Tag Archives: painting

Bonjour 2020!


I thought I’d begin 2020 as I ended 2019 – writing in French!

Why? I have no idea.

Plus, it’s a tad late for New Year salutations.

I’ve wanted to write a post about Saul Leiter for many a moon.

Why? I have no idea.

Wait, I do. Because I love his work, that’s why. And I thought it only right and proper I shared the love.

I am intrigued by his voyeuristic style. Apart from Leiter being a pioneer of early colour photography, he managed to capture slices of the Big Apple’s social and cultural life in 1940s and 50s America. I think the compositions are very cinematic and each character could inspire a short story.

He said his early influences were the Impressionists Degas, Bonnard and Vuillard. But I’d venture to chuck Toulouse-Lautrec into the pot as well.

And he wasn’t just a dab hand at photography. He was pretty good at dabbing with a paint brush too. (Quite a few of his paintings are over-painted photographs.)

I’m not going to blather on giving you his life story, you can do that here. I just want to show you some pretty pictures. So, here you go…

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Filed under Advertising, Art, Contemporary Arts, Creativity, History, Illustration, Innovation, Inspiration, Photography, Uncategorized

The Boating Party with Michael Koropisz


Luncheon of the Boating Party, 1881. By Pierre-Auguste Renoir.

The Boating Party is a series of Q&As with writers, artists, photographers, filmmakers, musicians, sculptors, illustrators, designers and the like.

In times of economic hardship, the Arts are usually the first things to be axed. But, in my view, the Arts are one of the most important aspects of our civilisation.

Without the arts, we wouldn’t have language or the written word. Without the arts, we have no culture. Without culture, we have no society. Without society, we have no civilisation. And without civilisation, we have anarchy.

Which, in itself, is paradoxical, because so many artists view themselves as rebels to society. To me, artists aren’t rebels, they are pioneers.

Perhaps, most importantly; without the Arts, where is the creativity that will solve the world’s problems going to come from? Including economic and scientific ones?

In this Q&A, I am delighted to welcome artist Michael Koropisz.

I love the way he paints in a classical way yet adds a modern twist that make you look twice.

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Michael Korpisz

What has been your greatest personal or career achievement?

Well, that is a tough one. I have three which were all great achievements at the time, but looking back some outrank others in my present stage of life.

My first great achievement was in 2012 when I was 16 years old. Whilst studying Art GCSE in secondary school, I painted a portrait of HM Queen Elizabeth II, and sent it to her as a gift. I thought that was the end of that until I received a reply of gratitude on her behalf from her Lady-in-waiting. I told my art teacher and he surprised me by alerting the headteacher and the local news papers. That day was filled with interviews and photo shoots. I found myself in the newspaper and for a week or so I was recognised in the streets on many occasions and congratulated on my achievements.

My second achievement was winning the prestigious Aon Art Award in which the company Aon (sponsor for Manchester United) leased two of my paintings for their client suite in the heart of London. My works were on display for a year before they were auctioned and sold for a generous sum.

My third is a personal achievement, and the most recent. I spent the year training to be a school teacher. I was doubted a lot by others and endured many hardships but after a year I successfully graduated.

What has been your greatest sacrifice?

My greatest sacrifice was the year I spent training as a teacher. It was something that I highly underestimated, as do many. The job is filled to the brim with paperwork, the hours are very long, and I was intimidated by the staff in my department. I was completely unpaid and struggled financially. Every day in school, I thought of what I could be achieving had I pursued my career as an artist. I am now a full time artist.

To whom do you owe a debt of gratitude?

My parents. They have always supported every decision I made and have complete faith in me. I owe everything in my life to them.

Who, or what, inspires you?

History (18th-19th century) is my inspiration for everything; my clothing, my compositions/music, my artworks and interior design. I often believe that I had a past life, as I have had a real connection with historical clothing and furniture from a very early age, and in turn modern clothing and décor feels uncomfortable and wrong to me.

What makes you unhappy?

