Tag Archives: Sylvia Plath

Happy National Poetry Day


I couldn’t possibly pick just one, so here are a few to salivate over. There’s something for everyone.

The Mower

by Philip Larkin

The mower stalled, twice; kneeling, I found
A hedgehog jammed up against the blades,
Killed. It had been in the long grass.

I had seen it before, and even fed it, once.
Now I had mauled its unobtrusive world
Unmendably. Burial was no help:

Next morning I got up and it did not.
The first day after a death, the new absence
Is always the same; we should be careful

Of each other, we should be kind
While there is still time.

 

This be the Verse

by Philip Larkin

They fuck you up, your mum and dad.
They may not mean to, but they do.
They fill you with the faults they had
And add some extra, just for you.

But they were fucked up in their turn
By fools in old-style hats and coats,
Who half the time were soppy-stern
And half at one another’s throats.

Man hands on misery to man.
It deepens like a coastal shelf.
Get out as early as you can,
And don’t have any kids yourself.

 

Suspenders

by Raymond Carver

Mom said I didn’t have a belt that fit and
I was going to have to wear suspenders to school
next day. Nobody wore suspenders to second grade,
or any other grade for that matter. She said,
You’ll wear them or else I’ll use them on you. I don’t want any more trouble. My dad said something then. He
was in the bed that took up most of the room in the cabin
where we lived. He asked if we could be quiet and settle this
in the morning. Didn’t he have to go in early to work in
the morning? He asked if I’d bring him
a glass of water. It’s all that whiskey he drank, Mom said. He’s
dehydrated.

I went to the sink and, I don’t know why, brought him
a glass of soapy dishwater. He drank it and said, That sure
tasted funny, son. Where’d this water come from?
Out of the sink, I said.
I thought you loved your dad, Mom said.
I do, I do, I said, and went over to the sink and dipped a glass
into the soapy water and drank off two glasses just
to show them. I love Dad, I said.
Still, I thought I was going to be sick then and there. Mom said,
I’d be ashamed of myself if I was you. I can’t believe you’d
do your dad that way. And, by God, you’re going to wear those
suspenders tomorrow, or else. I’ll snatch you bald-headed if you
give me any trouble in the morning. I don’t want to wear
suspenders,
I said. You’re going to wear suspenders, she said. And with that
she took the suspenders and began to whip me around the bare legs
while I danced in the room and cried. My dad
yelled at us to stop, for God’s sake, stop. His head was killing him,
and he was sick at his stomach from soapy dishwater
besides. That’s thanks to this one, Mom said. It was then somebody
began to pound on the wall of the cabin next to ours. At first it
sounded like it was a fist–boom-boom-boom–and then
whoever it was switched to a mop or a broom
handle.  For Christ’s sake, go to bed over there! somebody yelled.
Knock it off! And we did. We turned out the lights and
got into our beds and became quiet. The quiet that comes to a house
where nobody can sleep.

 

Gravy

by Raymond Carver

No other word will do. For that’s what it was.
Gravy.
Gravy, these past ten years.
Alive, sober, working, loving, and
being loved by a good woman. Eleven years
ago he was told he had six months to live
at the rate he was going. And he was going
nowhere but down. So he changed his ways
somehow. He quit drinking! And the rest?
After that it was all gravy, every minute
of it, up to and including when he was told about,
well, some things that were breaking down and
building up inside his head. “Don’t weep for me,”
he said to his friends. “I’m a lucky man.
I’ve had ten years longer than I or anyone
expected. Pure Gravy. And don’t forget it.”

 

Hummingbird

by Raymond Carver

Suppose I say summer,
write the word “hummingbird”,
put it in an envelope,
take it down the hill
to the box. When you open
my letter you will recall
those days and how much,
just how much, I love you.

 

Teleport Memory

by Patrick Chapman

 

Eighteen winters on, I find your jet-black

hold-up in my box of old remarkables,

the rubber garter still with spring in it.

 

I drape the stocking long on the bed

and try to imagine your pale slender leg

filling it toe to knee to thigh and beyond

 

in a matter transmitter reconstitution

of you with a physical copy that holds

your consciousness, your memories,

 

your tenderness, your wit still dry –

while out in the real, the original you

has surely diverged in directions I can’t

 

follow: some of your people passed on;

you a mother, an aunt or alone; and every

cell in your body, twice overwritten.

 

If that you can bear think of me

it may be with disdain for who I was

at the end but listen, my old love,

 

he has been replaced so many times –

no longer that young cripple who,

out of repression and pain, cracked

 

your heart and in its fracture fatally

punctured his own. So far undone is he

that even teleport could never bring us home.

