Tag Archives: Art

My triannual quarterly review…


… or something like that.

I had meant to do a quarterly review of what I’ve been up to on the art front so far this year, but being a tad lackadaisical, it’s now become triannual instead.

That said, there’s absolutely no guarantee whatsoever that I’ll do another one in four months time. So, this could be a biannual triannual quarterly review. Or, an annual biannual … you get the picture.

Speaking of pictures … here are just a few paintings, collages and drawings I’ve done thus far in 2021.

I usually post my stuff more frequently on Instagram if you’d like to keep up to date and follow me on there @milligancroft

Hope you’ve enjoyed looking at some of my work.

The joy of making art is in the process of doing it rather than the end result. You just get lost in the moment of creating.

I wholeheartedly recommend it. Particularly for those struggling with mental health issues. But obviously, you’d don’t need to be mad as a box of frogs. You can just enjoy it for its own sake.

Remember, kids, Art is Medicine.

(And can be quite addictive.)

P.S. Why is it ‘mad as a box of frogs’ and not ‘mad as a box of cats’, or something?

I can’t imagine frogs being that unhappy in a box. They’d probably quite like the darkness.

A box of cats though, put enough of them in there and all hell would break loose. There’d be claws and fur everywhere.

Does it even have to be a box?

Couldn’t it be, ‘mad as a bag of wombats’?

Food for thought.

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And another thing…


My last post was meant to be my last post of 2020.

But I saw something that I wanted to share with you.

I took someone to St. James’ hospital in Leeds the other day. Specifically, the Bexley Wing. Which is actually more like a hospital within a hospital rather than a ‘wing’.

What struck me initially is that they have an art gallery space in the atrium. Obviously, I took the opportunity to peruse the stunning work on display.

What was a little bit awkward was the fact that someone deemed it a good idea to place chairs all along the gallery wall. So, I often found myself standing directly in front of a healthcare worker, (who was taking a well earned break), gawping over their head.

I decided to take a few photos for posterity. And soon realised that the juxtaposition of the art on display and the resting workers/visitors oblivious to it, was art in itself. (Well, it was in my head, anyway.)

I think the fact that the majority of people are on their smart phones adds a certain amount of 21st century irony to the pictures. With the art behind them screaming “Look at me!”

Some people may know how passionate I am about the arts and their ability to help in the healing process. Whether that be mental, physical or general wellbeing.

Anyway, the atrium gallery is amazing. The work is amazing. The staff are amazing. And the NHS is amazing. So, all-in-all, well done, and thank you to everyone at St James’ Hospital, Bexley wing. (You are amazing.)

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Sayonara 2020


Nope, there’s no reason why I wrote that in Japanese. Except that I ended 2019 in French, so I guess it’s tradition now.

I’m just going to fizzle out of 2020 with some more work that I’ve done since the Reflections on Lockdown series back in September.

If you follow me on Instagram you will have seen most of it already. If you don’t, you won’t.

Collage

I’ve been experimenting with collage recently. Not a medium I have much experience in. For some reason, the numbers 2121 have been popping into my consciousness quite frequently.

Those of you who believe it’s some sort of divine message might be able to enlighten me. Those of you who just think I have some form of apophenia may want to call me an ambulance.

Anyway, I decided to express these occurrences via the medium of collage. There are four in total, but the last one isn’t finished.

Abstract

Next up is a series of abstract pieces which I have titled: From order comes chaos / from chaos comes order.

I won’t show them all, because I’ve done loads. The premise is – the universe can seem a bit of a chaotic place, what with stars exploding and imploding, nebulae forming solar systems, black holes Hoovering up everything in their vicinity, etc. And that’s before we get into meteors crashing into planets causing all sorts of tidying up to be done afterwards.

Yet, out of all of this seeming ‘chaos’ there is so much order, structure and geometry to the universe. Not to mention the structures that we humans impose on the world around us, whether for good, or ill. Ultimately, everything returns to the ‘disorder’ to be recycled again into something new.

Anywhoo, that’s what I think.

Drawing

I like to sketch quite a bit. Portraits and still life mainly. Just for practice. (And for my own insecurity to prove to people I can actually draw.) Kind of.

So, there you have it. (My) 2020 in colour.

All of my artwork is for sale should you wish to terrify anyone this Christmas. Just message me for details.

It just remains for me to wish you a very happy Christmas, if you celebrate that sort of thing. And/or very happy holidays if you don’t.

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Reflections on Lockdown Summary


The purpose of this, and my previous five posts, was to see if the type of art I have been producing during lockdown is markedly different from the work I was doing last year when I was suffering from poor mental health.

The first point to consider is the reason for my improved mental health in the first place. This was primarily, (but not exclusively), due to me giving up alcohol. I am 413 days abstinent at the time of writing. And I have never felt better. Both physically and mentally.

