Tag Archives: painting

Angelina & Me.


Would that make us Dangelina?

This is my latest piece that I created at Arc.

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It’s a combination of various mediums and techniques: line drawing, mono printing, collage, chalk & oil pastel.

As it’s received quite a bit of positive feedback, (which may just be politeness), I’ve decided to accept portrait commissions in this style.

You could either choose a loved one or a famous actor/musician.

Each one would be unique, so I was thinking of charging £50 – £70 per portrait, unframed. (Plus P&P.)

Framed would depend on where in the world you live and the type of frame chosen. But we could chat about that.

AJ

Framed it measures, 53cm x 43 cm. Unframed, it’s about A3. (42cm x 30cm.)

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Anyhoo, drop me a line if you want me to rustle one up of Ariana Grande, Tom Hardy or your favourite grandchild.

And, if you are reading this, Ms Jolie, the price I quoted is a typo. It should read: £50,000.

Toodle-pip.

Email me at: thereisnocavalry@icloud.com

P.S. Payment would be secure and via Paypal.

 

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The Boating Party with Outside Authority


Luncheon of the Boating Party, 1881. By Pierre-Auguste Renoir.

The Boating Party is a series of Q&As with writers, artists, photographers, filmmakers, musicians, sculptors, illustrators, designers and the like.

In times of economic hardship, the Arts are usually the first things to be axed. But, in my view, the Arts are one of the most important aspects of our civilisation.

Without the arts, we wouldn’t have language or the written word. Without the arts, we have no culture. Without culture, we have no society. Without society, we have no civilisation. And without civilisation, we have anarchy.

Which, in itself, is paradoxical, because so many artists view themselves as rebels to society. To me, artists aren’t rebels, they are pioneers.

Perhaps, most importantly; without the Arts, where is the creativity that will solve the world’s problems going to come from? Including economic and scientific ones?

In this Q&A, I am delighted to welcome artist Outside Authority.

What can I tell you about OA? Not a lot really. She’s very secretive. She does a blog I follow. She posts images of drawings and paintings she’s done. Apart from that, I’m as much in the dark as you are. This Q&A will help us all get to know her a little better. She likes to keep pretty anonymous. Which is rare in today’s reality TV world we live in.

I like her work. A lot. (Here come the adjectives.) It feels spontaneous and fresh. Full of energy and vitality. It’s reminiscent of David Hockney and Joan Eardley. Anyway, you can decide for yourself after the Q&A.

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What’s your greatest personal achievement?

Opening bat and best bowling figures of the season.

What inspires you?

People who have a go.

What was the last thing that inspired you?

A Joan Eardley exhibition.

What makes you unhappy?

Smug people.

What makes you happy?

The seaside.

What are you reading?

The Double – Jose Saramago.

What are you listening to?

Let’s Wrestle.

What’s your favourite film?

Once Upon a Time in the West.

If you could go back in time, where would you go?

About 20 years before I was born to meet the relatives who died before I was born or I can’t remember.

What frightens you?

There’s this man busking on the embankment that is dressed like a dog in a basket. It’s an abomination, he was licking his paw!!

What do you do to relax?

Read.

What do you do when you are angry?

Rant and hector.

What can’t you live without?

Marmite, sleep.

What’s your motto?

“It’s either too bloody hot or too bloody cold.”

Where is your utopia?

It’s a field or meadow far away with either a donkey or a pig in it.

If you only had one year to live, what would you do?

Email my resignation and hot foot it to Norfolk and Scotland.

Up who’s arse would you like to stick a rocket and why?

God, how do you choose? Jamie Oliver, apolitical my arse.

Who would you like to be stuck in an elevator with?

Alex Hales.

What are you working on at the moment?

Colour.

What is your ambition?

Retire asap.

If you could change one thing in the world what would it be?

At present, make my combination boiler stop faulting and make hot water. Make that all combination boilers, I am altruistic.

Which 6 people would you invite to your boating party?

John Steed, Bodie, George from Seinfeld, my sister, my daughter, Joan Eardley.

What would be on the menu?

Beetroot and some other things.

What question do you wish I’d asked?

Who’s your favourite darts player?

I love nearly all of them, but will have to go with Steve ‘the Adonis’ Beaton.

Thank you Outside Authority.

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Biography:

3 things you already know about me:
I have a blog.
I draw and paint.
I am Outside Authority.

Born in the sticks, OA was always going to go to Art school right up to the time she didn’t. With the odd life class inbetween, the creative urge fought its way back through a boring job and a new loft. She likes painting, drawing, printing, stitching people, animals and things and doesn’t see any reason why she should stop soon.

https://outsideauthority.wordpress.com/

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A real Presence in art – Ewa Konior


There is a brilliant exhibition on at the Arc Gallery at the moment by a stupendously talented artist by the name of Ewa Konior. (Pronounced Evva, I think.)

