mark and Tim. (Oh, and Becky’s Mam and Dad for the sarnies and help packing up.)

 

Angelina & Me.

Would that make us Dangelina?

This is my latest piece that I created at Arc.

It’s a combination of various mediums and techniques: line drawing, mono printing, collage, chalk & oil pastel.

As it’s received quite a bit of positive feedback, (which may just be politeness), I’ve decided to accept portrait commissions in this style.

You could either choose a loved one or a famous actor/musician.

Each one would be unique, so I was thinking of charging £50 – £70 per portrait, unframed. (Plus P&P.)

Framed would depend on where in the world you live and the type of frame chosen. But we could chat about that.

Framed it measures, 53cm x 43 cm. Unframed, it’s about A3. (42cm x 30cm.)

Anyhoo, drop me a line if you want me to rustle one up of Ariana Grande, Tom Hardy or your favourite grandchild.

And, if you are reading this, Ms Jolie, the price I quoted is a typo. It should read: £50,000.

Toodle-pip.

Email me at: thereisnocavalry@icloud.com

P.S. Payment would be secure and via Paypal.

 

A Sneaky Peek…

Here’s a sneaky peek at some of my photographs being prepared to be exhibited at the Oasis Cafe at Stepping Hill Hospital in Stockport.

Money raised from the sale of my work goes to the Mental Health Unit at Stepping Hill, a little bit goes to Arc, (the charity who I volunteer for, and who organised this), and some to me! Yay!

Ultimately, the real objective is to make people happy. Make people feel positive and inspired. And to raise awareness of Arc’s many wonderful programmes and services for mental wellbeing.

Anyhoo, they range between £45 – £50 for a framed print if you fancy one. They come with a window mount, glass frame, printed on a fine glossy stock. (Postage would be on top.)

I’m going to pop in to Arc tomorrow, so I can get dimensions for you then. But, they’re roughly A3 in size. Two are larger and in a square format.

Send me a message in the box below, or email me at: thereisnocavalry@icloud.com if you’re interested.

Thank you.

Arc Studio

Goyt Valley, Peak District.

Ribblehead Viaduct, North Yorkshire.

White Scar, near Hawes, North Yorkshire.

Dry-stone wall, Grassington, North Yorkshire.

“Wuthering Heights”, Haworth Moor, West Yorkshire.

 

White Scar, Hawes, North Yorkshire. 32.5 cm x 42.5 cm £45

Goyt Valley, Peak District. 35.5 cm x 35.5 cm £45

Drystone wall, Grassington, North Yorkshire. 32.5 cm x 42.5cm £45

Wuthering Heights, Haworth Moor, West Yorkshire. 32.5 cm x 42.5 cm £45

Ribblehead Viaduct, North Yorkshire. 52.5 cm x 52.5 cm £50

 

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