Don’t worry, I haven’t suddenly become an anti-alcohol evangelist. Alcohol, like lots of things, is great if you use it properly. I didn’t. I misused it. I used it to self-medicate. To anaesthetise my perceived problems. The worse things got, the more I drank. The more I drank, the worse things got. In hindsight, it’s not difficult to see the trajectory of this coping strategy.

Now that I have given up drinking alcohol my mental health has soared. The first thing I noticed was my motivation to do things. (Which was sadly missing for the previous eight years or so.)

As a result of improved motivation, the second thing I noticed was just how prolific I was being!

But just because someone is producing a great quantity of work doesn’t mean that any of it is of great quality.

This goes back to the original question about the correlation of the type of art I am producing now versus last year. Yes, it has changed quite significantly. Has it improved? Well that is debatable and extremely subjective.

There is a lot of energy, emotion and raw power in some of the work I produced last year. You can see it here on Adieu 2019. But I am far happier producing the work I am today.

One of the questions I have wrestled with is not ‘is the art better?’, but ‘why am I doing it in the first place?’ The simple answer is – because I love it!

Since volunteering at Arc, I have learnt that the emphasis is on the act of doing rather than the end result. For me, creating art is about losing one’s self (or finding it) in the experience of manifesting something that didn’t previously exist. Being present. It is meditative, it’s cathartic, it’s therapeutic. Sure, it’s great if what you are producing turns out to be a masterpiece, but that isn’t the point of it. Also, I’d like to emphasise the ‘for me’ part. As I’m sure professional artists have a very different point of view to this. I am not trying to make a statement, merely channeling what I perceive to be my unconscious.

So, to summarise the summary:

Has my art changed since last year? Absolutely.

Has my productivity improved since last year? Ditto.

Has my mental health improved since last year? Immeasurably.

But, as previously mentioned, that is down to several factors: giving up alcohol, CBT, medication, art therapy and an amazing support network of health professionals, friends and family. Unlike the name of this blog, there has been lots of cavalry to the rescue.

And the most important question on your lips, I’m sure – what’s the significance of the illustrated symbols?

Well, they’re prophetic messages from an ancient alien civilisation dictated to me through my dreams.

Only kidding, I was just doodling.

If you, or someone you know, are experiencing mental health issues, call your GP or self refer to your local mental health team, (usually based at your local hospital).

If things are a bit more urgent than that you can call the Samaritans for free on 116 123. Or call the NHS on 111, they will treat your illness as seriously as they do any other.

If you want to see more of my photos and artwork follow me on Instagram: @milligancroft

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Reflections on Lockdown #4


When will it end!? I hear you crow.

I did warn you that I’ve had a very busy lockdown on the art front.

Today’s offering is landscapes, which segues nicely from Reflections on Lockdown #3.

I like drawing landscapes. There’s something very relaxing about it. Painting them, on the other hand, is a different kettle of fish.

Sketching is more about observation and trying to depict a representation of the landscape. Whereas, painting is more about trying to capture the energy of nature. (With varying degrees of success.)

Here’s a selection for you to ponder.

Yorkshire Dales
Yorkshire Dales
A village in Italy. (From a photo.)
Jenkin Chapel, Saltersford, Cheshire.
Top Withins, Haworth/Stanbury, West Yorkshire.
Yorkshire Dales.
Yorkshire Dales.
Yorkshire Dales.
Yorkshire Dales.
Yorkshire Dales.

If you, or someone you know, are experiencing mental health issues, call your GP or self refer to your local mental health team, (usually based at your local hospital).

If things are a bit more urgent than that you can call the Samaritans for free on 116 123. Or call the NHS on 111, they will treat your illness as seriously as they do any other.

If you want to see more of my photos and artwork follow me on Instagram: @milligancroft

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Reflections on Lockdown #2


At the end of last year, I wrote a post featuring some of the work I had produced during 2019.

I was trying to map my mental health and how that might correlate with the type of art I was producing. (You can see it here – Adieu 2019.)

I was hoping to follow that on this year to see if the art I am producing now is any different due to my much improved mental health.

To be honest, it’s a bit difficult to tell just from this post alone as it only represents a fraction of a whole series of artworks I have produced since the beginning of the year, primarily during lockdown. (See also previous post, ‘Reflections on Lockdown’ here.)

I am planning three further ‘Reflections on Lockdown’ posts, which will then give a clearer picture as to the correlation between art and my mental health.

I guess the reason for all this preamble is that if we just looked at this post in isolation, you would be forgiven for thinking that my mental health has not improved at all! As a lot of this work has its roots in a style I developed over the past couple of years when I wasn’t very well mentally.