To see a lack of manners and disrespect to other people and animals.

What makes you happy?

Many things make me happy, but the main thing is music. I, as many, can listen to music for hours and discover new elements whilst being transported into the world of the composer. It is truly the most powerful art form, and we still have no explanation or definition as to why it is so meaningful.

What are you reading?

I do not read many books, but I do read online. I mainly read non-fiction on philosophy, religion, history, physics (time travel theories and astronomy) and the theory of music/composition as well as art.

Who, or what, are you listening to?

I listen mainly to classical music. From my early childhood I adored Baroque music, especially the works of G. F. Handel. However, as I grew older my taste moved to the more comical side of music in the way of operetta. My current favourite composer is Sir. Arthur Sullivan, known for his partnership with W.S Gilbert as Gilbert and Sullivan.

When I play on my piano or harpsichord, however, I cover a vast range of genres from the Renaissance, Classical, Ragtime, Jazz to Pop.

You’re going on a day trip. Where are you going and what is in your ‘day’ bag?

I would go on a day out in the English countryside and find a picturesque spot for a picnic. I would not take a bag, but a car filled with antique clutter. The aim would be to create a ‘show’ which inspires passers-by to hark to the past themselves. I would take a decorating table covered in a linen cloth, gold antique chairs, my gramophone, fine china, tea pots and a croquet set. I would wear my original Victorian clothing complete with my 1880s moleskin top hat and pocket watch.

What’s your favourite film?

Titanic, as the historical accuracy captured by James Cameron is incredible as well as the music by Horner.

What’s your favourite tipple?

Normally water, but on the occasional night out, white wine or champagne.

If you could go back in time, where would you go?

I have two places.

  1. Last week’s Euro lottery draw with the winning numbers written down.

  2. Victorian London. I would love to spend a week or two there. But not for too long due to the dirt and diseases.

What frightens you?

Ghosts and Death.

What do you do to relax?

I write music. Orchestral scores such as sonatas, operas, operettas and arias.

What do you do when you’re angry?

I go cycling. It really helps me calm down and perks me up for the rest of the day.

What can’t you live without?

Hot water. I shower three times a day.

What’s your motto?

“You cannot sit on a coal mine and wait for the coal to magically come to you. You must go in and dig for it”. This implies that an artist cannot spend his life waiting for inspiration, he must push himself to achieve greatness.

Where is your Utopia?

Upper/Middle-class Victorian England, with its social morals and respect, beautiful clothes, architecture, art and music. Not to mention the lack of car pollution. Though the north of England was probably worse with all that soot and smoke due to the industry.

If you only had one year to live what would you do?

Travel the vast land of North America.

Up who’s arse would you like to stick a rocket, and why?

My college art teacher who claimed I was not an artist as my work was not relevant in today’s society. She was a modern artist and had me disqualified from art. I therefore have no A-level in the subject.

Who would you like to be stuck in an elevator with?

Prince William, so that I could convince him that I should be his court artist for the remainder of his life. Being young, his patronage could be really useful.

What are you working on at the moment?

I am currently working on local commissions and extravagant portraits.

What is your ambition?

To spend my life as a painter and change the outlook on the world in a way in which we do not forget the aesthetics and skills of the past but take the best parts from it.

If you could change one thing in the world, what would it be?

I would remove cars. I feel that local communities have broken down because of them, they clutter streets and people would be much healthier and happier without them. Though this would take some time to adjust to. Imagine a world in which everyone walks, travels on horseback, in carriages or cycles.

Which six people would you invite to your boating party?

  1. G. F Handel (Composer)

  2. Sir Arthur Sullivan (Composer)

  3. Queen Victoria

  4. Franz Winterhalter (Artist)

  5. A passenger from the Titanic- It would be interesting to hear about the night of the sinking in detail.

  6. My father – Being from a very working class background I would love to see his face as the snobbery unfolded.

Though, by the sounds of it, this boating party would consist of me and my father sat with a pile of corpses, as most of the guests are dead.