 

Alone with Everybody

by Charles Bukowski

 

the flesh covers the bone

and they put a mind

in there and

sometimes a soul,

and the women break

vases against the walls

and the men drink too

much

and nobody finds the

one

but keep

looking

crawling in and out

of beds.

flesh covers

the bone and the

flesh searches

for more than

flesh.

 

there’s no chance

at all:

we are all trapped

by a singular

fate.

 

nobody ever finds

the one.

 

the city dumps fill

the junkyards fill

the madhouses fill

the hospitals fill

the graveyards fill

 

nothing else

fills.

 

EDGE

by Sylvia Plath

The woman is perfected
Her dead

Body wears the smile of accomplishment,
The illusion of a Greek necessity

Flows in the scrolls of her toga,
Her bare

Feet seem to be saying:
We have come so far, it is over.

Each dead child coiled, a white serpent,
One at each little

Pitcher of milk, now empty
She has folded

Them back into her body as petals
Of a rose close when the garden

Stiffens and odors bleed
From the sweet, deep throats of the night flower.

The moon has nothing to be sad about,
Staring from her hood of bone.

She is used to this sort of thing.
Her blacks crackle and drag.

 

The Causes

by Jorge Luis Borges

The sunsets and the generations
The days and none was first.
The freshness of water in Adam’s
Throat. Orderly paradise.
The eye deciphering the darkness.
The love of wolves at dawn.
The word. The hexameter. The mirror.
The Tower of Babel and pride.
The moon which the Chaldeans gazed at.
The uncountable sands of the Ganges.
Chuang Tzu and the butterfly that dreams him.
The golden apples on the islands.
The steps in the wandering labyrinth.
Penelope’s infinite tapestry.
The circular time of the Stoics.
The coin in the mouth of the dead man.
The sword’s weight on the scale.
Each drop of water in the water clock.
The eagles, the memorable days, the legions.
Caesar on the morning of Pharsalus.
The shadow of crosses over the earth.
The chess and algebra of the Persians.
The footprints of long migration.
The sword’s conquest of kingdom’s.
The relentless compass. The open sea.
The clock echoing in the memory.
The king executed by the ax.
The incalculable dust that was armies.
The voice of the nightingale in Denmark.
The calligrapher’s meticulous line.
The suicide’s face in the mirror.
The gambler’s card. Greedy gold.
The forms of a cloud in the desert.
Every arabesque in the kaleidoscope.
Each regret and each tear.
All those things were made perfectly clear
So our hands could meet.

 

Dulce et Decorum est

by Wilfred Owen

 

Bent double, like old beggars under sacks,

Knock-kneed, coughing like hags, we cursed through sludge,

Till on the haunting flares we turned our backs

And towards our distant rest began to trudge.

Men marched asleep. Many had lost their boots

But limped on, blood-shod. All went lame; all blind;

Drunk with fatigue; deaf even to the hoots

Of tired, outstripped Five-Nines that dropped behind.

 

Gas! GAS! Quick, boys!–An ecstasy of fumbling

Fitting the clumsy helmets just in time;

But someone still was yelling out and stumbling,

And flound’ring like a man in fire or lime…

Dim, through the misty panes and thick green light,

As under a green sea, I saw him drowning.

 

In all my dreams, before my helpless sight,

He plunges at me, guttering, choking, drowning.

 

If in some smothering dreams you too could pace

Behind the wagon that we flung him in,

And watch the white eyes writhing in his face,

His hanging face, like a devil’s sick of sin;

If you could hear, at every jolt, the blood

Come gargling from the froth-corrupted lungs

Obscene as cancer, bitter as the cud

Of vile, incurable sores on innocent tongues,–

My friend, you would not tell with such high zest

To children ardent for some desperate glory,

The old Lie: Dulce et decorum est

Pro patria mori.

 

The Diameter of the Bomb

by Yehuda Amichai

 

The diameter of the bomb was thirty centimeters

And the diameter of its effective range about seven meters,

With four dead and eleven wounded.

And around these, in a larger circle

Of pain and time, two hospitals are scattered

And one graveyard. But the young woman

Who was buried in the city she came from,

At a distance of more than a hundred kilometers,

Enlarges the circle considerably,

And the solitary man mourning her death

At the distant shores of a country far across the sea

Includes the entire world in the circle.

And I won’t even mention the crying of orphans

That reaches up to the throne of God and

Beyond, making

A circle with no end and no God.

 

Sometimes you go upstairs

by David Milligan-Croft

 

Sometimes, you might hear a bang-

Like something has been knocked over.

And, you shout out,

“Hey! What are you two up to?”

 

Sometimes, you go upstairs,

You know, to check on the girls.

To make sure they haven’t kicked off

Their duvets, or fallen out of bed.

 

But, when you go up,

You realise they’re not there anymore.

And, for a moment,

You thought life was like it was before.