Ewa hails from Poland, but now plies her trade from her studio in Wales.

There are two very distinctive styles of work on show – the big, bold portraits, full of life and energy. And the smaller, multi-layered images of everyday life built up on wallpaper. You really have to see them in the flesh to see the full effect of the textures and scale.

The title of her exhibition is ‘Presence’ and runs until the 16th June.

Anyway, enough of me rambling, you want to see her work.

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Here are a few shots I took at the exhibition. Apologies for the reflections.

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So, if you’re in and around Stockport, Reddish or Manchester, try to pop along, it really is a wonderful exhibition. It’s Free in there’s free parking round the back of the mill. And there’s also a brand-spanking new cafe in which to relax and admire the work.

Ewa Konior, Polish, artist, Arc gallery, Stockport

Ewa Konior and some auld fella. Photo courtesy of Mark Coffey.

Oh, and by the way, Ewa’s work is for sale if you’re a collector. But please don’t feel obliged to buy me anything. Honestly. It really isn’t necessary.

Arc Centre and Gallery
Unit 33m, Vauxhall Industrial Estate
Greg Street
Reddish
Stockport  SK5 7BR

Artist’s statement:

In my work, I aim to describe the essence of life and quality of existence. Experience, observation and study of the human psyche support my work, I empathise with and give voice to my human subjects. In the paintings of time and place I construct surrealistic locations including abstract elements. Like a frame from a film, the painting is a moment in a movement though time.

I perceive the world as an ocean where, below its visible surface, layers of complexity can be found in its depths. Painting, for me, is intuitively diving into and through the ocean to discover new dimensions and planes. It is an alchemic activity where the creative decision making process and my presence as the artist is evident. My painting is an expression of my particular view, involving aspects of reality, nuanced memories and philosophical contemplations.

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Painting instead of writing


Earlier this year I began work on my third novel. I was making good progress until it all ground to a halt as Spring gave way to Summer. I think the expression is “writer’s block”. You may have heard of it.

Anyhow, I wasn’t too worried as the school holidays were looming and I would be spending much of it trying to keep my two daughters entertained. So the chances of getting much work done were slim to zero.

Now that they’ve gone back to school, the “block” is still here. And it’s very frustrating. I get quite depressed if I am not creating something. I worked in advertising for 30 years and every day I’d go into work and have to create something.

So, instead of wallowing in self-pity, I turned my hand to something else – painting. Mainly watercolours, but acrylics too.

Here are a few examples I thought I’d share with you. I know I won’t be getting an exhibition at the National Gallery anytime soon, but I quite like the colours and freshness of some of them.

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Self portrait in acrylic.

 

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The haunting – paintings by Mike McGinn


Mike McGinn is an Edinburgh-based artist whose work I love. Full of energy and emotion. There is something quite haunting and melancholy about the expressions he captures.

I first became aware of his work when he very kindly donated a piece to the Japan Art Auction I held in 2011 for victims of the tsunami.

Unfortunately, I was outbid for it. (It was fortunate for the auction, mind.)

Hope you enjoy his work as much as I do…

Donated to the Japan Art Auction

Donated to the Japan Art Auction

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Like most artists, self-publicity isn’t high on Mike’s priority list. So, if you would like to buy one of his paintings, or commission a piece, drop me a line and I can put you in touch with him.

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The Boating Party – with Eoin Coveney


Luncheon of the Boating Party, 1881. By Pierre-Auguste Renoir.

Well, it’s been a while…

Welcome to the first Boating Party interview of 2013.

The Boating Party is a series of interviews with writers, artists, photographers, filmmakers, musicians, sculptors, illustrators, designers and the like.

In times of economic hardship, the Arts are usually the first things to be axed. But, in my view, the Arts are the most important aspect of our civilisation. Without the arts, we wouldn’t have language or the written word. Without the arts, we have no culture. Without culture, we have no society. Without society, we have no civilisation. And without civilisation, we have anarchy. Which, in itself, is paradoxical, because so many artists view themselves as rebels to society.

To me, artists aren’t rebels, they are pioneers.

And perhaps, most importantly; without the Arts, where’s the creativity that will solve the world’s problems? Including economic and scientific ones?

First up, in this luckiest of lucky years, is Graphic Artist, Eoin Coveney

Eoin Coveney

Eoin Coveney

What’s your greatest personal or career achievement?

Working with, and being mentored by, the late Will Eisner.

What’s been your greatest sacrifice?

I really can’t think of one. Maybe I sacrificed some of my social life working in a solitary environment?