What would be on the menu?

I think that the guests would be very hungry after not eating for over a century. Therefore, I would serve a meal commonly eaten in the Victorian era, consisting of around 8 courses, as was done at the time.

What question would you have liked me to have asked?

Do you paint on commission? The answer- Yes I do. Though, as I have already mentioned, I would be happy for anyone to contact me regarding personal commissions. I can paint from photographs, although I do prefer a sitting, though this is not always possible if someone is unavailable or far away.

Thank you Michael.

Scroll down to see some of Michael’s stunning work. There are also links to his Facebook and Instagram pages. Plus, two fabulous YouTube videos of classical music he has composed. And, if you like his work, drop him a line. I think he’s going to be a star of the future. Hopefully, not too distant.

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Artist’s biography.

I am a 22 year old artist living in Cheshire, England. Art has always played an important role in my life. I have been painting for as long as I can remember. My mother bought me oil paints and canvases in my very early youth as she clearly saw potential for some sort of talent.

I went on to graduate in 2017 with a degree in Fine Art and Art History from the Manchester School of Art. After that, I graduated again in 2018 with a degree in secondary school teaching.

The theory on which I base my practice is as follows:

We live in the shadows of the past. Some of us try to ignore them and others sentimentally hold onto them. I, however, live within them. Through my studio practice, I debate the ideas of beauty and aesthetical values, based upon the creations of artists, both past and present.

My studio practice falls within the domain of painting as an expanded field. Through my work, what I hope to achieve is a display of context wherein the viewer can critically look through the many layers of history, taking from it fragments that still resonate with today’s society, as opposed to those isolated from an informed or questioning eye.

My current studio practice consists of producing elaborate portraits in oil paints. I see great visual beauty in many realist works. And I question what beauty is? Is beauty mathematical? Is it natural? Why it is that Vermeer’s attention to detail is beautiful? His painting of floor is beautiful. His calculated lighting is beautiful. My work consists of both mathematical and natural beauty. I use many techniques such as the golden ratio and chiaroscuro, but I also follow my minds guidance to produce visually striking work.

My artistic practice is based on this idea of analysing art history and taking from it the most ‘successful’ outcomes to be used in my work.  I do this with my eyes wide open, and with full knowledge and appreciation for modern art, as taught on my current course.

Though, in my portraiture I strive for realism and beauty, I make it clear that I am not recreating new works in a past style, but simply appropriating the techniques of past painters to question class and status. As well as implementing modern ideas and characteristics into my work.

My work displays a combination of artistic skill, aesthetic beauty and a suggestion of humour towards the modern world. An example of this is can be found in my recently painted female nude. I was inspired to paint my model in the style of William Adolphe Bouguereau, a romantic painter specialising in the female nude and painting of angels. However at the sitting, I discovered that my model had some tattoos and piercings. I originally intended to paint them out, however after some thought I decided that is was the beauty of merging a romantic style with the modern day. Rather than to replicate an exact style, I was able to create something new based on the ideas of the past.

Baroque and Classical music interests me also, and through my studies I examine the links between both painting and music. Whilst studying baroque composition, I came across a heavy set of rules just as there are in art of the same period. Music and art seem to intertwine with one another and I am fascinated by how both art forms have the power to correspond with each other.

When I am not working on my artworks, I write orchestral music. I am currently writing a comic opera about a love potion for a full classical orchestra complete. The music is light but in some areas very moving. My dream would be to have it performed by a live orchestra and singers. I wrote both the music and the libretto myself.

Artist’s web links.

My Facebook art page – https://www.facebook.com/mr.koropisz/

My Instagram art page – https://www.instagram.com/m.koropisz.artist/

The overture from my comic opera (performed by a virtual orchestra) https://www.youtube.com/watch?v=xyycbjVluOM

My baroque composition performed by my brother on the recorder and myself on the harpsichord- https://www.youtube.com/watch?v=lGyyBA5J358

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Filed under Art, Classical music, Contemporary Arts, Creativity, History, Ideas, Innovation, Inspiration, Music, The Boating Party, Uncategorized

Art for heart’s sake.