 

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#101/365


Screen shot 2013-02-09 at 20.43.38

Sylvia Plath

27th October, 1932 – February 11th, 1963

 

Lady Lazarus

I have done it again.
One year in every ten
I manage it——

A sort of walking miracle, my skin
Bright as a Nazi lampshade,
My right foot

A paperweight,
My face a featureless, fine
Jew linen.

Peel off the napkin
0 my enemy.
Do I terrify?——

The nose, the eye pits, the full set of teeth?
The sour breath
Will vanish in a day.

Soon, soon the flesh
The grave cave ate will be
At home on me

And I a smiling woman.
I am only thirty.
And like the cat I have nine times to die.

This is Number Three.
What a trash
To annihilate each decade.

What a million filaments.
The peanut-crunching crowd
Shoves in to see

Them unwrap me hand and foot
The big strip tease.
Gentlemen, ladies

These are my hands
My knees.
I may be skin and bone,

Nevertheless, I am the same, identical woman.
The first time it happened I was ten.
It was an accident.

The second time I meant
To last it out and not come back at all.
I rocked shut

As a seashell.
They had to call and call
And pick the worms off me like sticky pearls.

Dying
Is an art, like everything else,
I do it exceptionally well.

I do it so it feels like hell.
I do it so it feels real.
I guess you could say I’ve a call.

It’s easy enough to do it in a cell.
It’s easy enough to do it and stay put.
It’s the theatrical

Comeback in broad day
To the same place, the same face, the same brute
Amused shout:

‘A miracle!’
That knocks me out.
There is a charge

For the eyeing of my scars, there is a charge
For the hearing of my heart——
It really goes.

And there is a charge, a very large charge
For a word or a touch
Or a bit of blood

Or a piece of my hair or my clothes.
So, so, Herr Doktor.
So, Herr Enemy.

I am your opus,
I am your valuable,
The pure gold baby

That melts to a shriek.
I turn and burn.
Do not think I underestimate your great concern.

Ash, ash —-
You poke and stir.
Flesh, bone, there is nothing there——

A cake of soap,
A wedding ring,
A gold filling.

Herr God, Herr Lucifer
Beware
Beware.

Out of the ash
I rise with my red hair
And I eat men like air.

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Sylvia Plath – In Memoriam


Sylvia Plath October 27th 1932 - 11th February 1963

Sylvia Plath
October 27th 1932 – 11th February 1963

I was a few days late with my tribute to the great artist, Amedeo Modigliani. So, I decided to be a bit premature with this one to Sylvia Plath.

Poet, novelist and short story writer, Sylvia Plath committed suicide 50 years ago tomorrow.

She was married to fellow poet, Ted Hughes. And the pair had two children together, Frieda and Nicholas.

On hearing of Hughes having an affair they separated. Plath taking two year old Frieda and nine month old Nicholas with her. Five months later, with the kids tucked up in bed, she sealed the kitchen doors and windows with wet towels and put her head in the oven. She was 30 years old.

The world lost a literary colossus and prodigious talent.

Understandably, Ted Hughes came in for a lot of stick for his part in her death. Exacerbated by the fact that his second wife, Assia Wevill, (the woman he had the affair with), also committed suicide in 1969. And, even more tragically, she also took the life of their daughter, Alexandra.

It’s not my place to vilify Hughes, as I don’t know what went on in their relationship. What I do know, is that he was an outstanding poet too.

Plath’s daughter, Frieda went on to become a successful poet, children’s author and artist. (I think she lives in Australia now.)

Nicholas became a marine biologist. But, like his mum, suffered from depression. And sadly, he also took his own life in 2009 by hanging himself.

The world would have been a better, richer place if she had remained in it.

Here is one of my favourite poems; I love the way the lines break, sending one stanza cascading into the next:

EDGE

by Sylvia Plath

The woman is perfected
Her dead

Body wears the smile of accomplishment,
The illusion of a Greek necessity

Flows in the scrolls of her toga,
Her bare

Feet seem to be saying:
We have come so far, it is over.

Each dead child coiled, a white serpent,
One at each little

Pitcher of milk, now empty
She has folded

Them back into her body as petals
Of a rose close when the garden

Stiffens and odors bleed
From the sweet, deep throats of the night flower.

The moon has nothing to be sad about,
Staring from her hood of bone.

She is used to this sort of thing.
Her blacks crackle and drag.

Screen shot 2013-02-09 at 20.43.38

What a smile – RIP Sylvia Plath

Addendum

Here’s a lovely little article from the Academy of American poets about

the things that Sylvia Plath loved.

Addendum II

The days before death. Read this honest, harrowing and heart-felt account, by Jillian Becker, about Sylvia Plath’s final days. (I know, as a parent, that I would’ve felt a little put-out at being a nursemaid.) Thank you to Jo Harley Hynes for sharing it with me.

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