To whom do you owe a debt of gratitude?

I owe Steve McManus of 2000AD for giving me a meeting many years ago even though it was against their policy.

Who and what inspire you?

European masters of the graphic novel such as  Moebius and Cam Kennedy.
Music and cinema also.

What was the last thing that inspired you?

Drawing a 6- page comic strip written by Gordon Rennie. It was a politics / zombie satire which was a joy to work on.

What makes you unhappy?

Lack of enthusiasm.

What makes you happy?

Trust.

What are you reading?

Nothing right now. My last was “A short history of nearly everything” by Bill Bryson.

Who, or what, are you listening to?

Lots of dark ambient right now.

What’s your favourite film?

Impossible to narrow it down. “The Host” is pretty close to perfect.

If you could go back in time, where would you go?

I’d probably be too worried about getting stuck there so I would stay here given the choice.

What frightens you?

Laziness.

What do you do to relax?

Noodling around on my microKorg.

What do you do when you’re angry?

Scream into a pillow.

What can’t you live without?

I would say music.

What’s your motto?

Keep on learning and improving.

What’s your Utopia?

Probably West Cork in August.

If you only had one year to live what would you do?

Six months frenzied work, three months of traveling and another three months of relaxing with friends and loved ones.

Up who’s arse would you like to stick a rocket, and why?

Probably Damien Hirst because he doesn’t feel the need to manufacture and craft his own art.

Who would you like to be stuck in an elevator with?

Howard Marks.

 What are you working on at the moment?

“American Caesar”, a graphic novel written by Neil Kleid.

What is your ambition?

To work hard on cool projects with brilliant people.

If you could change one thing in the world, what would it be?

I’d like to turn down the dial on human greed a good few notches.

Which six people would you invite to your boating party?

Fiancée, parents, 3 close friends… no celebrities!

What would be on the menu?

Greek food.

What question would you liked me to have asked?

“What’s it all about?”

Thank you, Eoin.

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Artist’s statement:

I have been illustrating professionally for 14 years. 
For the first ten of those years, I worked mostly on
 the pre-production phase for many of Dublin’s top
 advertising agencies. Producing
storyboards & visuals for hundreds of campaigns.


In 2005  I joined the Illustrators Guild of Ireland,
 and since then have broadened my range of styles 
and disciplines. These days, my work is split pretty
 evenly between illustration for ad campaigns,
 book covers and interiors, press and magazine
 work as well as pre-production work.
 Private commissions also undertaken.

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The Boating Party – with Tone von Krogh


Luncheon of the Boating Party, 1881. By Pierre-Auguste Renoir.

The Boating Party is a series of interviews with writers, artists, photographers, filmmakers, musicians, sculptors, designers and the like.

In times of economic hardship the Arts are usually the first things to be axed. But, in my view, the Arts are the most important aspect of our civilisation. Without the arts, we wouldn’t have language or the written word. Without the arts, we have no culture. Without culture, we have no society. Without society, we have no civilisation. And without civilisation, we have anarchy. Which, in itself, is paradoxical, because so many people view artists as rebels to society.

To me, artists aren’t rebels, they are pioneers.

And perhaps, most importantly; without the Arts, where’s the creativity that will solve the world’s problems? Including economic and scientific ones?

This week, I’m delighted to welcome ceramic artist, Tone von Krogh.

Tone on the wheel

What’s your greatest personal or career achievement?

In some ways I feel I’ve not reached the point of my journey where I’m counting my achievements. However,  being able to do what I love on a daily basis is my highest achievement as much as work in constant progress.

What’s been your greatest sacrifice?

I don’t think I have made many sacrifices. I moved to a new country to follow my love for ceramics and dream to take it further. I found another love which meant I settled here. At times it is hard to live far away from close family, but I have my own little one now…

When baby number two came along, I put the ceramics a side for a for a while. It felt like a hard decision to make at the time, but we were starting a build a total house renovation, so something had to give. When, after 3 years, the girls were both at school and I could move into my brand new garden studio, it felt like I had never left my business. I wouldn’t have missed those years with my girls for anything in the world.

To whom do you owe a debt of gratitude?

I’m sure there will be many more than I remember to mention here.

One of many, is my tutor at college in Norway, Peer Bjarne Moen for encouraging me to be me and express it in my work. I would not have followed my dream so confidently without his faith and push.

My family and friends for  their continuous support, encouragement, patience and help.

Fellow designers and artists for networking, inspiration and critique. And, of course, to all the galleries who promote my work.

Who and what inspire you?

The material clay itself really inspires me. The softness, its ability to take whichever shape you squeeze it into as well as the transformation from clay to ceramics.