I’ve been doing a lot more painting since I began volunteering at Arc.

Since going to workshops, I’ve managed to loosen up a bit. Let go of the hyper-realistic view that we often place on ourselves, yet are happy to discount when looking at other artists’ work.

Anyhoo, I’ve been going through a bit of Basquiat phase. I watched a documentary about him a couple of weeks back. I loved the vivid colours and his strikingly bold, graphic style.

I’ve also been experimenting with collage and mono printing. Feel free to have a goosey. If anything tickles your fancy, drop me a line.

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Angelina & Me.


Would that make us Dangelina?

This is my latest piece that I created at Arc.

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It’s a combination of various mediums and techniques: line drawing, mono printing, collage, chalk & oil pastel.

As it’s received quite a bit of positive feedback, (which may just be politeness), I’ve decided to accept portrait commissions in this style.

You could either choose a loved one or a famous actor/musician.

Each one would be unique, so I was thinking of charging £50 – £70 per portrait, unframed. (Plus P&P.)

Framed would depend on where in the world you live and the type of frame chosen. But we could chat about that.

AJ

Framed it measures, 53cm x 43 cm. Unframed, it’s about A3. (42cm x 30cm.)

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Anyhoo, drop me a line if you want me to rustle one up of Ariana Grande, Tom Hardy or your favourite grandchild.

And, if you are reading this, Ms Jolie, the price I quoted is a typo. It should read: £50,000.

Toodle-pip.

Email me at: thereisnocavalry@icloud.com

P.S. Payment would be secure and via Paypal.

 

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The Boating Party with Outside Authority


Luncheon of the Boating Party, 1881. By Pierre-Auguste Renoir.

The Boating Party is a series of Q&As with writers, artists, photographers, filmmakers, musicians, sculptors, illustrators, designers and the like.

In times of economic hardship, the Arts are usually the first things to be axed. But, in my view, the Arts are one of the most important aspects of our civilisation.

Without the arts, we wouldn’t have language or the written word. Without the arts, we have no culture. Without culture, we have no society. Without society, we have no civilisation. And without civilisation, we have anarchy.

Which, in itself, is paradoxical, because so many artists view themselves as rebels to society. To me, artists aren’t rebels, they are pioneers.

Perhaps, most importantly; without the Arts, where is the creativity that will solve the world’s problems going to come from? Including economic and scientific ones?

In this Q&A, I am delighted to welcome artist Outside Authority.

What can I tell you about OA? Not a lot really. She’s very secretive. She does a blog I follow. She posts images of drawings and paintings she’s done. Apart from that, I’m as much in the dark as you are. This Q&A will help us all get to know her a little better. She likes to keep pretty anonymous. Which is rare in today’s reality TV world we live in.

I like her work. A lot. (Here come the adjectives.) It feels spontaneous and fresh. Full of energy and vitality. It’s reminiscent of David Hockney and Joan Eardley. Anyway, you can decide for yourself after the Q&A.

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What’s your greatest personal achievement?

Opening bat and best bowling figures of the season.

What inspires you?

People who have a go.

What was the last thing that inspired you?

A Joan Eardley exhibition.

What makes you unhappy?

Smug people.

What makes you happy?

The seaside.

What are you reading?

The Double – Jose Saramago.

What are you listening to?

Let’s Wrestle.

What’s your favourite film?

Once Upon a Time in the West.

If you could go back in time, where would you go?

About 20 years before I was born to meet the relatives who died before I was born or I can’t remember.

What frightens you?

There’s this man busking on the embankment that is dressed like a dog in a basket. It’s an abomination, he was licking his paw!!

What do you do to relax?

Read.

What do you do when you are angry?

Rant and hector.

What can’t you live without?

Marmite, sleep.

What’s your motto?

“It’s either too bloody hot or too bloody cold.”