I have stuck with it, and developed it, not because I am unhappy, but because I like it! I find it very expressive.

Like I say, we can have a look at the bigger picture once I’ve posted everything I’ve been working on this year.

In the meantime, I hope you enjoy this instalment of ‘Reflections of Lockdown’.

Follow me on Instagram: @milligancroft

Odysseus SOLD
Hector
Darius I
Corona – tion
After The Son of Man SOLD
SOLD
Tethys SOLD

If you, or someone you know, are experiencing mental health issues, call your GP or self refer to your local mental health team, (usually based at your local hospital).

If things are a bit more urgent than that you can call the Samaritans for free on 116 123. Or call the NHS on 111, they will treat your illness as seriously as they do any other.

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Making art out of art


I love marbling with the kids.

If you’ve ever done it before you’ll know that you can get some really cosmic patterns. You’ll also know that you’ve probably got more leftover samples of the stuff than you can shake a big shaky thing at.

So … what to do with all those cosmic castoffs … I know, let’s make a collage.

Start by cutting out shapes from your marbling masterpiece that you want to use in your composition and glue them onto a piece of paper.

Next, sketch in the rest of the composition. Add a bit of a felt tip outline.

I filled in the background with chalk pastel, but you could easily use felt tip, watercolour paint, pencil crayon or coloured paper.

And there you have it – you’ve made art out of art.

There is one other thing…

And, it’s probably the best bit. But I didn’t realise that until it was too late. Instead of cutting the shapes out of your marbling sample willy-nilly like I did, cut them out in the same position that you’re going to stick them on your paper. That way, when you position them next to each other you get a sort of positive/negative effect.

Hindsight? Serendipity? Whatever.

If you haven’t done marbling before you can use off-cuts of old patterned wallpaper, pictures from magazines or gift wrap paper. Or even paint an abstract background and use that.

It’s one more thing to do until the schools reopen in September!

If you want loads more of art activities to do you can sign up to Arc’s free ‘Keeping us together‘ programme. They email you a different art activity every week. (Arc is a brilliant Arts charity based in Stockport.)

And remember, folks – Art is Medicine*!

*Do not swallow art like medicine. It might kill you.

**I am not a trained physician.

***’Art is medicine’ is only my opinion and not a scientific fact.

****Or, is it?

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Hands up who’s bored!


Lockdown, quarantine, isolation, call it what you will. A lot of people are at the end of their tethers thinking of things to occupy this abundance of time they suddenly find that they have.

Here’s a little activity for adults and children alike. I stole it from a very talented artist called Jodie Silverman. You can have a look at her amazing work by clicking on her name.

Okey dokey, first off, draw around each of your hands on separate sheets of A4 paper.

Next, on one of the hands, (doesn’t matter which you choose), write all of the things you want to keep in your life. Basically, all of the good things that make you happy.

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On the other hand, write down all of the negative things you want to let go of. Things that get you down. Things that are holding you back.

rbt

Once you’ve filled your hands with positives and negatives, it’s time to start decorating them!

There’s no right or wrong way to do this. Use watercolours, felt tips, acrylics, pastels, collage, whatever you feel comfortable with. And whatever you have lying around the house.

You could do an intricate pattern, something abstract or something more realistic like plants and flowers. Let your emotions about the words on each hand guide what comes out onto the paper.

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And, what’s the point of all of this?

Well, doing any kind of art is relaxing and meditative. It focuses the mind and helps you to stay in the moment.

It’s reflective; by contemplating what makes you happy and what doesn’t, you are taking a conscious, positive step toward leading a more fulfilled life.

Of course, it doesn’t have to be all heavy, philosophical stuff. If you wanted to do it with the kids you could ask them to write down what they like/dislike about homeschooling or lockdown in general.

Who knows, you might learn something about yourselves along the way.

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Unleash your inner Tempest


Addendum.

Unfortunately, the Shakespeare exhibition and all workshops have been cancelled until further notice due to the coronavirus.

Apologies for the inconvenience.

 

Fancy contributing to an exhibition based around Shakespeare’s The Tempest?

I’m facilitating an exhibition for Arc in collaboration with Stockport Libraries as part of Shakespeare Week.

The theme for the exhibition is to bring the great bard’s classic play to life visually.

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Here’s one we prepared earlier…

Who can get involved?

Well, there are two groups of people that can take part – locals, and non-locals.

If you’re local to Stockport, you can come along to one of our group sessions at The Heatons and Brinnington libraries. They are on Tuesday 17th March and Friday 20th March respectively.

There are two sessions at each library. 10.30 am – 12.30 pm and 1.30 pm – 3.30 pm.

You can pop along for one, or both sessions. (There’ll be different activities in the morning and afternoon.) Stay for 10 minutes or two hours.