I have always had a strong love for Scandinavian – and particularly Norwegian – woodlands and coastal landscapes. My current collection “Vinter” is directly inspired, as the name suggests, by winter and snow covered landscapes. The shapes are soft with indentations and bulges added to hint at something under the surface. After a heavy snow fall, all sounds are muted and objects become unrecognizable with sharp edges rounded. In a landscape, a bulge in the snow may cover a rock or a small tree or a man-made object.

It is this feeling of mystery, or lack of obviousness, that I am trying to express in the surfaces of my pieces, despite the main shape of the piece suggesting a certain function.

What was the last thing that inspired you?

Little things inspire me all the time. A fairly recent moment was earlier this year whilst celebrating my 40th birthday in Switzerland. My partner and I were taking shelter in a mountain hut from a blizzard outside. Through the window I could see these amazing ridged snow swirls forming. I ran out and took lots of pictures with my phone as the folds continuously changed shape. I have been trying to achieve the same effect in my work ever since.

What makes you unhappy?

Hatred, unfairness, ignorance…. Unhappy children.
Kiln disasters.

What makes you happy?

Good music, creating, sunshine…. Happy children.

What are you reading?

In a normal week I’ll be lucky if I get to read the Observer on Sunday. The last time I read a book was in the summer holiday. Solar by my favorite author Ian McEwan. Not a typical book for him, I laughed out loud several times, which is rare when I read any of his books.

Who, or what, are you listening to?

I listen to anything from Melody Gardot to Muse… depending on what I do. In the studio I listen to Xfm which gives me a daily dose of The Cure and lots of other old favorites. I went to see Django Django live last week. They were so much better live than I expected.

What’s your favourite film?

Difficult to choose. I don’t watch many films twice because I hate repetition and knowing what happens…. One of the few that I don’t mind watching again is Jean-Pierre Jeunet’s – Amelie.

If you could go back in time, where would you go?

To a hot summer’s day….

What frightens you?

Anything happening to my children that I can’t make better. Not being able to do what I do due to ill health or other circumstances.

What can’t you live without?

Oxygen, water, nutrition and love.

What’s your motto?

Do what you love rather than what you think others want you to do. It will make you a lot happier and creative in the long run.

If you only had one year to live what would you do?

I would do what I do now for most of the year and then throw a big party for my family and friends.

Up who’s arse would you like to stick a rocket, and why?

Anyone moaning around me or getting in my way the next few weeks. I’m so busy getting ready for shows between now and December.  Tolerance levels are low.

Who would you like to be stuck in an elevator with?

The thought of being stuck in an elevator should have been one of my answers to question twelve. Can’t think of anybody making that situation any better except for a lift engineer or escapologist.  I am not good in confinement of any kind.

What are you working on at the moment?

This is my busiest time of year. I am getting ready for 3 big shows (http://issuu.com/lakesideartscentre/docs/lustre2012 , http://www.herefordshire.gov.uk/craftfair/index.htm , http://www.madebyhand-wales.co.uk/) all in November, as well as making work for Christmas exhibitions and general gallery top up. I spent the whole day on the potter’s wheel today making vases and bottles. I also started playing around with some new ideas for lamp bases. I may be under time pressure, but I still love being in the studio making all day.

Which six people would you invite to your boating party?

Only six? I would fill the lake with boats and make sure all my best friends and fellow makers were there. Toe Rag would be a good band to invite for the musical entertainment.

What question would you liked me to have asked?

I’m quite happy to stop before I rant on even more…. Some tricky questions there already.

Thank you, Tone.

Inspiring snow

Cup and saucer detail

Bowls

Artist’s biography:

I was born in Switzerland, but spent most of my childhood and college years in Norway.  In 1994 I came to England on an exchange program with Manchester Metropolitan University and graduated in 3Dimensional Design  in 1995.  After years of having studios at various art centres, I now work from a purpose built studio in my garden.

My work has been widely exhibited in the UK as well as Norway, France, USA and Dubai. The work is also sold through the website www.madebyhandonline.com

My current collection of contemporary domestic Ceramics is strongly influenced by my impressions from the winter landscapes in Norway. When the snow covers trees, rocks, paths and architecture;  sharp edges become soft and everyday shapes may become unrecognizable. I have tried to bring the same feel to my work with a range of wavy vases and softly distorted beakers, bowls and bottles.  The colour range is reflecting the many tones of snow and ice and winter skies.

The work is produced using a potter’s wheel, but then cut and reassembled to non circular shapes or given soft dimples or bumps. I use food friendly glazes and fire the work to stoneware temperatures.

Ed: (Top tip, if you visit her webpage and decide to buy lots of her lovely work, her first name is pronounced: Torna.)

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