Where is your utopia?

It’s a field or meadow far away with either a donkey or a pig in it.

If you only had one year to live, what would you do?

Email my resignation and hot foot it to Norfolk and Scotland.

Up who’s arse would you like to stick a rocket and why?

God, how do you choose? Jamie Oliver, apolitical my arse.

Who would you like to be stuck in an elevator with?

Alex Hales.

What are you working on at the moment?

Colour.

What is your ambition?

Retire asap.

If you could change one thing in the world what would it be?

At present, make my combination boiler stop faulting and make hot water. Make that all combination boilers, I am altruistic.

Which 6 people would you invite to your boating party?

John Steed, Bodie, George from Seinfeld, my sister, my daughter, Joan Eardley.

What would be on the menu?

Beetroot and some other things.

What question do you wish I’d asked?

Who’s your favourite darts player?

I love nearly all of them, but will have to go with Steve ‘the Adonis’ Beaton.

Thank you Outside Authority.

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Biography:

3 things you already know about me:
I have a blog.
I draw and paint.
I am Outside Authority.

Born in the sticks, OA was always going to go to Art school right up to the time she didn’t. With the odd life class inbetween, the creative urge fought its way back through a boring job and a new loft. She likes painting, drawing, printing, stitching people, animals and things and doesn’t see any reason why she should stop soon.

https://outsideauthority.wordpress.com/

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A real Presence in art – Ewa Konior


There is a brilliant exhibition on at the Arc Gallery at the moment by a stupendously talented artist by the name of Ewa Konior. (Pronounced Evva, I think.)

Ewa hails from Poland, but now plies her trade from her studio in Wales.

There are two very distinctive styles of work on show – the big, bold portraits, full of life and energy. And the smaller, multi-layered images of everyday life built up on wallpaper. You really have to see them in the flesh to see the full effect of the textures and scale.

The title of her exhibition is ‘Presence’ and runs until the 16th June.

Anyway, enough of me rambling, you want to see her work.

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Here are a few shots I took at the exhibition. Apologies for the reflections.

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So, if you’re in and around Stockport, Reddish or Manchester, try to pop along, it really is a wonderful exhibition. It’s Free in there’s free parking round the back of the mill. And there’s also a brand-spanking new cafe in which to relax and admire the work.

Ewa Konior, Polish, artist, Arc gallery, Stockport

Ewa Konior and some auld fella. Photo courtesy of Mark Coffey.

Oh, and by the way, Ewa’s work is for sale if you’re a collector. But please don’t feel obliged to buy me anything. Honestly. It really isn’t necessary.

Arc Centre and Gallery
Unit 33m, Vauxhall Industrial Estate
Greg Street
Reddish
Stockport  SK5 7BR

Artist’s statement:

In my work, I aim to describe the essence of life and quality of existence. Experience, observation and study of the human psyche support my work, I empathise with and give voice to my human subjects. In the paintings of time and place I construct surrealistic locations including abstract elements. Like a frame from a film, the painting is a moment in a movement though time.

I perceive the world as an ocean where, below its visible surface, layers of complexity can be found in its depths. Painting, for me, is intuitively diving into and through the ocean to discover new dimensions and planes. It is an alchemic activity where the creative decision making process and my presence as the artist is evident. My painting is an expression of my particular view, involving aspects of reality, nuanced memories and philosophical contemplations.

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Painting instead of writing


Earlier this year I began work on my third novel. I was making good progress until it all ground to a halt as Spring gave way to Summer. I think the expression is “writer’s block”. You may have heard of it.

Anyhow, I wasn’t too worried as the school holidays were looming and I would be spending much of it trying to keep my two daughters entertained. So the chances of getting much work done were slim to zero.

Now that they’ve gone back to school, the “block” is still here. And it’s very frustrating. I get quite depressed if I am not creating something. I worked in advertising for 30 years and every day I’d go into work and have to create something.