For non-locals who fancy having a go, simply email me a pdf of your piece (or post it if you have time) and I’ll print it out. It doesn’t matter if you’re from Vermont or Verona, just pick up your pencils and paintbrushes and wear your heart on your sleeve.

It’s quite simple really. I’m asking people to draw or paint on top of The Tempest text, as in the example above. Artwork can be A5, A4 or A3 portrait or landscape and can be in any medium.

Sometimes called Humuments or Black-out poetry. You can use the text as part of a background, or highlight certain parts of the text to make a completely different piece of prose or poetry, which doesn’t have to relate to The Tempest at all.

See examples above and below.

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The exhibition opens on Saturday 28th March at the Arc Centre Gallery Cafe, Hat Works in Stockport at 11 am – 4 pm.

That doesn’t given you long if you’re not local and would like to submit a piece. We’ll be putting the exhibition together w/c 23rd March, so ideally, we would like email/postal submissions by Saturday 21st March please. I’ll be waiting with baited breath.

Email me at thereisnocavalry@icloud.com for more details or my postal address.

Good luck, the world is your oyster.

 

 

 

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Happy [insert occaison here] Day


Introducing There Is No Cavalry greeting cards.

Something for every occasion. (Because they’re all blank inside, so you can write what the hell you like.)

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What’s the difference between you and Moon Pig?

Some would say, nothing physically.

Others might say that my greetings cards are that little bit more special because they are uniquely hand painted by moi.

And why are you telling me this?

Because I want to give them to you.

Well, when I say ‘give’, I mean give them to you in exchange for money.

That’s right, it’s your once-in-a-lifetime chance to own one of these rare and original works of art. (Maybe twice-in-a-lifetime if this batch sells well.)

So, what have you got?

I have A5 and A6. Which if you don’t know what size they are, A5 is half the size of A4 and A6 is half the size of A5. A3 is twice the size of A4 and A2 (which is pretty big) is twice the size of A3, but that doesn’t matter, because I don’t have any A3 or A2 cards. That would be ridiculous. (Don’t get me started on A0.)

Yeah, but what are they pictures of? They look a bit funny to me.

That’s because they’re abstract landscapes. At least, that’s what I’m calling them.

I potter about the Peak District and Yorkshire Dales quite a lot and they’re impressions of the shapes, textures, colours and light of the landscape.

Then there are also a couple of Japanese-style watercolours, like this…

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I couldn’t possibly afford a once-in-a-lifetime, unique, hand painted card by David Milligan-Croft, could I?

Probably not.

Hold your horses. Let’s not be too darn hasty there, pardner. How much are these pesky little critters?

Since when did you become a cowboy?

Sorry. How much are they?

That’s better. £3.00 each for the A6 and £4.00 each for the A5.

That’s ludicrous! You’re practically giving away these once-in-a-lifetime, hand painted, unique cards, by soon-to-be-famous artist, David Milligan-Croft for nothing!

I know. I’ve not been well.

Where do I sign?

You don’t. You message me which one/s you want, pay into my paypal.me/dmcroft  account, and I pop them in the post to you. But I’ll need to work out postage first depending on where you live, so don’t put any money in just yet. (Unless you just want to make a huge donation.) I’ve put a postage guide at the bottom of the page, but I don’t imagine it will be more than 1 or 2 pounds.

I couldn’t possibly send this to someone else, it’s too unique!

Stick it in a frame then.

Great idea. What if I want a bigger one? I have a portrait of the ex that I quite like the frame of.

I’ll do you a bespoke one if you like. Just let me know which card you like the style of and the size. Obviously, it won’t be an exact copy, it’ll be…

Unique!

That’s right.

Just scroll down to sample my wares and if you’re interested either message me below or email me at thereisnocavalry@icloud.com for details.

Toodle-pip.

 

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1. Watercolour and inktense, A6.

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2. Watercolour, A6.

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3. Watercolour and inktense, A6.

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4. Watercolour, A6.

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5. Wayercolour & inktense, A6.

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6. Acrylic, A6.

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7. Acrylic, A6.

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8. Inktense, A6.

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9. Watercolour, A6.

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10. Watercolour & inktense, A6.

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11. Watercolour & inktense, A5.

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12. Watercolour & inktense, A5.

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13. Watercolour, A5.

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14. Watercolour, A5.

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15. Watercolour, A5.

This last one is slightly different as it’s an A5 black and white print, so I can do as many as you like. What shall we say for this one? [scratches head] Two quid each. They might be prints, but they’re still unique. 🙂

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16. Black & white print, ink on paper, A5.

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In the not too distant future I’m going to be doing a series of landscape photography postcards of my meanderings around the Peak District and Yorkshire Dales.

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