So, instead of wallowing in self-pity, I turned my hand to something else – painting. Mainly watercolours, but acrylics too.

Here are a few examples I thought I’d share with you. I know I won’t be getting an exhibition at the National Gallery anytime soon, but I quite like the colours and freshness of some of them.

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Self portrait in acrylic.

 

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The haunting – paintings by Mike McGinn


Mike McGinn is an Edinburgh-based artist whose work I love. Full of energy and emotion. There is something quite haunting and melancholy about the expressions he captures.

I first became aware of his work when he very kindly donated a piece to the Japan Art Auction I held in 2011 for victims of the tsunami.

Unfortunately, I was outbid for it. (It was fortunate for the auction, mind.)

Hope you enjoy his work as much as I do…

Donated to the Japan Art Auction

Donated to the Japan Art Auction

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Like most artists, self-publicity isn’t high on Mike’s priority list. So, if you would like to buy one of his paintings, or commission a piece, drop me a line and I can put you in touch with him.

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The Boating Party – with Eoin Coveney


Luncheon of the Boating Party, 1881. By Pierre-Auguste Renoir.

Well, it’s been a while…

Welcome to the first Boating Party interview of 2013.

The Boating Party is a series of interviews with writers, artists, photographers, filmmakers, musicians, sculptors, illustrators, designers and the like.

In times of economic hardship, the Arts are usually the first things to be axed. But, in my view, the Arts are the most important aspect of our civilisation. Without the arts, we wouldn’t have language or the written word. Without the arts, we have no culture. Without culture, we have no society. Without society, we have no civilisation. And without civilisation, we have anarchy. Which, in itself, is paradoxical, because so many artists view themselves as rebels to society.

To me, artists aren’t rebels, they are pioneers.

And perhaps, most importantly; without the Arts, where’s the creativity that will solve the world’s problems? Including economic and scientific ones?

First up, in this luckiest of lucky years, is Graphic Artist, Eoin Coveney

Eoin Coveney

Eoin Coveney

What’s your greatest personal or career achievement?

Working with, and being mentored by, the late Will Eisner.

What’s been your greatest sacrifice?

I really can’t think of one. Maybe I sacrificed some of my social life working in a solitary environment?

To whom do you owe a debt of gratitude?

I owe Steve McManus of 2000AD for giving me a meeting many years ago even though it was against their policy.

Who and what inspire you?

European masters of the graphic novel such as  Moebius and Cam Kennedy.
Music and cinema also.

What was the last thing that inspired you?

Drawing a 6- page comic strip written by Gordon Rennie. It was a politics / zombie satire which was a joy to work on.

What makes you unhappy?

Lack of enthusiasm.

What makes you happy?

Trust.

What are you reading?

Nothing right now. My last was “A short history of nearly everything” by Bill Bryson.

Who, or what, are you listening to?

Lots of dark ambient right now.

What’s your favourite film?

Impossible to narrow it down. “The Host” is pretty close to perfect.

If you could go back in time, where would you go?

I’d probably be too worried about getting stuck there so I would stay here given the choice.

What frightens you?

Laziness.

What do you do to relax?

Noodling around on my microKorg.

What do you do when you’re angry?

Scream into a pillow.

What can’t you live without?

I would say music.

What’s your motto?

Keep on learning and improving.

What’s your Utopia?

Probably West Cork in August.

If you only had one year to live what would you do?

Six months frenzied work, three months of traveling and another three months of relaxing with friends and loved ones.

Up who’s arse would you like to stick a rocket, and why?

Probably Damien Hirst because he doesn’t feel the need to manufacture and craft his own art.

Who would you like to be stuck in an elevator with?

Howard Marks.

 What are you working on at the moment?

“American Caesar”, a graphic novel written by Neil Kleid.

What is your ambition?

To work hard on cool projects with brilliant people.

If you could change one thing in the world, what would it be?

I’d like to turn down the dial on human greed a good few notches.

Which six people would you invite to your boating party?

Fiancée, parents, 3 close friends… no celebrities!

What would be on the menu?

Greek food.

What question would you liked me to have asked?

“What’s it all about?”

Thank you, Eoin.

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Magsdeet

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Artist’s statement:

I have been illustrating professionally for 14 years. 
For the first ten of those years, I worked mostly on
 the pre-production phase for many of Dublin’s top
 advertising agencies. Producing
storyboards & visuals for hundreds of campaigns.


In 2005  I joined the Illustrators Guild of Ireland,
 and since then have broadened my range of styles 
and disciplines. These days, my work is split pretty
 evenly between illustration for ad campaigns,
 book covers and interiors, press and magazine
 work as well as pre-production work.
 Private commissions also undertaken.

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Filed under Advertising, Animation, Art, Cartoons, Contemporary Arts, Creativity, Ideas, Illustration, Inspiration, The Boating Party

The Boating Party – with Tone von Krogh


Luncheon of the Boating Party, 1881. By Pierre-Auguste Renoir.

The Boating Party is a series of interviews with writers, artists, photographers, filmmakers, musicians, sculptors, designers and the like.

In times of economic hardship the Arts are usually the first things to be axed. But, in my view, the Arts are the most important aspect of our civilisation. Without the arts, we wouldn’t have language or the written word. Without the arts, we have no culture. Without culture, we have no society. Without society, we have no civilisation. And without civilisation, we have anarchy. Which, in itself, is paradoxical, because so many people view artists as rebels to society.

To me, artists aren’t rebels, they are pioneers.

And perhaps, most importantly; without the Arts, where’s the creativity that will solve the world’s problems? Including economic and scientific ones?

This week, I’m delighted to welcome ceramic artist, Tone von Krogh.

Tone on the wheel

What’s your greatest personal or career achievement?

In some ways I feel I’ve not reached the point of my journey where I’m counting my achievements. However,  being able to do what I love on a daily basis is my highest achievement as much as work in constant progress.

What’s been your greatest sacrifice?

I don’t think I have made many sacrifices. I moved to a new country to follow my love for ceramics and dream to take it further. I found another love which meant I settled here. At times it is hard to live far away from close family, but I have my own little one now…

When baby number two came along, I put the ceramics a side for a for a while. It felt like a hard decision to make at the time, but we were starting a build a total house renovation, so something had to give. When, after 3 years, the girls were both at school and I could move into my brand new garden studio, it felt like I had never left my business. I wouldn’t have missed those years with my girls for anything in the world.

To whom do you owe a debt of gratitude?

I’m sure there will be many more than I remember to mention here.

One of many, is my tutor at college in Norway, Peer Bjarne Moen for encouraging me to be me and express it in my work. I would not have followed my dream so confidently without his faith and push.

My family and friends for  their continuous support, encouragement, patience and help.

Fellow designers and artists for networking, inspiration and critique. And, of course, to all the galleries who promote my work.

Who and what inspire you?

The material clay itself really inspires me. The softness, its ability to take whichever shape you squeeze it into as well as the transformation from clay to ceramics.

I have always had a strong love for Scandinavian – and particularly Norwegian – woodlands and coastal landscapes. My current collection “Vinter” is directly inspired, as the name suggests, by winter and snow covered landscapes. The shapes are soft with indentations and bulges added to hint at something under the surface. After a heavy snow fall, all sounds are muted and objects become unrecognizable with sharp edges rounded. In a landscape, a bulge in the snow may cover a rock or a small tree or a man-made object.

It is this feeling of mystery, or lack of obviousness, that I am trying to express in the surfaces of my pieces, despite the main shape of the piece suggesting a certain function.

What was the last thing that inspired you?

Little things inspire me all the time. A fairly recent moment was earlier this year whilst celebrating my 40th birthday in Switzerland. My partner and I were taking shelter in a mountain hut from a blizzard outside. Through the window I could see these amazing ridged snow swirls forming. I ran out and took lots of pictures with my phone as the folds continuously changed shape. I have been trying to achieve the same effect in my work ever since.

What makes you unhappy?

Hatred, unfairness, ignorance…. Unhappy children.
Kiln disasters.

What makes you happy?

Good music, creating, sunshine…. Happy children.

What are you reading?

In a normal week I’ll be lucky if I get to read the Observer on Sunday. The last time I read a book was in the summer holiday. Solar by my favorite author Ian McEwan. Not a typical book for him, I laughed out loud several times, which is rare when I read any of his books.

Who, or what, are you listening to?

I listen to anything from Melody Gardot to Muse… depending on what I do. In the studio I listen to Xfm which gives me a daily dose of The Cure and lots of other old favorites. I went to see Django Django live last week. They were so much better live than I expected.

What’s your favourite film?

Difficult to choose. I don’t watch many films twice because I hate repetition and knowing what happens…. One of the few that I don’t mind watching again is Jean-Pierre Jeunet’s – Amelie.

If you could go back in time, where would you go?

To a hot summer’s day….

What frightens you?

Anything happening to my children that I can’t make better. Not being able to do what I do due to ill health or other circumstances.

What can’t you live without?

Oxygen, water, nutrition and love.

What’s your motto?

Do what you love rather than what you think others want you to do. It will make you a lot happier and creative in the long run.

If you only had one year to live what would you do?

I would do what I do now for most of the year and then throw a big party for my family and friends.

Up who’s arse would you like to stick a rocket, and why?

Anyone moaning around me or getting in my way the next few weeks. I’m so busy getting ready for shows between now and December.  Tolerance levels are low.

Who would you like to be stuck in an elevator with?

The thought of being stuck in an elevator should have been one of my answers to question twelve. Can’t think of anybody making that situation any better except for a lift engineer or escapologist.  I am not good in confinement of any kind.

What are you working on at the moment?

This is my busiest time of year. I am getting ready for 3 big shows (http://issuu.com/lakesideartscentre/docs/lustre2012 , http://www.herefordshire.gov.uk/craftfair/index.htm , http://www.madebyhand-wales.co.uk/) all in November, as well as making work for Christmas exhibitions and general gallery top up. I spent the whole day on the potter’s wheel today making vases and bottles. I also started playing around with some new ideas for lamp bases. I may be under time pressure, but I still love being in the studio making all day.

Which six people would you invite to your boating party?

Only six? I would fill the lake with boats and make sure all my best friends and fellow makers were there. Toe Rag would be a good band to invite for the musical entertainment.

What question would you liked me to have asked?

I’m quite happy to stop before I rant on even more…. Some tricky questions there already.

Thank you, Tone.

Inspiring snow

Cup and saucer detail

Bowls

Artist’s biography:

I was born in Switzerland, but spent most of my childhood and college years in Norway.  In 1994 I came to England on an exchange program with Manchester Metropolitan University and graduated in 3Dimensional Design  in 1995.  After years of having studios at various art centres, I now work from a purpose built studio in my garden.

My work has been widely exhibited in the UK as well as Norway, France, USA and Dubai. The work is also sold through the website www.madebyhandonline.com

My current collection of contemporary domestic Ceramics is strongly influenced by my impressions from the winter landscapes in Norway. When the snow covers trees, rocks, paths and architecture;  sharp edges become soft and everyday shapes may become unrecognizable. I have tried to bring the same feel to my work with a range of wavy vases and softly distorted beakers, bowls and bottles.  The colour range is reflecting the many tones of snow and ice and winter skies.

The work is produced using a potter’s wheel, but then cut and reassembled to non circular shapes or given soft dimples or bumps. I use food friendly glazes and fire the work to stoneware temperatures.

Ed: (Top tip, if you visit her webpage and decide to buy lots of her lovely work, her first name is pronounced: Torna.)

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Filed under Art, Ceramics, Contemporary Arts, Creativity, Design, Education, Ideas, Illustration, Innovation, Inspiration, Photography, Sculpture, The Boating Party